Discland
edited by Jonathan Doyle
Classe tous risques (The Criterion Collection, 6.17.2008) Claude Sautet is best known for subtle interpretations of French bourgeois life in such films as Un coeur en hiver and Nelly & Monsieur Arnaud. Yet the director began his career with genre films. Classe Tous Risques, released in 1960, is considered the best of his early work and it's a fascinating companion to similar crime movies made around the same time by Jean-Pierre Melville. (continued)

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July 2

Hancock

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The Whackness

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Diminished Capacity

Gonzo: The Life and Work of Hunter S. Thompson

Holding Trevor

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Full Battle Rattle

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A Man Named Pearl

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Eight Miles High

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A Very British Gangster

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Two Tickets to Paradise

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Boy A




 

I missed the Variety item

I missed the Variety item last Thursday (11.18), but Bob Berney's Newmarket Films has picked up Oliver Hirschbiegel's Downfall, that German-produced, end-of-the-Third-Reich, down-in-the-bunker movie that I saw a few weeks ago and quite liked. Obviously angling for a Best Foreign Film Oscar nom, Downfall is "an exceptional historical piece [that's] all about detail, detail and more detail," I wrote on 11.3. "Not so much a Hitler character study as a Guernica-sized, pointillist portrait of the last remnants of Nazi culture collapsing into itself." Pic was written and produced by Constantin Film's Berndt Eichinger, and costars Bruno Ganz as Adolf Hitler, Alexandra Maria Lara as Hitler's private secretary, Ulrich Matthes as Joseph Goebbels and Juliane Kohler as Eva Braun.

Posted by Jeffrey Wells on November 23, 2004 at 10:47 AM

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