Discland
edited by Jonathan Doyle
Cloverfield [BLU-RAY] (Paramount Home Entertainment, 6.3.2008) Disguised under deliberately goofy, yet deliciously edible-sounding, aliases such as Cheese and Slusho, Matt Reeves' Cloverfield was produced and rushed into theaters under an equally appetizing shroud of secrecy. From last year's incredibly elusive Super Bowl ad to the film's viral marketing campaign, Cloverfield had everybody scratching their heads and drooling in anticipation. Aside from the as-yet untitled title and the Blair Witch-ian visual style, the film's biggest appeal was the enigmatic creature who was last (un)seen hurling the decapitated head of the Statue of Liberty onto the crowded streets of New York City. All we knew about the mysterious beast was that it was big and angry. Now that the highy-anticipated project has come and gone, one question has fortunately been answered: Cloverfield was a major success. (continued)

Ask anyone -- the Sundance

Ask anyone -- the Sundance Film Festival award that really counts is the Audience Award, and yesterday's (Saturday, 1.29) winner of that honor was Craig Brewer's Hustle & Flow....right on. Another thing you can usually depend upon is that the Sundance jurors will give their dramatic competition Grand Jury prize to a film that a lot of people didn't get or flat-out didn't like. This was clearly the case when they give their big trophy to Ira Sachs' Forty Shades of Blue, a romantic triangle drama set in Memphis. At least four times during the festival I was told in no uncertain terms that Blue is highly problematic, dislikable, tiresome, irritating, etc. A sharp industry watcher and good friend agrees with me that Blue had "no buzz" during the festival, and Hollywood Reporter critic Duane Byrge called it "a drab, minor-key melodrama." I'm not saying the jurors are wackjobbers or off on their own cloud...but you can bet that some people are thinking this or wondering if this is the case. I'm speaking of actor John C. Reilly, director Chris Eyre (Skins, Smoke Signals), critic B. Ruby Rich, producer Christine Vacchon, and actress Vera Farmiga (Close to the Bone). Cheers, in any case, for Eugene Jerecki's Why We Fight for taking the Grand Jury Prize in the American documentary category.

Posted by Jeffrey Wells on January 30, 2005 at 9:59 AM

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