Discland
edited by Jonathan Doyle
Classe tous risques (The Criterion Collection, 6.17.2008) Claude Sautet is best known for subtle interpretations of French bourgeois life in such films as Un coeur en hiver and Nelly & Monsieur Arnaud. Yet the director began his career with genre films. Classe Tous Risques, released in 1960, is considered the best of his early work and it's a fascinating companion to similar crime movies made around the same time by Jean-Pierre Melville. (continued)

Upcoming


July 2

Hancock

July 3

The Whackness

July 4

Diminished Capacity

Gonzo: The Life and Work of Hunter S. Thompson

Holding Trevor

Kabluey

We are Together

July 9

Full Battle Rattle

July 11

A Man Named Pearl

August

Eight Miles High

Garden Party

Harold

Hellboy II: The Golden Army

Journey to the Center of the Earth

Meet Dave

Roman Polanski: Wanted and Desired

The Stone Angel

July 18

A Very British Gangster

Before I Forget

The Dark Knight

The Doorman

Felon

Lou Reed's Berlin

Mad Detective

Mamma Mia!

Space Chimps

Take

Transsiberian

July 22

Two Tickets to Paradise

July 23

Boy A




 

I talked to a critic

I talked to a critic last night (i.e., Saturday) who acknowledged that Craig Brewer's Hustle & Flow is obviously well-liked by the Sundance audience so far and is "the first movie to break through" so far. However, an opinion was also confided that it's basically "bullshit" and "straight out of 1930s Warner Bros. formula." I'm sorry but this critic (a very smart fellow) has never been more wrong. I know what it feels like when a Sundance movie has gone through the roof. Okay...mountain-air syndrome, right? But I know when a movie is working on all six cylinders (notice I didn't say eight cylinders...there's a qualification here) and is achieving ace-level delivery in terms of atmospheric grit, soul, craft, emotion and superb acting, and Hustle & Flow is definitely one of these. Will it play to white audiences as well as black? Will it in fact "play black"? My naysaying critic friend says it might not given the lack of stars, but I would be shocked right down to my Banana Republic two-tone socks if this thing doesn't do very, very well. I liked it so much I'm going to try and see it again at this afternoon's (Sunday, 1.23) press screening at the Yarrow.

Posted by Jeffrey Wells on January 23, 2005 at 11:08 AM

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