edited by Jonathan Doyle

Mafioso (The Criterion Collection, 3.18.2008) Nino Badalamenti is a supervisor in a car manufacturing plant who hasn't taken a vacation in over two years. On his way out the door to visit his beloved childhood hometown of Sicily -- with his blonde wife and daughters -- Nino is handed a package by his boss and asked to deliver it to a powerful and influential Sicilian gangster named Don Vincenzo. Once in Sicily, Nino has a hoot seeing friends and family, but his wife has trouble fitting in and is unfairly dismissed as a snob by Nino's family. Even more worrisome, Nino finds himself entangled in an intricate web of secret mafioso dealings and is eventually sent on an unexpectedly... elaborate errand. (continued)

Upcoming

July 2

Hancock

July 3

The Whackness

July 4

Diminished Capacity

Gonzo: The Life and Work of Hunter S. Thompson

Holding Trevor

Kabluey

We are Together

July 9

Full Battle Rattle

July 11

A Man Named Pearl

August

Eight Miles High

Garden Party

Harold

Hellboy II: The Golden Army

Journey to the Center of the Earth

Meet Dave

Roman Polanski: Wanted and Desired

The Stone Angel

July 18

A Very British Gangster

Before I Forget

The Dark Knight

The Doorman

Felon

Lou Reed's Berlin

Transsiberian

July 22

Two Tickets to Paradise

July 23

Boy A

I could never buy the

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I could never buy the denouement of Taxi Driver, and I never will. Travis Bickle, suspected by Treasury agents as a nutjob assassin who almost killed Sen. Charles Palatine, is portrayed as a hero by the media for shooting a corrupt cop and two pimps in an East Side tenement building? And this shooting in some way helps the parents of Jodie Foster to find her and bring her back home to Indiana? And then the dreamily erotic Cybil Shepard is giving Travis a come-hither look in the rear-view mirror when he gives her a ride in his cab? It's all Travis's death fantasy... the stuff he wishes would happen as he sits on that tenement couch, bleeding profusely and eyeballing the cops in the doorway as he pretends to shoot himself in the head. The very last shot in Taxi Driver is of a seemingly startled Travis looking into his cab's rearview mirror, and then whoosh...he's gone. No reflection. Because Travis isn't really there.

In her 3.31 New York<< previous | next >>If you've ever read Jim

Posted by Jeffrey Wells on March 31, 2005 at 04:36 PM