Discland
edited by Jonathan Doyle
Cloverfield [BLU-RAY] (Paramount Home Entertainment, 6.3.2008) Disguised under deliberately goofy, yet deliciously edible-sounding, aliases such as Cheese and Slusho, Matt Reeves' Cloverfield was produced and rushed into theaters under an equally appetizing shroud of secrecy. From last year's incredibly elusive Super Bowl ad to the film's viral marketing campaign, Cloverfield had everybody scratching their heads and drooling in anticipation. Aside from the as-yet untitled title and the Blair Witch-ian visual style, the film's biggest appeal was the enigmatic creature who was last (un)seen hurling the decapitated head of the Statue of Liberty onto the crowded streets of New York City. All we knew about the mysterious beast was that it was big and angry. Now that the highy-anticipated project has come and gone, one question has fortunately been answered: Cloverfield was a major success. (continued)

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July 2

Hancock

July 3

The Whackness

July 4

Diminished Capacity

Gonzo: The Life and Work of Hunter S. Thompson

Holding Trevor

Kabluey

We are Together

July 9

Full Battle Rattle

July 11

A Man Named Pearl

August

Eight Miles High

Garden Party

Harold

Hellboy II: The Golden Army

Journey to the Center of the Earth

Meet Dave

Roman Polanski: Wanted and Desired

The Stone Angel

July 18

A Very British Gangster

Before I Forget

The Dark Knight

The Doorman

Felon

Lou Reed's Berlin

Mad Detective

Mamma Mia!

Space Chimps

Take

Transsiberian

July 22

Two Tickets to Paradise

July 23

Boy A




 

One of the main reasons

One of the main reasons big-studio movies always feel appealing is because of the way they've been shot, or, more precisely, the way they've been lighted. The dp for Rumor Has It is Peter Deming (The Jacket, I Heart Huckabees), and he has totally followed the standard drill by making all the actors in this trailer (Jennifer Aniston, Kevin Costner, Mark Ruffalo, Shirley MacLaine, etc.) look movie-star exquisite. Perfectly dressed, just the right hint of a golden-amber glow on their skin, every hair follicle arranged just so, etc. Nobody ever talks about this, but the superficially sensual composition in these films is why they tend to sell many more tickets to the hoi polloi than sometimes more provocatively photographed indie films. Average folks respond to the vibe of these damn things because they provide a certain sense of visual Tupperware tidiness by way of Victoria's Secret...a sense of middle-class security...a visual massage effect by way of the carefully calibrated photography.

Posted by Jeffrey Wells on July 26, 2005 at 06:52 AM

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