Discland
edited by Jonathan Doyle
Mafioso (The Criterion Collection, 3.18.2008) Nino Badalamenti is a supervisor in a car manufacturing plant who hasn't taken a vacation in over two years. On his way out the door to visit his beloved childhood hometown of Sicily -- with his blonde wife and daughters -- Nino is handed a package by his boss and asked to deliver it to a powerful and influential Sicilian gangster named Don Vincenzo. Once in Sicily, Nino has a hoot seeing friends and family, but his wife has trouble fitting in and is unfairly dismissed as a snob by Nino's family. Even more worrisome, Nino finds himself entangled in an intricate web of secret mafioso dealings and is eventually sent on an unexpectedly... elaborate errand. (continued)

Upcoming


July 2

Hancock

July 3

The Whackness

July 4

Diminished Capacity

Gonzo: The Life and Work of Hunter S. Thompson

Holding Trevor

Kabluey

We are Together

July 9

Full Battle Rattle

July 11

A Man Named Pearl

August

Eight Miles High

Garden Party

Harold

Hellboy II: The Golden Army

Journey to the Center of the Earth

Meet Dave

Roman Polanski: Wanted and Desired

The Stone Angel

July 18

A Very British Gangster

Before I Forget

The Dark Knight

The Doorman

Felon

Lou Reed's Berlin

Mad Detective

Mamma Mia!

Space Chimps

Take

Transsiberian

July 22

Two Tickets to Paradise

July 23

Boy A




 

"A masterpiece of indirection and

"A masterpiece of indirection and pure visceral thrills, David Cronenberg's latest mindblower, A History of Violence, is the feel-good, feel-bad movie of the year," N.Y. Times critic Manohla Dargis declared in her 9.23 review. "That sounds far grimmer or at least more relentlessly grim than this shrewd, agile, often bitingly funny film plays. The great kick of [it] -- or rather, the great kick in the gut -- comes from Mr. Cronenberg's refusal to let us indulge in movie violence without paying a price. The man wants to make us suffer, exquisitely. Decades of mainlining blockbusters have, for better or perhaps for worse, inured us to the image of bullet-chewed bodies and the pop-pop-pop of phony weapon fire. For the contemporary movie connoisseur, film death is now as cheap as it is familiar. To which Mr. Cronenberg quietly says, 'Oh, yeah?'"

Posted by Jeffrey Wells on September 24, 2005 at 08:56 AM

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