Discland
edited by Jonathan Doyle
Mafioso (The Criterion Collection, 3.18.2008) Nino Badalamenti is a supervisor in a car manufacturing plant who hasn't taken a vacation in over two years. On his way out the door to visit his beloved childhood hometown of Sicily -- with his blonde wife and daughters -- Nino is handed a package by his boss and asked to deliver it to a powerful and influential Sicilian gangster named Don Vincenzo. Once in Sicily, Nino has a hoot seeing friends and family, but his wife has trouble fitting in and is unfairly dismissed as a snob by Nino's family. Even more worrisome, Nino finds himself entangled in an intricate web of secret mafioso dealings and is eventually sent on an unexpectedly... elaborate errand. (continued)

Upcoming


July 2

Hancock

July 3

The Whackness

July 4

Diminished Capacity

Gonzo: The Life and Work of Hunter S. Thompson

Holding Trevor

Kabluey

We are Together

July 9

Full Battle Rattle

July 11

A Man Named Pearl

August

Eight Miles High

Garden Party

Harold

Hellboy II: The Golden Army

Journey to the Center of the Earth

Meet Dave

Roman Polanski: Wanted and Desired

The Stone Angel

July 18

A Very British Gangster

Before I Forget

The Dark Knight

The Doorman

Felon

Lou Reed's Berlin

Mad Detective

Mamma Mia!

Space Chimps

Take

Transsiberian

July 22

Two Tickets to Paradise

July 23

Boy A




 

You want surreal? Read Laura

You want surreal? Read Laura Holson's New York Times story about the Universal-buying-DreamWorks negotiations that have fallen apart. Because two recent DreamWorks films -- The Island and Just Like Heaven -- respectively flopped and underperformed, NBC Universal executives involved in negotations to purchase the live-action filmmaking side of DreamWorks (along with the company's 60-film library) "lowered their projection of the rate of return for DreamWorks" and therfore lowered their offer from $1.5 billion to $1.4 billion. This still would have handed about $900 million to DreamWorks' partners and investors (David Geffen, Steven Spielberg, Paul Allen and...?). But because of the $100 million downgrade, Geffen, who was repping DreamWorks in the negotiations, said "forget it" and the deal has gone south. This what living in a fantasy membrane of sloth and corruption comes to...here is a portrait of men and women who are so far off the ground and so swaddled in mink and diamonds they've forgotten what it means to stand on the ground, smell the air and look reality in the eye. The DreamWorks library has a solid ascertainable value. The future-tense ability of the DreamWorks production team (including director Steven Spielberg) to bring in tens of millions more in revenue from the movies they might make is a very hazy proposition. The Spielberg brand is worth plenty with average-Joe audiences, but if you ask me the rest of the team isn't worth a whole lot. 90% of the perceived value of a company's future output is always about smoke and mirrors and hot air. My advice is for someone to purchase the library and let the DreamWorks apparatus scatter in the winds...break the company into a thousand pieces and let the life process recoagulate somewhere else. Are the DreamWorkers supposed to be some kind of golden-goose crew? Says who? Based on what? Take the needle out of your arm.

Posted by Jeffrey Wells on September 28, 2005 at 07:02 AM

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