Discland
edited by Jonathan Doyle
Cloverfield [BLU-RAY] (Paramount Home Entertainment, 6.3.2008) Disguised under deliberately goofy, yet deliciously edible-sounding, aliases such as Cheese and Slusho, Matt Reeves' Cloverfield was produced and rushed into theaters under an equally appetizing shroud of secrecy. From last year's incredibly elusive Super Bowl ad to the film's viral marketing campaign, Cloverfield had everybody scratching their heads and drooling in anticipation. Aside from the as-yet untitled title and the Blair Witch-ian visual style, the film's biggest appeal was the enigmatic creature who was last (un)seen hurling the decapitated head of the Statue of Liberty onto the crowded streets of New York City. All we knew about the mysterious beast was that it was big and angry. Now that the highy-anticipated project has come and gone, one question has fortunately been answered: Cloverfield was a major success. (continued)

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Defiance

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A Canadian exhibition guy named

A Canadian exhibition guy named Robert Wales says the reason Match Point sounded so shitty at the Leows Lincoln Square on Wednesday night is because Woody Allen is an old fart when it comes to state-of-the-art sound recording. "Are you aware that Allen has never made a film in stereo?," Wales begins. "There are going to be differences comparing a big film with a full 5-channel mix to one of Allen's dialogue-driven pieces. I work for a major theatre chain, and every Allen film inevitably brings us customer complaints about presentation that are almost always related to the fact that they feel they are being cheated because the sound is coming from only one speaker, and therefore something must be wrong. The situation is even murkier when people see the film being presented in digital sound, which to the average person means multi-channel. The truth is that digital sound is able to convey as many (or as few ) channels as the filmmakers intended. I haven't seen Match Point myself, but I have no reason to expect that Allen has suddenly decided to mix his films in stereo at this stage in his career. Of course, it's also possible you saw a lousy presentation but given the prominence of Leows' Lincoln Square I'd be surprised if their presentations were truly substandard."

Posted by Jeffrey Wells on December 29, 2005 at 9:30 PM

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