Discland
edited by Jonathan Doyle
Classe tous risques (The Criterion Collection, 6.17.2008) Claude Sautet is best known for subtle interpretations of French bourgeois life in such films as Un coeur en hiver and Nelly & Monsieur Arnaud. Yet the director began his career with genre films. Classe Tous Risques, released in 1960, is considered the best of his early work and it's a fascinating companion to similar crime movies made around the same time by Jean-Pierre Melville. (continued)

Upcoming


July 2

Hancock

July 3

The Whackness

July 4

Diminished Capacity

Gonzo: The Life and Work of Hunter S. Thompson

Holding Trevor

Kabluey

We are Together

July 9

Full Battle Rattle

July 11

A Man Named Pearl

August

Eight Miles High

Garden Party

Harold

Hellboy II: The Golden Army

Journey to the Center of the Earth

Meet Dave

Roman Polanski: Wanted and Desired

The Stone Angel

July 18

A Very British Gangster

Before I Forget

The Dark Knight

The Doorman

Felon

Lou Reed's Berlin

Mad Detective

Mamma Mia!

Space Chimps

Take

Transsiberian

July 22

Two Tickets to Paradise

July 23

Boy A




 

Here's an unsurprising but very

Here's an unsurprising but very concise National Public Radio discussion led by Hollywood analyst and chronicler Kim Masters about which films are the leaders for Best Picture, with commen- tary by Los Angeles Times columnist Patrick Goldstein and Maxim critic Pete Hammond. The piece was recorded about two weeks ago, which is a long time in terms of the twists and surges that can manifest in an Oscar race... but it's worth a listen. Will Good Night, and Good Luck do as well as Hammond claims? I wonder.

Posted by Jeffrey Wells on December 30, 2005 at 10:45 AM

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