No one has ever been

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No one has ever been able to explain any kind of easy-to-sort- through criteria by which a regular guy can decide that the sound editing on this film is better than the sound editing on that film. It's always been a total mystery to me...to everyone. And why is is that only the expensive big-noise films with elaborate costumes and weaponry seem to get nominated for the sound editing Oscar? This year's nominees, in alphabetical order, are The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, Harry Potter and the Goblet of Fire, King Kong, Memoirs of a Geisha, Star Wars: Episode III Revenge of the Sith, Walk the Line and War of the Worlds. Do it differently this year: scratch all the behemoths and give the Oscar to Walk the Line, the only medium-sized guy.