Discland
edited by Jonathan Doyle
Cloverfield [BLU-RAY] (Paramount Home Entertainment, 6.3.2008) Disguised under deliberately goofy, yet deliciously edible-sounding, aliases such as Cheese and Slusho, Matt Reeves' Cloverfield was produced and rushed into theaters under an equally appetizing shroud of secrecy. From last year's incredibly elusive Super Bowl ad to the film's viral marketing campaign, Cloverfield had everybody scratching their heads and drooling in anticipation. Aside from the as-yet untitled title and the Blair Witch-ian visual style, the film's biggest appeal was the enigmatic creature who was last (un)seen hurling the decapitated head of the Statue of Liberty onto the crowded streets of New York City. All we knew about the mysterious beast was that it was big and angry. Now that the highy-anticipated project has come and gone, one question has fortunately been answered: Cloverfield was a major success. (continued)

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Hancock

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Diminished Capacity

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Variety critic Todd McCarthy has

Variety critic Todd McCarthy has written a good bitch-and-moan piece about Sundance '06. Called "The Big Chill," it bemoans the mostly underwhelming dramatic competition entries except for Wristcutters: A Love Story (I presume this means McCarthy doesn't harbor loads of affection for the award-winning Quinceanera), visually lackluster camera work in just about every film, punishing traffic snarls and parking problems, "too many useless scenesters clogging up the town," showings starting way too late, etc. I still love looking up at those snowflakes at night and feeling their gentle moisture on my face, but I agree with every word McCarthy says here.

Posted by Jeffrey Wells on January 29, 2006 at 10:11 PM

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