A couple of weeks after I called director-screenwriter
John Milius about that
issue of seeing parallels between the Wolverines in his classic
Red Dawn...
Read More
posted by Jeffrey Wells at 3:23 PM on Friday, March 31, 2006
I'm reluctant to get into this because I know how venting about weight makes me sound, but funny-guy
Vince Vaughn looks too bulky in the trailer for
The Breakup (Universal, 6.2). I was half focused on the premise, dialogue and jokes, and half trying to ignore a voice that wouldn't stop saying, "Whoa...guy's gotta hit the treadmill." But I lost the battle and the "whoa" voice, in fact, kept getting louder and louder. Forget Vaughn's
Swingers physique -- he hasn't had that for ten years. The problem is that he looks heavier in this trailer than he did in
...
Read More
posted by Jeffrey Wells at 2:17 PM on Friday, March 31, 2006
Being something of a talent-spotter, I agree with
Anne Thompson's
recommendation about
Movie Marketing Madness. It's a site about the latest scientific techniques to strengthen soil nutrients in water-depleted areas...a site about the business of selling movies, I mean...and it's pretty damn good. The author is
Chris Thilk, a 31 year-old Chicago-based writer and married guy with two kids. (I wrote earlier that Thilk is most likely single and lonely, since happy fulfilled guys don't bang out blogs....not this time! Thilk has also never toiled in any ad agencies.)
posted by Jeffrey Wells at 12:39 PM on Friday, March 31, 2006
The smartest thing that
Business Week columnist
Jon Fine says in his
riff about New Line's Snakes on a Plane (8.18) is "I can't wait till this comes out...although on a certain level, I guess it already has." Precisely.
Snakes is the internet rumble about it...I've had lots of fun and laughed at a lot of hand-made songs and video spots...and I'm starting to think the hoopla has
probably already peaked, in fact. (I told this to a
Washington Post staffer who interviewed me for a
Snakes piece yesterday morning -- file it quickly!)
Richard WilliamsonRead More
posted by Jeffrey Wells at 12:00 PM on Friday, March 31, 2006
There's a boo-boo in
Borys Kit's
Hollywood Reporter story that's partly about Stone Village Prods. having hired
Bo Goldman to pen an adaptation of a forthcoming remake of
Jules Dassin's Rififi, which will star
Al Pacino in the Jean Servais role. The piece names the director of the remake as "Walt" Becker. Referred to in the story as Pacino's collaborator on
Sea of Love and
City Hall, the guy's actual name is
Harold Becker.
Walt Becker, an actual guy, directed
Van Wilder.
posted by Jeffrey Wells at 11:22 AM on Friday, March 31, 2006
"Page Six"
says in a lead item today that "embattled Paramount chief
Brad Grey's days seem to be numbered" and that "speculation on a possible replacement for him is running rampant." Okay, maybe...but does anyone really think Viacom president and CEO
Tom Freston and the Paramount board are going to jettison Grey because federal prosecutors are rattling their sabers about some wiretapping mucky-muck that went on back in the '90s when Grey was a talent manager, and because reporters are writing stories about this?
LA Indie's
Ross Johnson...
Read More
posted by Jeffrey Wells at 10:50 AM on Friday, March 31, 2006
A seasoned talent who has his alliances and enemies like anyone else in this town, but in my estimation has always had a fairly profound understanding of Hollywood power games, and who now enjoys a certain priveleged insight into upper-stratosphere Hollywood maneuverings...this guy told me something yesterday about Paramount chief
Brad Grey's former attorney
Bert Fields, who's being pressured these days by federal prosecutors over suspicions that he may have been doing the bidding of Grey (and possibly others) when he allegedly hired indicted investigator
Anthony Pellicano...
Read More
posted by Jeffrey Wells at 8:56 AM on Friday, March 31, 2006
I rather liked
Greg McLean's
Wolf Creek upon seeing it at Sundance '05, and I
said so right away. Very few in my journo circle agreed, though, and more than a few despised it. Which is why it feels oddly comforting,
way after the fact, to read
Christopher Kelly, film critic for the Dallas-Ft. Worth
Star Telegram, give it a
thumbs-up.
Mat Zoller Seitz was
startled by Kelly's piece, and then
challenged him to discuss it online.
posted by Jeffrey Wells at 8:04 AM on Friday, March 31, 2006
That guy who's worked with
N.Y. Times Manohla Dargis and has more to the point trashed the idea of her being worthy for the Pulitzer Prize in that
Women's Wear Daily piece has an enemy in
L.A. Daily News critic
Glenn Whipp. "Whoever this source is has a serious case of professional jealousy," Whipp wrote this evening. "This person never hears that Dargis is the best critic the
Times has? I hear it
all the time."
posted by Jeffrey Wells at 11:52 PM on Thursday, March 30, 2006
I'm watching the PBS DVD of Ric Burns's two-hour
Eugene O'Neill documentary, and it has a clip from a 1960 televised production of Eugene O'Neill's
The Iceman Cometh, and suddenly there's a dissolute
Robert Redford playing Don Parritt....
posted by Jeffrey Wells at 11:11 PM on Thursday, March 30, 2006
"Now that Peter Jackson's
King Kong has been released as a two-disc DVD, enterprising fans will undoubtedly find a way to upload the 188-minute film and trim it down to a more dynamic running time," writes DVD/Laser Newsletter editor
Doug Pratt. Please! If someone does this soon, I will
provide a link and do my part to bring viewers to it. Jackson's
Kong...
Read More
posted by Jeffrey Wells at 10:25 PM on Thursday, March 30, 2006
Film critic
Manohla Dargis has been been submitted by her
N.Y. Times editors as a
contender for a Pulitzer Prize, and someone "whos worked with her there"
trashes her, saying "by no means do you ever hear that [Dargis] is the best critic [the
Times] has...she's known for synopsizing and giving stuff away. You're not supposed to read her if you don't want to know what's going to happen."
posted by Jeffrey Wells at 9:53 PM on Thursday, March 30, 2006
Universal Pictures has agreed to hand over
10% of the opening weekend grosses of
United 93 (opening 4.28) to the
Flight 93 National Memorial. The proposed
$30 million memorial will be located in a field near the spot where Flight #93 crashed on 9/11, near Shanksville, Pennsylvania. This seems like a
good move, right? The Universal donation, I mean.
posted by Jeffrey Wells at 9:06 PM on Thursday, March 30, 2006
Rally Round
If a movie is going to try and tell the truth about a real event, I believe it should stick as closely as possible to what is actually known, and if certain things about this event aren't crystal clear then that should be acknowledged and somehow worked into the film.
With this theory in mind, it hit me this morning how United 93...Read More
posted by Jeffrey Wells at 8:45 PM on Thursday, March 30, 2006
With
Basic Instinct 2 arriving this Friday, here's an
amusing piece about unwanted sequels by
L.A. Daily News critic
Glenn Whipp. One of the the misbegotten is
Oliver's Story, a 1978 sequel to
Love Story. I remember this film's poster fondly, or rather a dialogue- added variation. I saw it on a
New York subway station wall...
Read More
posted by Jeffrey Wells at 2:22 PM on Thursday, March 30, 2006
Hollywood Elsewhere's technical ally
Jim Stanley has constructed a special search engine that's aimed at only the WIRED section. He's eventually going to put up a regular link to this on the main page, but in the meantime
here it is.
posted by Jeffrey Wells at 11:52 AM on Thursday, March 30, 2006
Many people have written in and asked if I've seen
Dylan Avery and
Korey Rowe's
Loose Change (2nd edition), a documentary that lays out a lot of suspicious maybes, intriguing indications, and clues of different shapes, weights and sizes to support a premise that
neocons in the U.S. government orchestrated the 9/11 attacks for their own political benefit. A lot of readers think it's at least a disturbing piece (smart, disciplined, well-ordered), and probably the most famous member of this club is
Charlie Sheen...
Read More
posted by Jeffrey Wells at 8:08 PM on Wednesday, March 29, 2006
Oh, and by the way: the allegedly brash nude footage of
Sharon Stone in
Basic Instinct 2 isn't that brash at all. I guess Columbia had to trim it down to satisfy the MPAA. All I know is that is that your eyes barely have a chance to feast before the editor cuts back to David Morrissey. It's basically blink-and-you'll-miss-it. There's a
nice boob shot that lasts maybe four or five seconds, and I don't know what that New York guy was on about when he
told "Page Six"...
Read More
posted by Jeffrey Wells at 4:26 PM on Wednesday, March 29, 2006
Paul Greengrass's
United 93, the 9/11 thriller hitting theatres on 4.28, will open Manhattan's Tribeca Film Festival on 4.25. Tammy Rosen's press release says that
people whose family members died on Flight 93 will be there. Also attending will be "other 9/11 groups and family organizations and first responders whose lives were forever altered on that day." (After I read this last sentence to a friend, he asked, "Will they be flying them in on United?") It's obvious why this downtown Manhattan film festival is looking to show
United 93...
Read More
posted by Jeffrey Wells at 3:28 PM on Wednesday, March 29, 2006
David Fincher's Zodiac is absolutely going to be called that. Chronicles is just what it was called during casting and shooting, apparently...as a ruse. Movies do this sometimes. Just yesterday a breakdown came out for Transformers under the name Prime Detective.
posted by Jeffrey Wells at 3:21 PM on Wednesday, March 29, 2006
Columbia had an all-media screening last night of
Basic Instinct 2 (Columbia, 3.31) at the new AMC Century City plex. The hope was that it might be
Showgirls bad...something deliriously awful...so bad it would make middle-aged men squeal like pigs. Alas, the verdict is that it falls short. At best, it's
Catwoman bad, which is what gossip columnist George Christy said to me after the show. But of course, that movie wasn't bad enough either. The
New York Post's "Page Six"
reports that people laughed at some of the
BI2...
Read More
posted by Jeffrey Wells at 1:57 PM on Wednesday, March 29, 2006
It's not just
David Fincher's
Zodiac (Paramount, 9.22) that's probably going to run about three hours, but also
Andrew Dominik's
The Assassination of Jesse James by the Coward Robert Ford (Warner Bros., October), which stars
Brad Pitt, Casey Affleck, Sam Shepard and
Sam Rockwell. I don't know anything rock-solid, but it seems fair to deduce that the
James film will run long because Dominik's script is
a whopping 210 pages, whereas
James Vanderbilt's
Zodiac script runs about 190 pages...do the math.
Here...
Read More
posted by Jeffrey Wells at 1:02 PM on Wednesday, March 29, 2006
Here are two edited reactions to
Julia Roberts' stage debut in the very first preview performance of
Three Days of Rain in New York on
Tuesday night, 3.28: Guy #1 has written that Roberts "appeared nervous in the beginning but
hit her stride in the second act.
Paul Rudd and
Bradley Cooper [were] both outstanding. A standing ovation came at the end (of course), but Julia appeared very happy to get this one out of the way. A few lines were flubbed, but the show is in good shape considering it was the first preview." Guy #2
Read More
posted by Jeffrey Wells at 12:03 PM on Wednesday, March 29, 2006
Kim Voynar at Cinematical has spoken to
Rebel Without a Cause screenwriter
Stewart Stern, and
reports that "the screen test
Marlon Brando made in 1947" -- which will be included on a new double-disc DVD of
A Streetcar Named Desire coming out May 2nd -- "had practically nothing to do with the
Rebel Without A Cause we're all familiar with." Stern tells Voynar that "Marlon's 1947 test was not for
Rebel Without a Cause as we know it. Dr.
Robert Lindner...
Read More
posted by Jeffrey Wells at 11:57 AM on Wednesday, March 29, 2006
posted by Jeffrey Wells at 11:55 AM on Wednesday, March 29, 2006
It didn't truly hit me until yesterday the degree to which public broadcasting TV affiliates (like L.A.'s KCET) are
operated like medieval feifdoms, totally local and unto themselves with no regard for providing viewers with shared information about options to re-view or purchase popular shows. I'm saying this as a way of explaining that I was
bizarrely misinformed yesterday by both a KCET spokesperson and a WGBH media relations executive named
Lucy Sholley when I called about wanting to see a re-broadcast of
Ric Burns' Eugene O'Neill...
Read More
posted by Jeffrey Wells at 10:33 AM on Wednesday, March 29, 2006
That $10 million
Randy Quaid Brokeback Mountain lawsuit filed on
Thursday, 3.23 against the makers of this widely honored, very profitable film (i.e., Focus Features,
James Schamus,
David Linde, Del Mar Productions), now enjoys a certain enhancement by the mere fact that
Sharon Waxman has examined its merits in a
N.Y. Times story out today (3.29). Boil the snow out of it, and the conclusions are these: (a) Randy Quaid is in no way
a whinin', groanin' sourpuss actor but in fact has a
bright, buoyant attitude about the lawsuit, as
...
Read More
posted by Jeffrey Wells at 8:47 AM on Wednesday, March 29, 2006
If anyone in Manhattan went to the first-night preview of
Richard Greenberg's
Three Days of Rain on Tuesday, 3.28 (which is being performed as I write this, the time being 9:04 pm back east) and feels like sharing an opinion about how first-time performer
Julia Roberts did in the lead role, please get in touch. Roberts' costars in the
Joe Mantello-directed show are
Paul Rudd and
Bradley Cooper. The official opening is 4.19, and the reportedly
sold-out show will run at the Bernard B. Jacobs Theatre for for 12 weeks. This
Playbill...
Read More
posted by Jeffrey Wells at 5:52 PM on Tuesday, March 28, 2006
If you weren't watching your local PBS station Monday night (like me) and therefore missed
Ric Burns'
Eugene O'Neill, a two-hour "American Experience" documentary about
this country's greatest playwright...
Read More
posted by Jeffrey Wells at 5:50 PM on Tuesday, March 28, 2006
Two things about
David Fincher's
Zodiac (Paramount, 9/22) -- one sounding a tad questionable and the other most likely accurate. The film, first things first, is a crime period piece based on the
Robert Graysmith "books" about cops and reporters on the trail of the
Zodiac killer who plagued the San Francisco area in the '60s and '70s. Except last night a person close to the film told me it's no longer being called
Zodiac but
Chronicles, allegedly due to some title-rights issue. (The IMDB lists a recent Thinkfilm release with
Rory Culkin and
Robin TunneyRead More
posted by Jeffrey Wells at 4:23 PM on Tuesday, March 28, 2006
Sweet Bird of Youth
It's not so much how the 23 year-old Marlon Brando looked, although this is fascin- ating in itself. It's more the metaphor of a life not yet blemished or sullied...an aura of freshness, vitality, raw presence.
These are stills from a screen test Brando made in 1947 for a planned film of Rebel Without a Cause, in which he would have played the famously troubled teenager Jim Stark, whom James Dean made into a legendary inconographic figure in Nich- olas Ray's 1955 film of the same name.
...
Read More
posted by Jeffrey Wells at 4:12 PM on Tuesday, March 28, 2006
Stop what you're doing (again) and watch "
Wife Force One," an absolutely brilliant short about the jeopardy that the
wives of Harrison Ford have been subjected to over the years...and the overal climate of "rage, pure rage" that has permeated his numerous action films.
posted by Jeffrey Wells at 12:47 PM on Monday, March 27, 2006
The feds looking into the past deeds of indicted private investigator
Anthony Pellicano "have found
no convincing evidence that actor
Steven Seagal was involved in depositing a dead fish on a reporter's windshield in June 2002," etc. Great... and
nobody cares. This story is mainly about whether or not Paramount chief
Brad Grey is going to emerge so compromised by allegations of involvement in illegal wiretapping via his associations with Pellicano by way of attorney
Bert Fields that he'll be forced to resign...that's it. With maybe a
sideplot" exploring to what extent
Tom Cruise ...
Read More
posted by Jeffrey Wells at 11:25 AM on Monday, March 27, 2006
Director
Richard Fleisher left us a few days ago, and I'm only just paying homage now...sorry. If you're a film buff-type, you might feel like saluting Fleisher for having directing
Narrow Margin, the classic 1952 noir-on-a-train with
Charles McGraw. But for me, Fleischer's peak was
The Vikings -- the 1958 historical action epic that was mostly dominated by producer-star
Kirk Douglas, but was (and still is) notable for two dramatic elements that still work today. One is what seems to happen inside the male Viking characters (particularly Douglas and dad
Ernest Borgnine...
Read More
posted by Jeffrey Wells at 10:33 AM on Monday, March 27, 2006
"I think there's a big difference between
James Bond and
Jason Bourne. I think James Bond is the secret agent who likes being a secret agent and likes killing people. He's a misogynist, an old-fashioned imperialist, and Jason Bourne is
an outsider on the run and he's one of us and he's fighting against them, I think. That's the profound difference, and that's why I like Bourne." -- director
Paul Greengrass riffing two weeks ago with
Empire magazine online about the
The Bourne Ultimatum...
Read More
posted by Jeffrey Wells at 8:55 AM on Monday, March 27, 2006
The
New York Post's "
Page Six" column says
"the race is on" to see who'll be the first to make a biopic of LSD guru
Timothy Leary --
Leonardo DiCaprio's Appian Way production company, which has been half-heartedly stirring this pot for at least a couple of years, or
Fountain director
Darren Aronofsky , who didn't mention any Leary project to me when we last spoke (at the Golden Globes awards) but whatever. Aronofsky may or may not be in a "race" mode but the DiCaprio team is mostly slumbering, I've been told.
...
Read More
posted by Jeffrey Wells at 8:22 AM on Monday, March 27, 2006
Stop what you're doing right now (seriously) and
watch this -- actor
Dave Coyne (a.k.a. "DCLugi" of
Subatomic Warp), has put together a comic video, called "Early Auditions", about four actors --
Chris Walken, Jack Nicholson, Joe Pesci, Robert De Niro -- doing their best to land a part in
Snakes on a Plane. [Note: The first link goes to
Snakes on a Blog, which had the Coyne video on the top of its page at 7:50 am Monday, but they'll eventually move it down, of course.]
posted by Jeffrey Wells at 7:38 AM on Monday, March 27, 2006
"Be disloyal. It's your duty to the human race. The human race needs to survive and it's the loyal man who dies first from anxiety or a bullet or overwork. If you have to earn a living and the price they make you pay is loyalty,
be a double agent -- and never let either of the two sides know your real name. The same applies to women and God.
They both respect a man they don't own...
Read More
posted by Jeffrey Wells at 7:08 PM on Sunday, March 26, 2006
Kris Tapley informs me that Univeral publicist Jen Chamberlain sent out
a press release on 3.7.06 announcing the title change from
Flight 93 to
United 93. Okay, fine...but I didn't get it, and it was still being called
Flight 93 on the
IMDB,
Rotten Tomatoes and
JoBlo earlier today, and
Variety ran that
story on 3.19 in which they called it
Flight 93 and that
Google search I mentioned shows that several other sites are still in the old mode, so is everyone
suffering from ADD or what?
posted by Jeffrey Wells at 6:55 PM on Sunday, March 26, 2006
Here's a pretty good (i.e., well-written, moderately diverting )
piece about
Friends with Money director
Nicole Holofcener by
critic Carina Chocano. I've seen the film, which portrays four Westside L.A. women in terms of their jobs, income and relationships with their men (i.e., mostly husbands), and I certainly recognize some of the characters, character traits and situations. Holofcener is a smart writer, an honest artist and a straight dealer...but there are two things in this film that no one, anywhere, is going to buy. One is Jennifer Aniston...Read More
posted by Jeffrey Wells at 6:17 PM on Sunday, March 26, 2006
"I, too, just came back from seeing Inside Man and while my audience wasn't vocal against the United 93 trailer like they were in Arlington Heights, my companion turned to me when it ended, saying, 'Do you want to see that? I have no desire to see that...eccch!" -- Joseph Jones, Tampa.
posted by Jeffrey Wells at 5:48 PM on Sunday, March 26, 2006
One of the zombie letters (in response to my observation that there are no Pacific Rim zombies...the phenomenon is strictly East Coast, Caribbean and other Old World areas) came from reader
Charlie Hill, who reminded me about that highly regarded
Joe Dante/
Sam Hamm Showtime film,
Homecoming, which aired on the "Masters of Horror" series last 12.2.05. Based on the short story "Death and Suffrage" by
Dale Bailey ...
Read More
posted by Jeffrey Wells at 4:35 PM on Sunday, March 26, 2006
"I live in Arlington Heights, Illnois -- a fairly affluent, moderately left-leaning suburb -- and the audience I saw
Inside Man with on Saturday
reacted none too well to the United 93 trailer. When the
Brokeback Mountain trailers first started playing there was some discomfort but nothing too reactive. But
reaction to United 93's trailer was downright hostile, with a few people actually yelling, 'too soon!' and 'there's no reason to see that' in addition to a lot of perturbed coughing...
Read More
posted by Jeffrey Wells at 4:17 PM on Sunday, March 26, 2006
Switcheroo
Like old habits, movie titles you've gotten used to can die hard. Even relatively recent ones, like Universal's Flight 93, the Paul Greengrass 9/11 thriller that's opening on Friday, 4.28. Or the former Flight 93, I should say. The old-shoe, boilerplate-sounding Flight 93 of yore...a label I was totally down with.
I was so accustomed to the sound of it that when I linked to the trailer three days ago (on 3.24), I didn't even notice that Universal had snuck in like a cat burglar on the Cote d'Azur and changed it to United 93.
...Read More
posted by Jeffrey Wells at 3:47 PM on Sunday, March 26, 2006
posted by Jeffrey Wells at 12:55 AM on Sunday, March 26, 2006
A mildly depressing, somewhat alarming
piece by
Nerve writer
Justin Clark about the growing power of conservative media mogul
Philip Anschutz. The conservative-minded owner of Regal Cinemas (as well as the Edwards and United Artists chains) has plans to shape and control the kind of movies you'll be seeing at his theatres in the coming years. Sanitized, family- or Christian-friendly...a segregated aesthetic environment.
posted by Jeffrey Wells at 2:48 PM on Saturday, March 25, 2006
A "Page Six" item, based on the word of private eye
Richard Sabatino,
says that
Nicole Kidman was "well aware" that
Tom Cruise "was using a private detective to wiretap her phones during their 2001 divorce" [and that] "Kidman knew that Cruise's private detective,
Anthony Pellicano, was a resourceful opponent." The story says that "during her divorce, [Kidman] would talk to friends on the phone and every couple of minutes break into the conversation and say,
'So, Tom, are you listening?' or 'Am I saying what you want me to say, Tom?'
...
Read More
posted by Jeffrey Wells at 2:25 PM on Saturday, March 25, 2006
British author and gossip columnist
Toby Young yesterday passed along an
insane-sounding rumor about
Vanity Fair editor
Graydon Carter being considered as Paramount honcho
Brad Grey's replacement, a story that Young admitted was almost "almost impossible to believe." The noteworthy thing
here is Young's declaration that "Grey's position looks
increasingly untenable...at this rate, it's
not a question of if he goes, but when."
posted by Jeffrey Wells at 1:55 PM on Saturday, March 25, 2006
More blood in the water, the
sharks are circling, and things are looking even more dicey as far as the future of Paramount chief
Brad Grey is concerned. The latest bite was contained in yesterday's (3.24)
N.Y. Times story linking Grey and indicted investigator and accused wiretapper
Anthony Pellicano by
David Halbfinger and
Allison Hope Weiner. They reported that "the first direct evidence of eavesdropping" by the indicted investigator "has surfaced in newly filed court documents" that contain "excerpts of what prosecutors have described as Mr. Pellicano's summaries of conversations he intercepted in 2001 between
...
Read More
posted by Jeffrey Wells at 1:36 PM on Saturday, March 25, 2006
"There's an aircraft error in the
Flight 93 trailer. The shot of the jet taking off into the rising sun is
not a United Airlines 757 but in fact a British Airways Airbus. There's a good possibility that it is just a stock shot used for the trailer to be eventually be replaced, but..." --
Andy Smith, an airline expert.
posted by Jeffrey Wells at 1:23 PM on Saturday, March 25, 2006
posted by Jeffrey Wells at 1:19 PM on Saturday, March 25, 2006
Randy Sharp, director of special projects for the Mississippi-based
American Family Association, is encouraging "concerned" (i.e., anti-gay) Christians to contact
Wal-Mart regarding the 4.4 release of Universal Home Video's
Brokeback Mountain DVD. Sharp claims the retailer's plan to distribute the "pro-homosexual film" (according to an
AgapePress news story) is evidence that Wal-Mart has strayed from its family-friendly roots. (Excuse me? Wal-Mart is friendly only to the notion of constant commerical expansion and destruction of small-town businesses.) An
Advocate story...
posted by Jeffrey Wells at 12:58 PM on Saturday, March 25, 2006
Toronto Star critic
Geoff Pevere, having described himself as a "nearly extinct stone-age geezer" (funny...he doesn't sound that way in his reviews),
laments how common it is to be viciously attacked these days if people don't agree with your film reviews. The internet, says Pevere, is "the
ideal technology for venting intellectually unadulterated spleen...with e-mail it has never been easier to fire a
vigorously hawked-up spitball ...
Read More
posted by Jeffrey Wells at 12:43 PM on Saturday, March 25, 2006
The two big success stories of the weekend are
Spike Lee 's
Inside Man and
Jason Reitman's
Thank You for Smoking. Lee's bank-robbery drama was projected to do $25 to $30 million this weekend, and current estimates (based on yesterday's figures) project a
$28.6 million tally, having done about $9.5 million on Friday. And
Smoking took in $262,000 in 54 theatres yesterday, averaging about $20,000 a print. I'm sorry to report that
V for Vendetta is falling...
Read More
posted by Jeffrey Wells at 12:09 PM on Saturday, March 25, 2006
In his
story about the current proliferation of zombies in movies,
N.Y. Times writer
Warren St. John lists all the
recent commercial manifestations required for a story like this to be approved by his
Times editor, but he fails to mention one important geographical distinction. Zombie Nation is
pretty much anchored in the eastern region of the U.S., the Caribbean islands, New Orleans, and most recently England (i.e.,
Shaun of the Dead...
Read More
posted by Jeffrey Wells at 11:15 AM on Saturday, March 25, 2006
This is a
totally excellent trailer for
Paul Greengrass's
Flight 93 (Universal, 4.28)...you know, the 9/11 movie about the plane that went down in the Pennsylvania countryside because a few brave passengers stood up and did the hard thing. But what's with the image on the one-sheet [see below]? Flight # 93 was
nowhere near Manhattan after the towers got hit, but Universal's ad guys...well, as the saying goes, "Leave it to the ad guys!" They obviously decided the folks wouldn't get it unless the burning towers were front-and-center. Talk about clever, creative, Cleo-Award work.
posted by Jeffrey Wells at 5:22 PM on Friday, March 24, 2006
Randy Quaid acted in
Brokeback Mountain for peanuts, so you can understand why he's
pissed that he did that, given that the movie has taken in
$160 million worldwide. He's figuring that a portion of the dough ought to be passed around as
a retroactive make-up thing. And yet it seems a mite strange that Quaid is
suing Focus Features, Del Mar Prods., and
Brokeback producers
James Schamus and
David Linde...
Read More
posted by Jeffrey Wells at 3:03 PM on Friday, March 24, 2006
When he recently interviewed former pinup queen
Bettie Page, whose life during the 1940s and '50s is the focus of
Mary Harron's The Notorious Bettie Page (Picturehouse, 4.14),
L.A. Times staffer
Louis Sahagun wrote that that "her face remains
smooth and fresh, and one can still see the face of the young woman in the old. Her
eyes, bright blue, still sparkle." That's good to hear because judging by Paige's reported criticism of the film,
she's not that hip...
Read More
posted by Jeffrey Wells at 1:58 PM on Friday, March 24, 2006
What's the worst DVD commentary track ever recorded? Obviously a subjective call, but
Rate That Commentary hands the booby prize to the usually very well-spoken
William Friedkin and his commentary on Warner Home Video's
The Exorcist: The Version You've Never Seen...
Read More
posted by Jeffrey Wells at 12:38 PM on Friday, March 24, 2006
The coolest thing about
John Anderson and
Laura Kim's new how-to-sell-your-independent-movie book,
"I Wake Up Screening" (Billboard, 3.30), is, of course, the title...although it sounds more like a description of
what it's like to attend Sundance or Cannes or Toronto as a buyer or a journalist than anything else. It's a how-to manual for emerging filmmakers "about how to (and how not to) get their films talked about, written about"...uhhm,
the best way to do this is to get people like me to see it early...
Read More
posted by Jeffrey Wells at 11:58 AM on Friday, March 24, 2006
That server shutdown that happened around 10:30 am and lasted about fifteen minutes was one of those unfortunate incidents. Lunar Pages has offered their apologies, and I, too, am offering mine.
posted by Jeffrey Wells at 11:13 AM on Friday, March 24, 2006
A little more than three years ago
Variety's
Michael Fleming reported that former bigtime auteur
Lawrence Kasdan (
Grand Canyon,
The Big Chill, et. al.) was starting work (along with screenwriter
Terri Minsky) on a U.S. remake of
Sandra Nettlebeck's
Mostly Martha for Castle Rock. There was moderate excitement about this since pretty much everyone with any taste was fairly taken with the '01 German-made original. In June 2002, back in my Reel.com period, I ran a
rave about
Martha, calling it "a culinary
Kramer vs. Kramer...
Read More
posted by Jeffrey Wells at 8:47 AM on Friday, March 24, 2006
I
mentioned something a while back about
David Morrisey,
Sharon Stone's costar in
Basic Instinct 2 (Columbia, 3.31), not being "her sexual equal...his eyes are too small and his pale freckly face is a bit soft and puffy." One presumes Morrisey was hired for the part because of this...because he would make Stone look good. Can anyone imagine Stone and director
Michael Caton-Jones deciding to cast an exceptionally handsome and photogenic younger costar? This movie was Stone's show...
she's the one who had to look great, not the guy.
posted by Jeffrey Wells at 10:53 PM on Thursday, March 23, 2006
"As long as the leadership at the other agencies remains static, many
Hollywood players are putting their money on Endeavor as the one that could mount a challenge to the CAA monolith. The solution for Endeavor would be to follow the CAA model of focusing on teamwork and efficiency -- and bring in more top agents like ex-CAA agent [Patrick] Whitesell. 'If they pick off a partner or two from the other agencies,' one producer says, 'the
balance could shift pretty quickly. Pull over an Ed Limato and shake the power balance. CAA can't handle everybody.
...
Read More
posted by Jeffrey Wells at 9:58 PM on Thursday, March 23, 2006
If you're mainly a WIRED reader (i.e., not into reading the feature stories in this column), I'll reiterate the key point of today's
Snakes on a Plane story, which is that New Line Cinema's
8.18 release date -- five months from now -- is a
mistake at this stage, given all the excitement being generated right now. No movie company can orchestrate what's happening with
Snakes, and
it's folly to think that the present energy levels will keep up for another 19 or 20 weeks. If New Line's distribution chief Russell Schwartz is smart, he'll push
Snakes...
Read More
posted by Jeffrey Wells at 4:02 PM on Thursday, March 23, 2006
Snakes! Snakes!
You're in your too-small coach seat and speechless, eyes aglare and back arched. Reason? A dangling diamondback rattler (as opposed to a dangling participle), four or five inches in front of your face and hissing like any well-motivated serpent, is about to bite down hard.
This, in a nutshell, is New Line's Snakes on a Plane (8.18). Combined with that hilariously idiotic title, it's also behind a growing camp following and internet groundswell that appears to be turning this low-rent thriller into the first major movie phenomenon of 2006.
...Read More
posted by Jeffrey Wells at 3:04 PM on Thursday, March 23, 2006
Holy coyote! Holy fruit salad!...now the
N.Y. Daily News has
sided with the
N.Y. Times in this completely groundless
beep-beep vs. meep-meep debate, which, of course, Hollywood Elsewhere is totally on the audibly-correct side of. I'll say once again to these
old-media newspaper editors who keep using "beep beep"... listen to one of the
damn Roadrunner cartoons already. I know this will require extra effort...I know it'll
take time out of your lunch hour...
Read More
posted by Jeffrey Wells at 8:39 AM on Thursday, March 23, 2006
Steve Buscemi keeps getting
bumped off in his movies, and when he directs movies (like the upcoming
Lonesome Jim) he always seems to make them about loser gloom-heads...but the thing moviegoers love about Buscemi...his ace-in-the-hole material...is
when he plays extra-smart guys saying really sassy lines.
Reservoir Dogs'
Mr. Pink explaining why he doesn't tip, that
psycho killer in
Con Air explaining the meaning of irony, his high-IQ mobster
Tony Blundetto ...
Read More
posted by Jeffrey Wells at 11:41 PM on Wednesday, March 22, 2006
Basic Instinct 2 (Columbia, 3.31) "will almost certainly be hailed as unforgettable -- though not, perhaps, for the reasons that Stone and the filmmakers intended. The movie, directed by Michael Caton-Jones, finds
Sharon Stone's oversexed ice-queen author, Catherine Tramell, squaring off against a criminal psychologist (British actor
David Morrissey) as she goes on trial for the murder of a soccer player. If you expect an erotic thriller, you may be
sorely disappointed. But if you expect soft-core camp, you will be rewarded with
a showstopper nearly in the league of the weirdly mesmerizing Showgirls...
Read More
posted by Jeffrey Wells at 10:22 PM on Wednesday, March 22, 2006
"I've had it with these snakes!" -- one of
Samuel L. Jackson's
money lines in New Line's
Snakes on a Plane (8.18). (This is an unfinished trailer -- some of the CG snakes look like something out of a cartoon.)
posted by Jeffrey Wells at 5:41 PM on Wednesday, March 22, 2006
Will Smith may have another half-decent film opening later this year, and perhaps more:
Pursuit of Happyness (Columbia, 12.15), directed by
Gabriele Muccino and written by
Steve Conrad. It's about a salesmen having a tough time (Smith) as he takes custody of his son (played by Smith's son, Jaden). In any event,
Mike Sampson at JoBlo has seen an early cut and
reviewed it. An excerpt: "Will this be an Oscar contender or a blockbuster? I'd say
Smith has a good chance of being nominated...
Read More
posted by Jeffrey Wells at 5:20 PM on Wednesday, March 22, 2006
Ridley Scott's
Kingdom of Heaven "Director's Cut" (191 minutes), which I saw and
reviewed early last January, is coming out on DVD on 5.23. And Mr. Beaks'
Collider site is having a free screening of it 4.4 on Hollywood's Arclight.
posted by Jeffrey Wells at 5:09 PM on Wednesday, March 22, 2006
We're all tired of hearing that
Sofia Coppola's
Marie-Antoinette (Columbia, 10.13), which will play at the Cannes Film Festival in mid May, is going to be a stylized take on the life of the young Austrian-born woman (
Kirsten Dunst) who became the
Paris Hilton of her day when she married King Louis XVI (
Jason Schwartzman), and not a "historically accurate" capturing of any kind except for the 18th Century sets, clothes and hairstyles. What's instructive, perhaps, is that before deciding to use
Lady Antonia Fraser's biography of the ill-fated empty vessel and party girl --"
...
Read More
posted by Jeffrey Wells at 3:18 PM on Wednesday, March 22, 2006
Roadside Attractions will distribute the Berlin Film Festival hit
The Road to Guantanamo in the U.S. of A. sometime early this summer. Which means, of course, that only people in the big cities will see it in theatres and everyone else will rent the DVD through Netflix. Co-directed by the always-slightly-irritating
Michael Winterbottom, it's a docudrama about
three British Muslims who were nabbed by U.S. authorities ...
Read More
posted by Jeffrey Wells at 1:26 PM on Wednesday, March 22, 2006
If
Derek Wan's
Shadow: Dead Riot, a lesbo women-behind-bars zombie flick, is half (or even a third) as entertaining as
Nathan Lee's review in the 3.22
New York Times, I'd really like to see it. The opening graph reads, "A cult classic is born in
Shadow: Dead Riot, and so is a rampaging corpse baby. Written by
Michael Gingold...
Read More
posted by Jeffrey Wells at 1:05 PM on Wednesday, March 22, 2006
"Because Netflix relies on subscriber ratings and recommendations, and can offer an almost limitless array of product, it creates a
level playing field, allowing a tiny indie film to compete with a multiplex monster. It's a great example of what
Wired magazine's Chris Anderson calls the
Long Tail. Put simply, our culture is increasingly
shifting away from a focus on a relatively small number of blockbusters at the head of demand curve
and toward a huge number of niches in the tail...
Read More
posted by Jeffrey Wells at 12:50 PM on Wednesday, March 22, 2006
"It's funny you mentioned
The Hospital because I just bought the screenplay off Amazon (as part of "The Collected Works of Paddy Chayefsky, Vol. II") and am reading it for the first time. (I've never seen the movie but will as soon as I finish.) The impulse came from rewatching the brilliant
Network...
Read More
posted by Jeffrey Wells at 10:13 AM on Wednesday, March 22, 2006
Will Smith as "a
charming rogue who is blackmailed by the government into doing covert larceny for the good of his country"? God...the old
Cary Grant debonair-thief concept again? No offense to the producers (
Kevin Misher, John Davis, Joe Singer), but the mentality beneath a project like this is what
everyone with a smidgen of taste or a half-functioning brain hates about Hollywood, and is exactly the sort of vehicle that has made Smith into the most vapid African-American superstar around. Smith
peaked in '93 when he did
Six Degrees of Separation...
Read More
posted by Jeffrey Wells at 9:33 AM on Wednesday, March 22, 2006
I came across these two dialogue files by accident this morning -- two clips from
Paddy Chayefsky's
The Hospital (1971), and it hit me all over again how wonderfully particular and penetrating and needle-sharp these soliloquies are.
George C. Scott's
confession to a colleague about what a wreck his middle-aged life has become is about as
masterful and genuine-sounding as this sort of thing gets, and I love the the cadence he brings to some of the lines. (The almost imperceptible pause he inserts between the words "pushing" and "drugs" is sheer genius.) And the
...
Read More
posted by Jeffrey Wells at 8:58 AM on Wednesday, March 22, 2006
"Chaiya Chaiya" is a Bollywood tune, but I was never entirely clear about what
precisely constitutes a Bollywood tune...or a Bollywood film, for that matter. (I know how to define them generally, but not with any particularity.) So a reader named
Aamir Hanif laid it all out: "Bollywood refers to all movies that are made in Mumbai, formerly Bombay. Sort of like Hollywood movies." (Okay, I knew that.) "Pakistan, India's neighbor, has the same sort of thing. Its movie capital is a city called Lahore and all Pakistani movies are also called
Lollywood movies...
Read More
posted by Jeffrey Wells at 8:45 AM on Wednesday, March 22, 2006
I'd like to ask everyone to stop what they're doing and bow their heads in a moment of silence...
seriously...for
Sidney Lumet's
Find Me Guilty, which opened on 3.17 and is
already dead. It's one of the best films of 2006 so far, it's Lumet's best since
Q & A, and it has what can reasonably be called an embarassment of first-rate performances (by
Vin Diesel, Peter Dinklage, Anabella Sciorra, Alex Rocco and
Linus Roache...
Read More
posted by Jeffrey Wells at 7:56 AM on Wednesday, March 22, 2006
A
catchy Indian Bollywood tune called "
Chaiya Chaiya" seriously energizes the opening and closing credit sequence of Spike Lee's
Inside Man (Universal, 3.24), and is one of the best things about it. The cut was previously used for an allegedly decent Indian 1998 film called
Dil Se (i.e.,
From the Heart.) The composer is a guy named
A.R. Rahman, the composer for
Andrew Lloyd Webber's
Bombay Dreams on Broadway (and in London), and currently the composer for the
Lord of the Rings musical that's opening (or will soon open) in Toronto.
posted by Jeffrey Wells at 11:22 PM on Tuesday, March 21, 2006
Here's the voice, mind and personality of
Gretchen Moll, star of Picturehouse's
The Notorious Bettie Page, talking to a
round table of journos at today's (Tuesday, 3.21) at the Four Seasons hotel in Beverly Hills. Mostly chit-chat, four or five decent questions. (Me? I asked whether she had any contact with the real Bettie.)
posted by Jeffrey Wells at 11:08 PM on Tuesday, March 21, 2006
A portion of the
Cannes 2006 lineup has been
reported on, and the only one I'm really hot to see so far is
Alejandro Gonzalez Innaritu's
Babel (Paramount, 10.6.06), a
three-story interweave in the vein of
Amores Perros with a script by that film's author, the great
Guillermo Ariagga. Plus a large cast topped by
Brad Pitt, Cate Blanchett and
Gael Garcia Bernal...
Read More
posted by Jeffrey Wells at 9:12 PM on Tuesday, March 21, 2006
"I think you're onto something with this
'beep beep'/'meep meep' thing. I can't imagine any person with functioning ears hearing the Roadunner sound as anything but 'meep meep.' But Warner Bros. seems bizarrely insistent that the actual term is 'beep beep' (for example, see
serial number 73689940 in the U.S. trademark database) and
Chuck Jones himself used 'beep beep' (with the 'b' clearly pronounced) in interviews. I cannot imagine what
sinister purpose...
Read More
posted by Jeffrey Wells at 8:57 PM on Tuesday, March 21, 2006
I've heard some "interesting spin" from two enthused sources over the last few days about
Steven Zallian's
All the Kings Men (Columbia, mid-to-late fall). They're saying this period political drama, believe it or not, is going to be
the film to beat in the 2006 Oscar race. Based on
Robert Penn Warren's novel but for all practical purposes a
remake of the Oscar- winning 1949
Robert Rossen film about a ruthless Southern politician modelled on
Huey Long, the Mike Medavoy production was
yanked from its 12.16.05 release on or about 10.20.05. (
Here...
Read More
posted by Jeffrey Wells at 6:32 PM on Tuesday, March 21, 2006
Regarding Fathers
There isn't anyone out there who doesn't expect Clint Eastwood's Flags of Our Fathers (DreamWorks/Paramount) to rank as a probable Best Picture contender later this year, but it won't be screened for another four or five months or so why not chill and write about something else?
...Read More
posted by Jeffrey Wells at 12:24 PM on Tuesday, March 21, 2006
I can't stop laughing at this. I've read it over and over and it's magnificent....brilliant. The speaker, quoted in
USA Today, is
Greg Laemmle, president of Laemmle Theaters, a 16 theatre Southern California chain. "The movie business is
a little like the drug business. We are the pushers, and our customers are the users. Even if business is good, you have to keep giving people
what they want."
posted by Jeffrey Wells at 4:53 PM on Monday, March 20, 2006
Thanks to MCN's "the Reeler" for his
unqualified support in the all-important
New York Times vs.
Hollywood Elsewhere "beep beep" vs. "meep meep" debate, which
came to a head in this space on Sunday, 3.19.
posted by Jeffrey Wells at 4:00 PM on Monday, March 20, 2006
There's a stinky sulfur cloud hanging over
Werner Herzog's
Rescue Dawn, a Vietnam-Laos escape-from-a-POW camp film set in the mid '60s and costarring
Christian Bale,
Steve Zahn and
Jeremy Davies. It's no secret to anyone who's taken the time to read the
chat boards attached to
Rescue Dawn 's
IMDB page that the odor in question has
nothing to do with Herzog or the film itself, which no one has seen because it hasn't yet been cut into viewable feature-length form, but from a
pair of hotshot L.A. operators -- funny-money financier
Elie SamahaRead More
posted by Jeffrey Wells at 12:46 PM on Monday, March 20, 2006
Of the 24 films in this generic
N.Y. Daily News spring-preview piece, you can take two to the bank, and they're both from Universal:
Spike Lee's
Inside Man (opening Friday) and
Paul Greengrass's
Flight 93 (opening 4.28...only six weeks from now).
posted by Jeffrey Wells at 12:27 PM on Monday, March 20, 2006
Time's
Tim Padgett has visited the Yucatan peninsula set of Mel Gibson's
Apocalypto (Touchstone, 8.4), and
discovered that the movie's message will likely be embraced by the followers of "liberal Hollywood's bible," and that it might play like some kind of wild-ass companion piece to
Al Gore's anti-global warming film
An Inconvenient Truth, which is opening this spring. "Wacko Mel", as he is generally thought of and/or referred to in liberal circles, has made a violent and very bloody film with human-sacrifice scenes, okay, but it's also
a metaphorical warning piece...
Read More
posted by Jeffrey Wells at 11:55 AM on Monday, March 20, 2006
Padgett also writes in his
Time magazine
Apocalptyo piece that "criticism of
Apocalypto is expected from Mexican nationalists ...since it touches on the raw issue of
human sacrifice, which scholars don't believe was a prevalent Maya practice until the post-classic period, after A.D. 900, when fiercer influences like the Toltecs and Aztecs arrived. It is in that period, not coincidentally, that
Apocalypto is set." Padgett also writes that "if there are complaints about
Apocalypto...
Read More
posted by Jeffrey Wells at 11:55 AM on Monday, March 20, 2006
A crisp, perceptive
take by
Newsweek's
Andy Dehnart on
Tony Soprano's coma dreams and existential wanderings via an alternate identity (i.e., salesman Kevin Finnerty) in episode #2 of
The Sopranos. "I'm 46 years old," Soprano/Finnerty says in a hotel bar to some sales execs he's recently met. "Who am I? Where am I going?" To which costar
Sheila Kelley, sitting across from him, says, "
Join the club."
posted by Jeffrey Wells at 10:52 AM on Monday, March 20, 2006
Robobos has cut another excellent
faux trailer that spins a dark melodrama into a piece of easily digestible pop-fluff, in the vein of that popular
Shining trailer from last year. This one takes
Dennis Hopper's ferociously insane Frank character from
David Lynch's
Blue Velvet and turns him into...a wild and crazy guy!
posted by Jeffrey Wells at 9:46 AM on Monday, March 20, 2006
A penniless
Anthony Pelicano is looking to part ways with his pro bono defense attorney and is planning to make a motion in court today to
defend himself, according to L.A. investigative journalist
Ross Johnson on his just-launched
L.A. Indie website. "Pellicano wants to go quickly to trial and is willing to do it without the help of a federal public defender," sources are telling Johnson. "In this scenario, Pellicano might use the trial as a forum to expose what he feels is
the duplicity of the various state and federal prosecutors...
Read More
posted by Jeffrey Wells at 9:28 AM on Monday, March 20, 2006
Spike's Slam-Dunk
I haven't seen the tracking on Inside Man (Universal, 3.24), but I'll tell you one thing for damn sure. It's going to be the top box-office dog when it opens five days from now. In fact, it's quite obviously...hello?...the most commercial film ever directed by Spike Lee.
...Read More
posted by Jeffrey Wells at 12:18 AM on Monday, March 20, 2006
Spike's Slam-Dunk
I haven't seen the tracking on Inside Man (Universal, 3.24), but I'll tell you one thing for damn sure. It's going to be the top box-office dog when it opens five days from now. In fact, it's quite obviously...hello?...the most commercial film ever directed by Spike Lee.
...Read More
posted by Jeffrey Wells at 12:06 AM on Monday, March 20, 2006
A
Sunday (3.19) profile by the
San Francisco Chronicle's
Vicky Haddock of controversial anti-Iraq War activist
Cindy Sheehan (the mother who last year camped out in protest near President Bush's home in Crawford, Texas, following the death of her soldier son Casey in Iraq) mentions that Sheehan had recent plans to "breakfast in Manhattan with actress
Susan Sarandon, who is set to portray her in a biopic movie." Haddock doesn't say if it's for cable or theatrical, but the former sounds a bit more likely. If anyone knows anything...
posted by Jeffrey Wells at 6:14 PM on Sunday, March 19, 2006
Charles Solomon's
N.Y. Times piece about how
annoyingly verbal animated features have become refers to Chuck Jones' Roadrunner/Wile E. Coyote cartoons as an example of the non-verbal, all-visuals approach that used to rule in the old says. But hold on...Solomon says the Roadunner cartoons "took place in a silence broken only by music, sound effects and an occasional '
beep-beep.'" Inaccurate, dawg. The Roadrunner so