I've finally seen all 54 minutes' worth of Michael Tucker and Petra Epperlein's intensely absorbing The Prisoner or: How I Planned to Kill Tony Blair -- half of it at the Royal Ontario Museum a couple of days ago, and the second half via a DVD screener that was graciously provided by publicist David Magdeal.

One of the things everyone loves about the Toronto Film Festival is that you sometimes out of nowhere you find yourself watching a political documentary that's unusually smart and exceptional all around the track. The Prisoner is one of these.
It's basically about a freelance Iraqi journalist named Yunis Khatayer Abbas telling Tucker and Epperlein his story of having been arrested by U.S. troops (the incident was originally seen in Tucker and Epperlein's Gunner Palace) and subsequent imprisonment for plotting to kill the British Prime Minister
The charges against Abbas were total bullshit, but at the time his prosecutors and incarcerators weren't kidding. Months after being cuffed and thrown in the slammer, Abbas was let go after U.S. officials finally realized that a mistake had been made. Sorry, dude, shit happens, etc.
The Prisoner is partly a tragedy, partly a comedy and a 100% metaphor for the daily parade of bogus accusations, poorly considered military maueuvers and adminstrative screw-ups that apparently are par for the course for U.S. and British officials and soldiers in Iraq these days. That's my take, at least.
I especially enjoyed Tucker and Epperlein's use of graphic-novel images to emphasize the story points. I suppose Iraq tragedy is a cartoon on some level these days, or at least seems that way to some.
Posted by Jeffrey Wells on September 13, 2006 at 8:19 AM
comment #1
JD
says ...
Good movie. Awful use of Cat Stevens' "If You Want to Sing Out," though. Do I really need to have Harold & Maude evoked when I'm watching a documentary about a wrongly imprisoned journalist? And why couldn't they pad this thing out to feature length?
Posted by JD
at September 13, 2006 1:21 PM
comment #2
T. S. Idiot
says ...
Is it possible that using the Islamic crooner in this context is meant as ironic?
Posted by T. S. Idiot
at September 13, 2006 3:22 PM
comment #3
JD
says ...
How is that ironic? It's very literal and in-your-face. But you have to see the movie to understand what I'm saying. The song is used as the subject of the film runs around free on the beach, etc. (ie. not ironically) and it just feels tremendously out-of-place, partly because the song has so much baggage.
Posted by JD
at September 13, 2006 10:14 PM
comment #4
Roddy Reta
says ...
I suspect the libs who attend this film hoping for the death of Tony Blair will be disappointed. But they do have the Bush film has consolation.
Posted by Roddy Reta
at September 14, 2006 5:30 PM