comment #1

christian says ...

i was fortunate to be at the austin film fest in 99 when they showed NASHVILLE at the paramount and altman spoke after and was very downbeat on the future of film. ornery to the end. right on.

comment #2

L.B. says ...

This has ended my day early. For too many reasons. He was right to be down on the future of film. What he represented, movies are definitely missing these days.

comment #3

christian says ...

it certainly is the end of a 70's film era...

comment #4

bipedalist says ...

Nicely put. That quote about the riots is too funny. Gotta love a man who has the big picture down. The Player holds up to this day and was one of his best but yeah, how do you top McCabe and Mrs. Miller. I particularly love the scene where Robbins is kicking the screenwriter shouting "keep it yourself!" He was too good for the mother fucking Oscars. They like them good, just not better.

comment #5

VedaPierce says ...

I've been meaning to watch "Mcabe & Mrs. Miller" again for ages. It seems tonight would be an appropriate time.

You realize how far removed we are from the 70s now that the filmmakers who were responsible for that era's golden age are now starting to leave us.

Anyone else find it kind of remarkable that Ingmar Bergman is still alive?

comment #6

alynch says ...

Nicely written piece there Jeff. Although I'd probably add Short Cuts and possibly Secret Honor onto your list of his great films. You know it's a sign of a great filmmaker when you want to watch a film in his honor, but you simply can't narrow it down to one. He will be missed.

comment #7

PhilContrino says ...

So what movie is everyone going to watch tonight to remember this great director? Personally, I'm going to get some beer (I'm in college, so this is not by any means a special event) and let Nashville just kind of wash over me. And I'm pretty sure a lot of my friends have never seen it.

comment #8

christian says ...

top five favorite altman films?

1. MASH

2. NASHVILLE

3. LONG GOODBYE

4. THE PLAYER

5. MCABE AND MS. MILLER

guilty pleasures:

1. brewtser mcloud

2. popeye

comment #9

JD says ...

Altman's been my favorite filmmaker for years, but this doesn't seem that sudden to me. Every time I see a headline beginning "Robert Altman..." I assume it's an obituary, as he seemed significantly older than just about anybody else making movies today. To be honest, I think the timing of his death is rather poetic. Not only because he received the Lifetime Achievement Award in March, but because his last movie ended with a perfect cinematic farewell. Seriously, watch A Prairie Home Companion tonight and tell me that isn't the perfect final film.

comment #10

MathewM says ...

Altman's films have been hit and miss for me I guess like for most people. However his style wielded a huge influence on me. In my teens I remember being really taken by Short Cuts and The Player; the overlapping dialogue and just the overall fly-on-the wall, documentary feel his films had. He's a director I would of really liked to have seen work.

comment #11

christian says ...

he was a real liberal and a great american artist.

comment #12

Rob says ...

Nashville, McCabe, Short Cuts, 3 Women

Those are my Altman fab four, although I enjoy many others.

comment #13

Josh Massey says ...

"A Prairie Home Companion," I believe, was very intentionally his final film.

comment #14

JD says ...

By the way, I don't think this is the end of the great 70s-era filmmakers at all. Most of the major filmmakers from the 70s are a good two decades younger than Altman. In fact, Altman was 45 when his breakthrough film (M*A*S*H) came out. These days, most filmmakers are already deep in decline by that age. It's kind of amazing that from the age of 70 onward, he managed to direct Kansas City, Jazz '34, The Gingerbread Man, Cookie's Fortune, Dr. T and the Women, Gosford Park, The Company, Tanner on Tanner, and A Prairie Home Companion. Of all those films, Gosford Park was probably my least favorite and it received the most attention. Dr. T and the Women was the great guilty pleasure of Altman's later years and anyone who hasn't seen it should check it out, in spite of the terrible reviews. Almost everyone I know hates it, but I genuinely think it's one of Altman's most appealing and playful films from this period.

comment #15

David Ehrlich says ...

nice piece that will stand out from the throngs of other Altman tributes, Jeff. Well done, he'll be missed.

comment #16

christian says ...

i also really liked cookie's fortune. a soft gentler altman.

comment #17

The Movie Man says ...

Great write up Jeff, no easy sentimentality and to the point, just as the man himself would've liked. JD also has a point about Altman's age, it once again speaks against the belief that if you don't produce a masterpiece by thirty that you're done. Quite the contrary, Altman had what many of the wannabes lack, real world experience that has nothing to do with watching movies over and over. That's what made his films so far beyond just about anyone else in the game. Paul Thomas Anderson's involvement with Altman is appropriate, because I think he's one of the brightest of the new school, and seemds equally contemptious of fake Hollywood bullshit.

My top five Altmans would be: Nashville, The Player, McCabe and Mrs. Miller, Short Cuts and California Split. Though I would like to make a special mention of The Gingerbread Man, not for being one of the greatest but one of the most underrated of his films. It should that when the man wanted to, he could play the mainstream game better than anyone else too.

comment #18

Craig Kennedy says ...

I totally agree with JD on A Prairie Home
Companion. It may not be pantheon level (it's a bit too early to be making that judgement anyway), but it's a sweet and melancholy ode to a passing era and I can't think of a more appropriate way to go out.

McCabe & Mrs. Miller, The Long Goodbye, Thieves Like Us, The Player, Short Cuts.

"It's ok with me."

comment #19

Min says ...

I even liked Quintet and Popeye.

comment #20

slothroplt says ...

I "discovered" the work of Altman with Short Cuts -- a little bit after I "discovered" the work of Raymond Carver with What We Talk About When We Talk About Love. The two will always be intertwined in my mind as I feel they shared a common sensibility and sensitivity towards people and an understanding that the most immportant and interesting facet of our lives are our relationships and all the glorious madness and sadness that springs from them.

RIP.

comment #21

L.B. says ...

I think that's one of the most inspirational things about his career (apart from the work itself). Really, his career started at an age that today is considered past-its-prime. And within that period made films that defined his period, despite his advanced years. He proved that talent is ageless and you can keep making beautiful things until the end. I hope that if I can emulate him in any way it will at least be that way.

comment #22

Reint says ...

He will be missed.

comment #23

The Movie Man says ...

I also think about some of the amazing things he brought out of actors that you never saw coming. I think of Sterling Hayden's amazing scenes in "The Long Goodbye" or the really subdued, laid back work of Richard Gere in Dr. T and the Women, or Liv Tyler in Cookie's Fortune or being the only director who could really get anything out of Shelly Duvall, or more recently Lindsay Lohan and Maya Rudolph in Prairie, the list goes on....

comment #24

The Winchester says ...

The Player was my favorite movie for years, and one of the driving forces that led me into the movie business (even if it should also stand as a cautionary tale to NOT go into it). I saw it twice opening weekend, and this was when I was in 8th grade. I think I was the only kid in my class who saw it, except my friend Dave I made go see it the second time that weekend. That turned me on to Altman, and changed my view of movies forever.
This is kind of a bummer way to start the day.

Fav. Altman: The Player (obviously), The Long Goodbye, California Split, Nashville, Kansas City and Short Cuts.

comment #25

The Winchester says ...

The Player was my favorite movie for years, and one of the driving forces that led me into the movie business (even if it should also stand as a cautionary tale to NOT go into it). I saw it twice opening weekend, and this was when I was in 8th grade. I think I was the only kid in my class who saw it, except my friend Dave I made go see it the second time that weekend. That turned me on to Altman, and changed my view of movies forever.
This is kind of a bummer way to start the day.

Fav. Altman: The Player (obviously), The Long Goodbye, California Split, Nashville, Kansas City and Short Cuts.

And that line about the riots is priceless.

comment #26

frankbooth says ...

I remember that when Ron Howard won the best director Oscar a few years ago, there was a brief cut to Altman and David Lynch in the audience (they were both nominated that year) smiling and nodding and sort of patting each other on the back as if commiserating.

We can only imagine what they were saying, but I like to think it was something like "Yeah, that's the way it works in this town. A big joke." It was a great moment.

Altman was a major talent and a huge inspiration to late starters everywhere.

comment #27

donnyboy says ...

THE LONG GOODBYE, THE PLAYER, OC AND STIGGS, IMAGES

Thanks Bob.

comment #28

Daniel Fienberg says ...

Is it too early to ponder if this dramatically increases the Oscar chances for Prairie Home Companion? The movie already played masterfully on a small level, but I'd wager it becomes even more evocative in light of Altman's passing. One last best director nomination might be an ultimate tribute.

Although his films varied wildly in quality, they were never less than distinctive, they were never films that could have been made by anybody but Altman. You can't say that about many filmmakers...

-Daniel

comment #29

Cadavra says ...

I went to an early screening of KANSAS CITY (still my personal fave of all his films) when they were shopping for a distributor, and he was there. I asked him afterwards if he'd deliberately arranged the musicians on the bandstand in the same placements as those in the classic short JAMMIN' THE BLUES. He looked at me for a second or two, then said, "Wow. You're the first person who picked up on that." Needless to say, I was six inches off the ground for the rest of the week. We'll miss you, Bob.

comment #30

berg says ...

Altman did a lot of great work on low budget 50s films like The Delinquents (with the future billy jack), The James Dean Story docu, and tons of television ...“On Combat, for instance, I did a show where the whole show is just about Vic Morrow looking around, with burned hands, looking for some German to surrender to. They fired me from the series and blocked me from coming back on the lot.” Altman, who both produced and directed several of the show’s episodes, said.
Working in television during the late ’50’s and early ’60’s, Altman found out that if he wanted to get an intelligent message through it had to be covertly. “Everything that we did in episodic television, we had to do underground,” he related. “It was guerilla. These formats were set, the characters were set. I always found the actors were the ones that wanted to break out and do something better. I did the first comedy, made kind of a slapstick comedy on Bonanza. It seemed to work and they did several of those.”

comment #31

The Movie Man says ...

May be excessivly frivilous considering the nature of the thread but I would like to say that he gave by far one of the best acceptance speeches I've personally seen at the Oscar ceremony last year.

Cadavra-That's awesome man.

comment #32

sardine says ...

FAVORITES, NO ORDER, MCCABE AND MRS MILLER, THIEVES LIKE US, NASHVILLE, LONG GOODBYE, COMEBACK TO THE 5 AND DIME, JIMMY DEAN, JIMMY DEAN, CA SPLIT, COOKIE'S FORTUNE.

LESSERS...ALL THE REST INCLUDING shortcuts and the player both of which are well lesser.

SO LONG, BOB!

comment #33

dixiedugan says ...

It's such a sad feeling I have, not just for the passing of Altman, but it's the passing of a certain level of artistic achievement. No, not every film is the be all end all, but Altman had such a dogged determination of his vision - to me there's just not a hell of a lot of directors around who subscribe to the same. My opinion of course.

He shall be missed. I'm going to dig out my Oscar tape from earlier this year and re-watch his acceptance of his Lifetime award.

comment #34

goodvibe61 says ...

One of the greatest ever. A titan. Don't even try to narrow down the man's canon, there's simply far too much of a very high level to attempt it.

I've had various favorites over the years. The Long Goodbye is a favorite. Nashville is an amazing epic movie, one that's had more of an impact regarding the structure of film writing than has been discussed. The Player is fabulous. McCabe! It might just be my all time favorite. MASH for crying out loud. Elliot Gould is just so THE MAN in all of Altman's work, he was my favorite actor at a time when i was just starting to grow up in movie theaters.

What a sad, sad day. But all of this work will live on forever. Expect to see a tremendous outpouring of emotion out of Hollywood for some time now. Few are revered on his level by the real artists in this town.

Rest in peace.

comment #35

christian says ...

and he certainly got the best performance out of robin williams ever, whose popeye is still his best work.

comment #36

James says ...

This makes me want to go out and watch everything the man did.

As an undergraduate English literature major, I wrote my senior thesis on the parallels between Nashville and The Cherry Orchard. Both, I argued, are stories of the death of a country's sense of community and of lurching forward into a terrifying modernity.

To me, Altman is an American Chekhov, an American Shakespeare, an American Goethe--a great tragedian who also makes us laugh. Comparing him to other film-makers doesn't do him justice. He's up there beside the great playwrights and poets and novelists going back hundreds, if not thousands, of years.

comment #37

James says ...

It's comforting by the way, to read these posts, and know that I'm not alone in holding him in such high esteem.

comment #38

Dixon Steele says ...

One of the very few directors that became a real adjective - Altmanesque.

My personal favorite - THE PLAYER...flawless in every way

RIP RA

comment #39

T. S. Idiot says ...

Altman certainly knew how to get the best out of his actors. Gould did far and away his best work for Altman. While Altman and Beatty may not have gotten along, Beatty gives his best performance in McCabe, which summarizes the contradictory sides of the American character (demands of commerce vs. individual freedom, etc.) better than perhaps any other film.

comment #40

christian says ...

i'm going to rent THREE WOMEN tonite -- never seen it...but i always loved the capsule review in the great old 70's cinefantastique magazine: "a visionary tale of cosmic twining"

comment #41

Movie fan09 says ...

and he certainly got the best performance out of robin williams ever, whose popeye is still his best work.

I wouldn't totally agree with that statement.
I loved Robin in Garp more.
I do have a somewhat kind of weird love for Popeye though.
It mostly stems from the sets and the whole feel of a pre 20th century american town.
and seeing Bill Irwin fall down the plank in that one scene like a giant quarter was awesome!

However, the one thing I remember thinking while watching it as a kid was that there's no way you can do that free camera movement in this kind of genre.

of the movies I have seen so far...california Split(everyone says mash)

comment #42

The Movie Man says ...

Three Women is interesting, it's a movie I respect more than I actually like, but Spacek and Duvall are terrific and it has this really we could float off into the abyss any moment edge of sanity thing going that is quite unnerving. A wading pool has never been so creepy...

comment #43

christian says ...

yes, garp would be a close second but he was unrecognizable in popeye and just nailed the voice the character...i like the nilsson tunes as well and that sweetpea might be the cutest damn baby in the history of film.

strange to recall a time that altman's popeye was set up as a big studio blockbuster...brave.

comment #44

bmcintire says ...

I am a fan of all the usual suspects (MASH, NASHVILLE, ETc.), but some of my fondest Altman moments are found in A WEDDING. And I've always had a soft spot for NINCENT & THEO.

comment #45

MilkMan says ...

Jesus Christ. Has anyone talked to P.T.?
This year, at Thanksgiving dinner, I'm going to talk over everyone in honor of Big Bob.
Tonight I'm going to watch That Cold Day in the Park.
Too bad it wasn't Coppola, that lazy bum.

comment #46

bmcintire says ...

I am a fan of all the usual suspects (MASH, NASHVILLE, ETc.), but some of my fondest Altman moments are found in A WEDDING. And I've always had a soft spot for VINCENT& THEO.

comment #47

christian says ...

maybe now we can get some of these altman films on dvd...there are quite a few...HEALTH anyone?

comment #48

Mr. Muckle says ...

Well, I'm gonna give Gosford Park some love. A masterwork. My favorite.

comment #49

Doug Pratt says ...

I have been reviewing films for more than 25 years and have watched somewhere between 20,000 to 30,000 in my lifetime, and of all the films I have ever seen, McCabe and Mrs. Miller remains my favorite, largely because it come so close to capturing the genuine environment of America's creation.

comment #50

DarthCorleone says ...

I love every Altman film I have seen, and I am ashamed to say there are several greats that I haven't even gotten around to watching yet. He's truly a great director and worthy of all this praise.

comment #51

George Prager says ...

I saw him host a reading and Q&A of Short Cuts stories in the basement of a B. Dalton's (I think its a Barnes and Noble now) on the corner of 8th street and 6th avenue in Manhattan (across from Gray's Papaya). Of the actors that read the only one I remember was the late Christopher Penn (who couldn't read all that well and seemed embarrassed). Altman definitely sold his product in a big way that night. A great salesman and a great artist.

comment #52

Haiku Harry says ...

The living greats you
can count on one hand. Altman's
thumb gripped them all, tight.

Scorsese, Coppola, Spielberg, and Lumet remain...

comment #53

christian says ...

even drudge moved the altman passing up to the lead...

comment #54

sardine says ...

VINCENT & THEO IS A M A S T E R P I E C E!
Forgot that one on my list above....

comment #55

Pelham123 says ...

"The Long Goodbye" --

Roger Wade: I tell you what we're gonna do, Marlboro. You're gonna take that goddamn J.C. Penney tie off and we're gonna have an old fashioned man to man drinking party.

Philip Marlowe: Well, that's okay but I'm not taking off the tie. -- Robert Altman, RIP

comment #56

Nick29 says ...

He Came
He Directed
He Kicked Ass

i can say no more

comment #57

Fudge Ripple says ...

"The death of an old man is not a tragedy."

That's the line that keeps popping into my head, from PHC. Apparently it's something that Altman said over the phone to Garrison Keillor, and Keillor liked it so much he put it in the screenplay.

comment #58

topbroker says ...

Altman means a lot to me. He is one of those artists, such as Dickens, whose entire body of work I respond to and feel tenderly towards -- even the "lesser" works that others dismiss. A Prairie Home Companion felt valedictory to me, as it did to many others, so the news of this death does not come as a complete surprise. I feel surprisingly buoyant about it, because Altman had the rare American film career that seems completely fulfilled. Some tougher periods, sure; ups and downs, sure; but no tailing-off at the end, no sell-out projects, no sense of compromised goals. In this sense, among American directors, only John Ford compares.

I remember that David Edelstein in his review of Gosford Park also reaches for a Dickens comparison. Although Altman is not usually the "high stylist" in image that Dickens is in prose, their profusion of characters and general affection for them is quite similar. Dickens too has a "mocking" attitude toward some of his creations, but even those targets never wind up being "straw men"; they vibrate with life and liveliness, as every critic of Dickens takes note. And so do all of Altman's characters.

Altman's work is a fabric; that is how he saw it himself. Although I can play the game of which Altman films are "best" as much as anyone (and I lean toward the conventional wisdom on that: Nashville, The Player, Short Cuts, Gosford Park), I believe that it is the entirety of the fabric which is crucial. There seems to be a relish in the way in which some writers identify Altman's "clinkers" ( Pret-a-Porter, Popeye [a near masterpiece, if you ask me], Quintet, H.E.A.L.T.H., O.C. and Stiggs, Beyond Therapy) that suggests that they want to see him get his "comeuppance" (a la Georgie Minafer in The Magnificent Ambersons) for not playing by the rules. I say that's ridiculous, and I welcome all those films. Even Altman's "fallow" decade of the 1980s will likely be re-assessed upward in time.

comment #59

nola says ...

He is a true artist and will be missed.

comment #60

dobbsy says ...

Someone said Altman's three "gold standard" films were Nashville, Player and MASH as they are the ultimate reference points for any films that follow in their paths. Hmmmmm.....

1) Nashville: This pic's currency is so much the fault of Kael, who can also
be blamed for De Palma. This overripe overhyped condescending tripe about
"America" is a NY intellectual's wet dream of what rubes live beyond the
walls of the East Coast sophisticates. Really a reflection of the ruling
classes' disconnection from reality much more than about the state of the
Nation. Oh, and the music REALLY sucks. How can you make a movie called
Nashville and pack it with horrible musical crap unless you completely don't
understand anything about the music? Yech.

2) The Player: Gold Standard? Reeallly? What about Sunset Blvd and In a
Lonely Place and Star 80 and All About Eve and 8/12 and Day for Night et al?
Pleasant enough comedy but not anything to get excited about and not in the
same league as any of the pics mentioned.

3) MASH: Yes, probably the best violent anti-war satirical/slapstick comedy
ever made, but there's a reason it became a hit TV show (which irritated
Altman to no end). It's perfect material for TV as it's ultimately facile
and cute and packed with schtick. From TV cameth Altman and his biggest
success returneth to TV.

And the rest of his career was spent tarting up stories (when he wasn't
tearing down whatever opportunities the films actually offered, which in the
case of so many of his most misbegotten films, is usually questionable) with
his trademarks of overlapping dialogue and controlled chaos, improv (no
wonder actors love him) and showy camerawork with subtance, wisdom and human
insight all casualties of the helmer's self-indulgent showboating.

But when you have so little to say, when you have a monster hit that enables
you to continue to find financing and when you have critics who are willing
to forgive your shortcomings because you love to wear your directing chops
on your sleeve...oh forgive me, he's barely shed his mortal coil but he
represents so many shortcomings of modern American indie cinema it must be
said. There's no IKIRU here, no WILD BUNCH, no DECALOGUE or THREE COLORS, no
PERSONA, no TALK TO HER, no STAVISKY, no LEGEND OF THE HOLY DRINKER, no
VERTIGO.

To quote Ms. Stein: "There's no there, there."

comment #61

MoroccoMole says ...

It's often considered "lesser" Altman, but I have very strong memories of seeing A Wedding for the first time when I was in college and being blown away by the possibilities of cinema. Especially after watching it five or six times and finally figuring out who all the characters were in relation to each other.

And for that matter, Pret-a-Porter is much better than its reputation.

comment #62

transmogrifier says ...

Re: dobbsy.

Worst analysis ever. Stick to the day job.

comment #63

dobbsy says ...

hey, transmogrifier,

Here's one of America's finest critics, Jonathan Rosenbaum, practicing HIS day job, as he reviews BOBBY and reaches back to poke that so-called Altman "masterpiece," NASHVILLE:

"After seeing this movie's (BOBBY)premiere at the Venice film festival I defended its guts and intelligence to a French critic who described it as "sub-Altman." I see it as "sur-Altman," especially if compared to Nashville, another film with 20-odd characters that concludes with a cataclysmic and seemingly unmotivated assassination. Despite its reputation as an exuberant classic, Nashville knows zip and cares even less about country music or the city of Nashville (where it was shot) -- which doesn't prevent it from heaping scorn on both. It even ridicules a dowager who tearfully reminisces about John and Bobby Kennedy, and it shamelessly encourages viewers to share its contempt for the rubes. The relentless cynicism that Nashville brandishes as proof of its hipness ultimately gives way to glib, high-flown rhetoric in the climactic repeated shots of an American flag filling the screen while a nihilistic pseudocountry anthem, "It Don't Worry Me," builds to a crescendo, asserting the concert audience's unembarrassed cluelessness."

Gee, sounds awfully close to my analysis of Altman's condescending tripe aka NASHVILLE.
(FYI, look at the career of NASHVILLE screenwriter Joan Tewkesbury post-NASHVILLE. Yep, nothing but TV mediocrity. Hmmmm, could that mean??????)
Altman was the last gasp of the NY critical intelligentsia. Their power forever diminished by the mid-70s, they continued to carry water for the myth of Kael and the myth of Altman.

But not everyone buys the myths....sorry....

comment #64

dobbsy says ...

hey, transmogrifier,

Here's one of America's finest critics, Jonathan Rosenbaum, practicing HIS day job, as he reviews BOBBY and reaches back to poke that so-called Altman "masterpiece," NASHVILLE:

"After seeing this movie's (BOBBY)premiere at the Venice film festival I defended its guts and intelligence to a French critic who described it as "sub-Altman." I see it as "sur-Altman," especially if compared to Nashville, another film with 20-odd characters that concludes with a cataclysmic and seemingly unmotivated assassination. Despite its reputation as an exuberant classic, Nashville knows zip and cares even less about country music or the city of Nashville (where it was shot) -- which doesn't prevent it from heaping scorn on both. It even ridicules a dowager who tearfully reminisces about John and Bobby Kennedy, and it shamelessly encourages viewers to share its contempt for the rubes. The relentless cynicism that Nashville brandishes as proof of its hipness ultimately gives way to glib, high-flown rhetoric in the climactic repeated shots of an American flag filling the screen while a nihilistic pseudocountry anthem, "It Don't Worry Me," builds to a crescendo, asserting the concert audience's unembarrassed cluelessness."

Gee, sounds awfully close to my analysis of Altman's condescending tripe aka NASHVILLE.
(FYI, look at the career of NASHVILLE screenwriter Joan Tewkesbury post-NASHVILLE. Yep, nothing but TV mediocrity. Hmmmm, could that mean??????)
Altman was the last gasp of the NY critical intelligentsia. Their power forever diminished by the mid-70s, they continued to carry water for the myth of Kael and the myth of Altman.

But not everyone buys the myths....sorry....

comment #65

kimi98 says ...

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image
image2
image-humour
jeu
jeu2
jeu-adulte-gratuit
jeu-de-voiture-gratuit
jeu-enfant-gratuit
jeu-gratuit
jeu-gratuit-cadeaux
jeune
jeu-pc-gratuit
jeu-video-gratuit
jeux
jeux2
kazaa
kazaa-gratuit
latinas
lesbian
lesbienne
limewire
lingerie
logiciel
logiciel2
logiciel-gratuit
logiciels
logiciels2
logiciels-gratuit
manga
massage
mature
messenger
messenger-gratuit
models
morpheus

telechargement-antivirus
telechargement-chanson
telechargement-chansons
telechargement-divx
telechargement-emule
telechargement-film
telechargement-film-gratuit
telechargement-gratuit
telechargement-kazaa
telechargement-logiciel
telechargement-logiciel-gratuit
telechargement-logiciels
telechargement-messenger
telechargement-movie
telechargement-mp3
telechargement-msn
telechargement-music
telechargement-musique
telechargement-nero
telechargement-parole
telechargement-paroles
telechargement-porn
telechargement-porno
telechargement-sex
telechargement-sexe
telechargement-x
telechargement-xxx
telecharger
telecharger2
telecharger3
telecharger-antivirus
telecharger-antivirus2
telecharger-chanson
telecharger-chansons
telecharger-divx
telecharger-emule
telecharger-film
telecharger-gratuit
telecharger-jeu-gratuit
telecharger-kazaa
telecharger-logiciel
telecharger-logiciels
telecharger-messenger
telecharger-movie
telecharger-mp3
telecharger-msn
telecharger-music
telecharger-musique
telecharger-nero
telecharger-parole
telecharger-paroles
telecharger-porn
telecharger-porno
telecharger-sex
telecharger-sexe
telecharger-x
telecharger-xxx
television
tennis
tit
toon

tourisme
touristique
tout-gratuit
traducteur-gratuit
transsexuelle
truc
tuning
tv
vacances
video
video2
video-comique
video-gratuit
video-porno
video-porno2
video-porno-gratuit
videos
videos2
videos-comiques
video-sexe-gratuit
video-sex-gratuit
video-x-gratuit
vlc
voiture
voyage
voyager
voyeur
wallpaper
webcam
winamp
winmx
winrar
winzip
x
x2
x-gratuit
xxx
xxx-gratuit
yoga

818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
891
892
893
894

160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188

32
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66

353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376

218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256

286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305

745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785

206
207
208
209
210
211
212
213
214
215
216
217
218
219
220

586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604

357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377

20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39

106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145