Discland
edited by Jonathan Doyle
Cloverfield [BLU-RAY] (Paramount Home Entertainment, 6.3.2008) Disguised under deliberately goofy, yet deliciously edible-sounding, aliases such as Cheese and Slusho, Matt Reeves' Cloverfield was produced and rushed into theaters under an equally appetizing shroud of secrecy. From last year's incredibly elusive Super Bowl ad to the film's viral marketing campaign, Cloverfield had everybody scratching their heads and drooling in anticipation. Aside from the as-yet untitled title and the Blair Witch-ian visual style, the film's biggest appeal was the enigmatic creature who was last (un)seen hurling the decapitated head of the Statue of Liberty onto the crowded streets of New York City. All we knew about the mysterious beast was that it was big and angry. Now that the highy-anticipated project has come and gone, one question has fortunately been answered: Cloverfield was a major success. (continued)

Upcoming


July 2

Hancock

July 3

The Whackness

July 4

Diminished Capacity

Gonzo: The Life and Work of Hunter S. Thompson

Holding Trevor

Kabluey

We are Together

July 9

Full Battle Rattle

July 11

A Man Named Pearl

August

Eight Miles High

Garden Party

Harold

Hellboy II: The Golden Army

Journey to the Center of the Earth

Meet Dave

Roman Polanski: Wanted and Desired

The Stone Angel

July 18

A Very British Gangster

Before I Forget

The Dark Knight

The Doorman

Felon

Lou Reed's Berlin

Mad Detective

Mamma Mia!

Space Chimps

Take

Transsiberian

July 22

Two Tickets to Paradise

July 23

Boy A




 

Alfonso & Chivo

"With just three weeks before filming of [Children of Men's] four-day sequence was to start, Emmanuel Lubezki called Doggicam Systems' Gary Thieltges, a Los Angeles-based camera-rig guru.


"They removed the car roof and installed a rail system that allowed the camera to operate on a two-axis grid, controlled by a joystick. Lubezki, his focus puller and a dolly grip sat above the actors in an enclosed translu- cent loft. The car seats were modified so the actors could use levers to tilt and lower themselves out of the camera's path as it zoomed in and out.

"The result is a remarkably intense chase scene in which the claustrophobic fear of the passengers in the car is palpable." -- from Sheigh Crabtree's 12.29 L.A. Times piece about the shooting of the already-legendary car-attack scene.

Posted by Jeffrey Wells on December 29, 2006 at 02:26 PM

comment #1

Kristopher Tapley [TypeKey Profile Page] says ...

This was actually spelled out in a few articles in mags like American Cinematographer a few months back. Why is the LA Times regurgitating it now? I get that the film is in release, but seriously, let's have something of SUBSTANCE.

Posted by Kristopher Tapley [TypeKey Profile Page] at December 29, 2006 03:00 PM

comment #2

Mark [TypeKey Profile Page] says ...

Tapley is right. Everyone in here has read American Cinematographer 4 times over. Don't waste our time, Jeffrey.

jk.

all i want to know is whether the ping pongs were CGI.

Posted by Mark [TypeKey Profile Page] at December 29, 2006 03:11 PM

comment #3

Eric [TypeKey Profile Page] says ...

I have been wondering about this for a while. Thanks for relating it.

Posted by Eric [TypeKey Profile Page] at December 29, 2006 05:23 PM

comment #4

OddDuck [TypeKey Profile Page] says ...

Hey, it's not like everyone who frequents this site has a subscription to American Cinematographer. I appreciated the link and the LA Times article. Makes me want to go see the movie a second time, and I just saw it yesterday.

Posted by OddDuck [TypeKey Profile Page] at December 29, 2006 05:31 PM

comment #5

Kristopher Tapley [TypeKey Profile Page] says ...

Not dumping on Jeff for posting it, but it's typical of the LA Times to rehash something without any added insight.

Posted by Kristopher Tapley [TypeKey Profile Page] at December 29, 2006 05:35 PM

comment #6

gruver1 [TypeKey Profile Page] says ...

Wells to Mark and Eric: Cuaron told me in that Hollywood Elsewhere interview I ran last month (http://hollywood-elsewhere.com/archives/2006/11/
cuaron_intervie.php) that the ping-pong balls were CGI.

Posted by gruver1 [TypeKey Profile Page] at December 29, 2006 09:53 PM

comment #7

Thrudvangar [TypeKey Profile Page] says ...

More COM stuff, Jeff. I love that film so much.
Never heard of AmCi. I just work in a factory in Cincinnati.

Posted by Thrudvangar [TypeKey Profile Page] at December 30, 2006 02:42 AM

comment #8

richandreas [TypeKey Profile Page] says ...

I think the original Ping Pong ball that Julianne Moore had was real and she blew it past Owen in the first blow. They could have just removed it mid blow and replaced it with a fake one, which appears to be the case. Owen catching and then kissing Moore appears to be the fake ball.

Posted by richandreas [TypeKey Profile Page] at December 30, 2006 12:32 PM

comment #9

lazespud [TypeKey Profile Page] says ...

Here's a great link to about 12 pictures of the camera rig and car in action.

http://www.doggicam.com/twoaxisdollygallery.php

I wasn't paying attention, but I thought that the camera followed them out of the car as well, which means they must have pulled it off the rig and pulled the car out of the way... but maybe there was a cut there.

In many ways the second "long" sequence seems more stunning, but the car chase was pretty incredible nonetheless. until I saw the pictures above (particularly the fourth one), I couldn't figure out how any stuntman would have let an actor drive while they did a complicated motorcycle stunt... turns out it was total movie magic!

What an amazing movie. I can't figure out why it doesn't seem to be on any oscarwatch lists.

Posted by lazespud [TypeKey Profile Page] at January 1, 2007 01:18 AM

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