The Clint-rules faction prevailed in the Los Angeles Film Critics Association voting earlier today, resulting in the org's Best Picture prize going to Letters From Iwo Jima -- a very deserving choice. This is the second such tribute handed to Clint Eastwood's Japanese-language Iwo Jima drama following the National Board of Review's Best Picture honoring two or three days ago.

The big winners beside this were Stephen Frears' The Queen and Jonathan Dayton and Valerie Faris' Little Miss Sunshine. The former captured four awards and one runner-up prize, including a Best Actress trophy for Helen Mirren (her second following the Boston Film Critics decision just a couple of hours ago), plus a Best Supporting Actor award for Michael Sheen and a Best Screenplay win for Peter Morgan. Dayton, Faris and screenwriter Michael Arndt won the New Generation Award, and Arndt was named 1st runner-up for Best Screenplay.
United 93's Paul Greengrass, however, was named Best Director (with Eastwood getting the runner-up prize for Letters and Flags of Our Fathers). Borat's Sacha Baron Cohen and The Last King of Scotland's Forest Whitaker tied for the Best Actor prize.
Davis Guggenheim and Al Gore's An Inconvenient Truth was named Best Documentary. Happy Feet won for Best Animated Feature .
Volver's Penelope Cruz was just behind Mirren in the Best Actress voting, and Pan's Labyrinth costar Sergi Lopez was the runner-up in the best Supporting Actor category.
A big surprise (and a possible indicator of critical reservations about Dreamgirls) was the Best Supporting Actress award going to Luminita Gheorghiu -- who? -- for her performance in The Death of Mr. Lazarescu. The runner-up in this category was Dreamgirls powerhouse Jennifer Hudson. (There's no joy in Mudville over this one, let me tell you.)

The great Emmanuel Lubezki won the Best Cinematography award -- deservedly -- for his work on Children of Men. (Runner-up: Tom Stern for Flags of Our Fathers and Letters From Iwo Jima.) The Best Production Design award went to Pan's Labyrinth's Eugenio Caballero, (good call) -- the runners up were Children of Men's Jim Clay and Geoffrey Kirkland.
Florian von Henckel Donnersmarck's The Lives of Others won for Best Foreign Language film...yes! (Runner up: Volver.) Alexandre Desplat won the Best Musical Score award for his work on The Queen and The Painted Veil. (Runner-up: Thomas Newman for The Good German and Little Children.
Posted by Jeffrey Wells on December 10, 2006 at 3:11 PM
comment #1
Devin Faraci
says ...
If LETTERS FROM IWO JIMA is setting up a sweep, I'm going to hug a hand grenade.
Posted by Devin Faraci
at December 10, 2006 3:52 PM
comment #2
austin111
says ...
Get ready to pull that pin, Devin....
Ugh!! I think I'm staying away from any more awards nonsense. The Oscars, etc., are getting to be like the emmys. No surprises, just the same old/same old -- year in/year out. Why don't they just give Clint the award for best director/filmmaker of all time and leave it at that? Then the other guys can get more playtime.
Posted by austin111
at December 10, 2006 4:01 PM
comment #3
dre
says ...
this is getting interesting. yes, marty doesnt need an oscar to prove anything...but can eastwood screw him again?
Posted by dre
at December 10, 2006 4:01 PM
comment #4
austin111
says ...
YES, he can screw him again....and again....and again....but he can't live forever....well, maybe not past 100 or so anyway.
Posted by austin111
at December 10, 2006 4:02 PM
comment #5
VedaPierce
says ...
The critics groups have rarely honored musicals or the peformers in them. Streisand in "Funny Girl"? Minnelli in "Cabaret"? Please. Hudson is still a lock for the Oscar.
Posted by VedaPierce
at December 10, 2006 4:05 PM
comment #6
EDouglas
says ...
"this is getting interesting. yes, marty doesnt need an oscar to prove anything...but can eastwood screw him again?"
This is what I'm worried about. Sure, both Departed and Letters is Warner Bros, but they've already made their money on the former and maybe they think they'll only make money on the latter if they start getting nominations or Oscar wins. They're certainly rolling it out in a way that expects a lot of nominations. Also, we have to remember that WB has a very long relationship with Clint while for Scorsese, this is a one-shot (he already signed a deal with Paramount to do more movies, didn't he?)
Still, I think it'll be a real shame if Scorsese loses out to Clint again. He should have won for The Aviator, his most ambitious film to date.
Posted by EDouglas
at December 10, 2006 4:06 PM
comment #7
Devin Faraci
says ...
I wish there was a "Bold Choice" Oscar so they could fob that at Eastwood for the better-than-FLAGS-but-still-not-amazing LETTERS and Marty could get his Oscar.
Posted by Devin Faraci
at December 10, 2006 4:08 PM
comment #8
dre
says ...
Then again...there is a lot of nice end-of-the-year buzz developing for United 93 and Paul Greengrass could end up sniping both Marty and Clint from behind (in a non-sexual way). As much as I would like to see Marty win, I would not mind at all if Greengrass got a surprise nom and win.
And Devin...wouldn't "Bold Choice" be more fitting for Darren Aronofsky? So much for those dark horse Fountain hopes...and again, an Oscar isn't needed to justify Aronofsky's work (or this year's best film) but wouldn't it be fucking killer to have an academy to recognize a flick like that
Posted by dre
at December 10, 2006 4:50 PM
comment #9
EDouglas
says ...
I'd like to see Paul Greengrass get an Oscar nomination for his direction of United 93... I can see him getting in at this point for sure. Can you imagine a Best Picture race between Scorsese, Eastwood, Condon, Greengrass and Gibson? I can.
Posted by EDouglas
at December 10, 2006 4:55 PM
comment #10
Devin Faraci
says ...
Nobody is a bigger booster of THE FOUNTAIN than I am, but I can't imagine that the film is even playing in the greater LA area on Oscar night, let alone that it's up for any awards.
Posted by Devin Faraci
at December 10, 2006 5:01 PM
comment #11
dixiedugan
says ...
I have to admit I have not seen The Departed nor Letters yet and probably won't be able to for a bit yet, so I'll reserve final judgement until then.
I will say though that in speaking of the Academy terms, they've twice had the chance to give Scorcese a rightful best director statue, but screwed up. We'll see.
Posted by dixiedugan
at December 10, 2006 7:39 PM
comment #12
Noel Murray
says ...
Great to see the love for LAZARESCU, one of my favorite movies of the year.
Posted by Noel Murray
at December 10, 2006 8:04 PM
comment #13
austin111
says ...
Scorsese looks to be left out this year, too. It's hardly the end of the world, though. He's not campaigning for it and so Clint will inevitably fill the void for better or worse. Best thing now would be if they split the vote and it went to someone else deserving. Clint has enough of those little gold men sitting on his many mantels. Scorsese is not that beloved in Hollywood, btw. Something we already know. So time to let it go, eh?
BTW, Kris Tapley pointed out on his site that he overheard one of the critics voting last year say something to the effect that they helped Vera Famiga get two roles this year by giving her Best Actress last year. The agenda is clear, I believe, for most of these so called critic organizations. They just push this or that actor, picture or director, etc., because they hope to influence Hollywood to give them more work -- whether they're the best out there (Famiga was actually exceptional) may be another matter entirely. Or perhaps they simply want to meet someone they like -- Thelma Adams pretty much admitted as much to Tom O'Neill earlier this year....going on and on about what a darling Almodovar is. Most of these awards are driven by much more than rewarding excellence. Arrogance perhaps, bias certainly, a need to feel influential in some way. How tedious the process has become.
Posted by austin111
at December 10, 2006 9:23 PM
comment #14
jeffmcm
says ...
Gibson will not get any nominations, his film just isn't Oscar-caliber enough; it's a violent action movie, with no easily digestible message and the Oscar voters already have The Departed to fill that slot.
Vera Farmiga had already been cast in, and probably wrapped filming of, all three of her 2006 movies (Running Scared, The Departed, Breaking and Entering) before she won her awards last year for Down to the Bone.
Posted by jeffmcm
at December 11, 2006 12:53 AM