July 2
July 3
July 4
Diminished Capacity
Gonzo: The Life and Work of Hunter S. Thompson
We are Together
July 9
July 11
August
Eight Miles High
Journey to the Center of the Earth
Roman Polanski: Wanted and Desired
July 18
A Very British Gangster
Before I Forget
Felon
Lou Reed's Berlin
Transsiberian
July 22
July 23
I'm still way behind on the video-editing tutorials, but I feel confident enough to announce that I'm going to start posting short little video reports on Hollywood Elsewhere in a week or so, and certainly by the start of the Cannes Film Festival.

I'll probably run two versions of each report -- one in an MPEG4 format and the other in Flash. No pop-fizz editing, no narration, no music cues...nothing slick. Austere, spartan. Almost no hand-held stuff, 90% tripod-mounted. Visual infuences: Stanley Kubrick (I've got a little wide-angle lens that makes everything look Clockwork Orange-y), Sergei Eisenstein, Bruno Dumont's Flandres, Jim Jarmusch's Stranger Than Paradise.
I'll probably start posting quickies from Manhattan sometime during my stay there -- Friday, 5.4 to Monday, 5.14. Until I get more proficient with the editng software I may forego editing altogether except for opening titles and just "cut" in the camera. I'm just saying this in anticipation of reader complaints about the video stuff being too stark or funky or whatever. I think it's better to deliberately go in that Dumont/Jarmusch direction and make the shorts as good as I can in this mode, and then gradually slick things up as I shuffle along.
Posted by Jeffrey Wells on April 29, 2007 at 11:04 AM
Posted by Mike Ock
at April 29, 2007 11:19 AM
Posted by Aladdin Sane
at April 29, 2007 11:34 AM
comment #3
says ...No "Lunch with Jeffrey." Poland is better at mouthy blowhard commentary than me anyway. I'm not going to perform as much as behave.
Posted by gruver1
at April 29, 2007 11:36 AM
comment #4
says ...Wells to Aladdin Sane: Name-dropping? Using names like Jarmusch and Kubrick and Dumont, et. al. is just a simple-ass shorthand way of describing the kind of photography I really like....big deal.
Posted by gruver1
at April 29, 2007 11:38 AM
comment #5
says ...If you become adept to the editing, when the time comes you can make Oscar smear campaign videos!
I can see it now: A long uncut shot of eddie murphy with a deep gravelly VO: "Eddie Murphy would like you to believe his role in Dremgirls is worthy of an Academy Award, butdo you really want to give an Oscar to this?" Cut to a poster of Pluto Nash, Daddy Day Care, Golden Child, Norbit. "Think about your choices."
"Paid for by the Mark Walhberg society"
Posted by The Winchester
at April 29, 2007 12:15 PM
Posted by jeffmcm
at April 29, 2007 01:01 PM
Posted by T.Holly
at April 29, 2007 01:02 PM
comment #8
says ...Mmmm...Gumbo Pot at Farmer's Market. Not quite as good as Loteria, but solid. Looking forward to the new feature.
Posted by cjKennedy
at April 29, 2007 01:05 PM
Posted by Geoff
at April 29, 2007 01:43 PM
Posted by cjKennedy
at April 29, 2007 01:44 PM
Posted by AJW
at April 29, 2007 03:03 PM
Posted by Leonardcoenbrothers
at April 29, 2007 03:04 PM
Posted by Mr. Muckle
at April 29, 2007 04:39 PM
Posted by The Winchester
at April 29, 2007 04:46 PM
Posted by bipedalist
at April 29, 2007 08:06 PM
Posted by alfred
at April 29, 2007 09:51 PM
comment #17
says ...He's good at it, and he's got a team -- well at the very least, a camera man, who may double as the (credited) producer, or triple as the editor -- and tons of cut aways and in-camera cut points or, in the absence of those, effects used as transitions, as well as a pre-plan, game plan or script (whatever you want to call it) and lots of bandwith and financing. In other words, highly produced.
Posted by T.Holly
at April 29, 2007 10:00 PM
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