Discland
edited by Jonathan Doyle
Cloverfield [BLU-RAY] (Paramount Home Entertainment, 6.3.2008) Disguised under deliberately goofy, yet deliciously edible-sounding, aliases such as Cheese and Slusho, Matt Reeves' Cloverfield was produced and rushed into theaters under an equally appetizing shroud of secrecy. From last year's incredibly elusive Super Bowl ad to the film's viral marketing campaign, Cloverfield had everybody scratching their heads and drooling in anticipation. Aside from the as-yet untitled title and the Blair Witch-ian visual style, the film's biggest appeal was the enigmatic creature who was last (un)seen hurling the decapitated head of the Statue of Liberty onto the crowded streets of New York City. All we knew about the mysterious beast was that it was big and angry. Now that the highy-anticipated project has come and gone, one question has fortunately been answered: Cloverfield was a major success. (continued)

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Badland








Finke, Munoz on ICM situation

To hear it from Deadline Hollywood Daily's Nikki Finke, last Friday's Lorenza Munoz L.A. Times article about whether or not Chris Silbermann, the 39-year-old television agent "being groomed" to lead Int'l Creative Management (ICM), can reverse the agency's declining fortunes was late out of the gate.


ICM president Chris Silbermann

Plus, says Finke, the story contained a lead-graph error about Julia Roberts having followed Jim Wiatt from ICM to William Morris eight years ago. "Never happened," she says.

But from a writer's standpoint, you can't help but admire the clarity of Munoz's third paragraph, which is composed of a tight 21 words: "Once the runner-up to powerhouse Creative Artists Agency, ICM is no longer part of the big leagues in the movie business." For all of her crackerjack bullwhip reporting about the agencies, I don't recall having read a Finke sentence that conveyed the awful-truthitude of the ICM situation quite as bluntly or concisely.

(Finke wrote following on 8.14: "What's interesting is how rival tenpercenteries are trying to use the Limato brouhaha to spin the town about ICM. Recently, I've heard both Endeavor and CAA use the phrase that Hollywood now has "only four major agencies," with the implication that ICM is no longer comparable to them or UTA or Morris because of the losses to its motion picture department." That has a certain ring, but then she adds (however correctly or incorrectly) that this claim is "ridiculous," adding that ICM and/or its investors "are looking to buy an agency with a strong motion picture department.")

Attempting to recover some of the agency's former glitter."could be the most difficult mountain Silbermann, an avid hiker, has ever climbed," Munoz writes. "The ICM president, who until recently shared that title with [the departed Ed] Limato, is highly regarded in the television world, having put together the talent for one of ABC's biggest shows, Grey's Anatomy.

"But Silbermann is a virtual unknown in movie circles. Most of Hollywood's top studio executives, including Sony Pictures' Amy Pascal, DreamWorks SKG's Stacey Snider and Warner Bros.' production chief Jeff Robinov, have either never met Silbermann or have had little contact with him since he joined ICM a year ago."

Posted by Jeffrey Wells on August 19, 2007 at 6:35 AM

comment #1

buckzollo Author Profile Page says ...

That will change as soon as they buy UTA. Limato's departure hastens the urgency (as does the aforemntioned article) for ICM to make this happen.

Posted by buckzollo Author Profile Page at August 19, 2007 9:09 AM

comment #2

Hickenlooper Author Profile Page says ...

I just joined ICM. The people there seem very real and straightforward. It's refreshing.

Posted by Hickenlooper Author Profile Page at August 19, 2007 11:21 AM

comment #3

T. Holly Author Profile Page says ...

Have you directed episodic tv yet? Be sure to let us know.

Posted by T. Holly Author Profile Page at August 20, 2007 7:48 AM

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