Discland
edited by Jonathan Doyle
Mafioso (The Criterion Collection, 3.18.2008) Nino Badalamenti is a supervisor in a car manufacturing plant who hasn't taken a vacation in over two years. On his way out the door to visit his beloved childhood hometown of Sicily -- with his blonde wife and daughters -- Nino is handed a package by his boss and asked to deliver it to a powerful and influential Sicilian gangster named Don Vincenzo. Once in Sicily, Nino has a hoot seeing friends and family, but his wife has trouble fitting in and is unfairly dismissed as a snob by Nino's family. Even more worrisome, Nino finds himself entangled in an intricate web of secret mafioso dealings and is eventually sent on an unexpectedly... elaborate errand. (continued)

Upcoming


July 2

Hancock

July 3

The Whackness

July 4

Diminished Capacity

Gonzo: The Life and Work of Hunter S. Thompson

Holding Trevor

Kabluey

We are Together

July 9

Full Battle Rattle

July 11

A Man Named Pearl

August

Eight Miles High

Garden Party

Harold

Hellboy II: The Golden Army

Journey to the Center of the Earth

Meet Dave

Roman Polanski: Wanted and Desired

The Stone Angel

July 18

A Very British Gangster

Before I Forget

The Dark Knight

The Doorman

Felon

Lou Reed's Berlin

Mad Detective

Mamma Mia!

Space Chimps

Take

Transsiberian

July 22

Two Tickets to Paradise

July 23

Boy A




 

The debate, not the winners

Two days ago Red Carpet District's Kris Tapley said I was "back on the 'Oscar prognostication should be about spotlighting quality' thing again." No -- last Thursday's post was about how the Oscar race is about the debate -- pushing and ragging on this and that contender and what the various views and convictions that emerge say about who and what we are -- and not the winners, which nobody except Oscar queens ever remembers.

Posted by Jeffrey Wells on December 30, 2007 at 05:53 PM

comment #1

Gaydos [TypeKey Profile Page] says ...

Just chatted tonight with an Academy voter who saw "Before the Devil Knows You're Dead" for the first time and couldn't wait to talk about it as they were completely blown away. They ranked it just above "Blood" as the one and two best of the year.

It reminded me that this probably is the most underrated film of the year, even though a dozen major critics hailed it as a major return to form for Lumet, it's got a small company backing it, it's finished out of the money with many Guilds and Critics groups and I think many pundits have given up on it as a serious contender for Oscar glory. Which may be right, but it's still a damn shame.

Thankfully, AFI did include it in the ten best of the year list (And thanks to Senor Wells for putting it in his top five).

And the LA Critics are honoring Lumet for his career.

But screw that, let's give Sidney some love for making one of the best American film noirs ever made, WITHOUT copying film noirs of the past. And the Kelly Masterson script is just a brilliant, dark jewel, welding an O'Neill family tragedy with a classic heist tale. And Hoffman has never been better. Which is saying A LOT.

Anyway, hearing this voter go crazy for it the way I did months ago when I saw it at the New Orleans Film Festival gave me a glimmer of hope.

There's one best pic vote; 999 to go.

Posted by Gaydos [TypeKey Profile Page] at December 31, 2007 12:08 AM

Post a Comment

Thanks for signing in, . Now you can comment. (sign out)

(If you haven't left a comment here before, you may need to be approved by the site owner before your comment will appear. Until then, it won't appear on the entry. Thanks for waiting.)


Remember me?