Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Matthews bids adieu

After 30 years on the movie beat, N.Y. Daily News critic Jack Matthews is packing it in and heading off to Oregon to write books. (Specifically "a long-gestating novel about the college co-ed considered by many to have been the Zodiac's first victim -- a murder I covered as a cub reporter," he says.) Jack is a good fellow, shrewd but fair-minded, known and liked by everyone...best to him. I will never stop banging it out. One is either busy being born or busy dying. I know where I stand. Die at your desk.

Posted by Jeffrey Wells on January 28, 2008 at 3:06 PM

comment #1

Sean Author Profile Page says ...

A career shift from journalist to novelist isn't the same thing as putting yourself out to pasture. In terms of exercising his creative soul, I'm sure it will feel to Jack like he's busy being born.

Posted by Sean Author Profile Page at January 28, 2008 3:19 PM

comment #2

cjKennedy Author Profile Page says ...

Writing reviews of movies like I Now Pronounce You Chuck and Larry week in and week out would be what I call "busy dying". Good luck to Mr. Matthews and his novel.

Posted by cjKennedy Author Profile Page at January 28, 2008 3:25 PM

comment #3

corey3rd Author Profile Page says ...

if you watch The Wire, you know that saying you're stepping away from journalism to work on your novel is code for "they took my thumbs, Charlie!!!!' He's out of the game. Who cares about another Zodiac killer book? Maybe he could also write a book about who killed JFK.

The world of print journalism is shrinking. Major papers are run like Circuit City - fire the older "expensive" employees and keep hiring kids who don't know better and work cheap.

far as writing Chuck and Larry being a soul killer - I disagree. At least that's a project that paid. Soul killing is writing a piece of crap that gets stuck in development hell and you don't even get scale for all the rewrites for the indie producer.

Posted by corey3rd Author Profile Page at January 28, 2008 3:35 PM

comment #4

K. Bowen Author Profile Page says ...

I assume that he means the so-called Riverside murder. Interesting. Best of luck to him.

Posted by K. Bowen Author Profile Page at January 28, 2008 3:35 PM

comment #5

T. Holly Author Profile Page says ...

There's always Sundance Wells.

"If movies do become so trivial that critics don't matter, than we've got a lot bigger problem than whether critics don't matter. We've got a problem that movies don't matter anymore," Gleiberman said. "If that ever happens then we're in an extremely unhealthy situation. Because a culture needs art, and a mass culture needs popular art, because art keeps you sane, art is the mirror. . . . Film critics will always matter as long as the movies matter."

http://www.sltrib.com/entertainment/ci_8087597

Posted by T. Holly Author Profile Page at January 28, 2008 3:36 PM

comment #6

cjKennedy Author Profile Page says ...

"Who cares about another Zodiac killer book?"

Compared to another review of Chuck and Larry, I do.

Posted by cjKennedy Author Profile Page at January 28, 2008 3:42 PM

comment #7

fielding Author Profile Page says ...

One less film "critic" makes the world that much better.

Posted by fielding Author Profile Page at January 28, 2008 3:52 PM

comment #8

T. Holly Author Profile Page says ...

Fielding, is your I.Q. double or single digits?

Posted by T. Holly Author Profile Page at January 28, 2008 3:55 PM

comment #9

corey3rd Author Profile Page says ...

"Feces critics will always matter as long as the fertilizer matters."

Movie critics are doing their hardest to prove that they matter to viewers and the industry. Somehow we're supposed to believe that your local film critic means more to the community than EMTs and firefighters. Last weekend while stuck in a bathroom stall with only the local paper's weekend section, I read the critic's reviews. The guy kept using "I" during the opening graphs to such a degree that it read like we cared about his life. he was complaining about suffering through a bad movie. Why should I care if this schnook gets fired?

I've gone to see more films based off pals who catch previews than these overblown Pauline Kael wannabes. There as annoying as those losers who claim that you can't fully understand a book until you read the "critics" describe and analysis the work. Blah. Just give me the f'n DVD from netflix.

Posted by corey3rd Author Profile Page at January 28, 2008 4:11 PM

comment #10

T. Holly Author Profile Page says ...

Sorry you're stuck in your awful life in nameless locale, USA, sucka.

Posted by T. Holly Author Profile Page at January 28, 2008 4:19 PM

comment #11

corey3rd Author Profile Page says ...

Guess I could be stuck in NYC having the joy of Rex Reed telling me about movies of quality. Or Armond White calling Lumet a hack.

The only film critic I appreciate is Leonard Maltin since he actually does work to get films (especially Disney shorts) released on DVD.

Posted by corey3rd Author Profile Page at January 28, 2008 4:33 PM

comment #12

T. Holly Author Profile Page says ...

Selfish prick. They're not there to get your Disney shorts released or tell you what to think (your friends can do that), they're there to do see a lot, think a little and write it down.

Posted by T. Holly Author Profile Page at January 28, 2008 4:50 PM

comment #13

T. Holly Author Profile Page says ...

I screwed it up.

"they're there to see a lot, think a little and write it down."

Posted by T. Holly Author Profile Page at January 28, 2008 4:51 PM

comment #14

lipranzer Author Profile Page says ...

Ah, yes, you're right, corey3rd, it's not the studios who are responsible for how bad the movies are, it's the big bad critics, who praise all the wrong movies. And yes, we all consider ourselves the most important people in the universe, the masters of our domain and yours!

Posted by lipranzer Author Profile Page at January 28, 2008 6:04 PM

comment #15

p.Vice Author Profile Page says ...

That Gleiberman quote is apt, Holly, but it fails to acknowledge the fact that most film critics are, more often than not, actually writing about commerce and/or consumer products, not art, either by virtue of their subject or the limitations imposed upon them by editorial mandates or space considerations.

And obviously Owen is delusional by the tacit assumption in his statement that art still matters in and of itself. Art exists today almost exclusively as a financial commodity; the time of cultural importance (or the 'mirror') is long gone, because you actually need a culture outside of mass thought and consumerism for the art to work in that regard. Were that not the case the merits of films would not be regularly eclipsed by discussions of box office receipts.

Posted by p.Vice Author Profile Page at January 28, 2008 6:10 PM

comment #16

corey3rd Author Profile Page says ...

Why shouldn't the critics take the blame for certain stinkers since many times they elevate certain directors to the point where they think their shit doesn't stink. Therefore they make that big turd and the sad part is that certain critics don't want to admit they were wrong about the director so they somehow find praise by relating crap in that film to their older movies. Ang Lee's Hulk was a piece of crap that the critics just had to praise as some sort of "thinking man's comic book movie."

At the same time Critics have been pretty useless in promoting films with low marketing budgets to become medium sized hits. If you don't have the money to carpet bomb TV, your film is pretty much screwed. If you're lucky you'll get 2 weekends at the theater.

Think a little? Why bother with many of these blurb hacks? They live with the sad concept that if they masturbate upon the Mona Lisa, they are equals to Divinci. As it's been pointed out before, since the creation of Netflix and 10 channels of HBO plus an OnDemand function, we don't need them anymore. If we're interested in a film from the publicity - or Wells constant mentions, we merely put it on the queue.

I'm not going to take this to the level that film critics can't hack it as filmmakers BS. But if they can't save their jobs from the budget axe, what good are they?

T. Holly, you seem to view critics like Tom Cruise views himself as a Scientologist. Cause you know, when a critics drives past a movie theater, he has to stop and see that film cause he's the only person who truly knows what to do.

Posted by corey3rd Author Profile Page at January 28, 2008 6:30 PM

comment #17

T. Holly Author Profile Page says ...

corey, corey, corey, I gave away my sold-out El Cid ticket to a starving film student so I could come home and fight with you. Anyway I get to watch my dog make the cutest faces -- if you know what a Kong is, you'll know what I mean. Criticism is like a tapas menu, a little of this, a little of that, and a complete meal emerges. We are so fortunate and privileged, maybe even spoiled, to have this nowadays. You do graze, don't you? Do I need to point?

http://www.metacritic.com/

http://www.rottentomatoes.com/

p.vice, don't say that on your interview at Pratt for Packaging Design.

Posted by T. Holly Author Profile Page at January 28, 2008 8:17 PM

comment #18

cjKennedy Author Profile Page says ...

I don't read critics to help me decide whether I like a movie or not. I read them when they write well or entertainingly because I like different perspectives based on different lifetimes of seeing movies. Another part of enjoying movies is coming back afterward and reading the critics who agree or disagree with me.

Posted by cjKennedy Author Profile Page at January 28, 2008 9:54 PM

comment #19

Thrudvangar Author Profile Page says ...

Bravo corey3rd. Funny and insightful. I totally agree.

Posted by Thrudvangar Author Profile Page at January 29, 2008 3:34 AM

comment #20

corey3rd Author Profile Page says ...

you should never give anything to a starving film student. They already have an amazing sense of entitlement that your welfare will only grow. Maybe if they want to quit starving, they should stop paying $25,000 a year for a bogus and overblown education. They should go to plumbing school or auto repair classes. You never hear about "starving auto mechanic students." Why? cause at the very least, they can give you a lube job for a favor.

If you skipped El-Cid for that post, you really should have typed more.

I don't care much for Rotten Tomatoes or Metacritic since they assign scores to reviews that didn't have number values applied by the critics. They're run by Junior High School English teachers.

The simple fact is that Matthews has no passion for film if he can just walk away from his newspaper post and work on a fictional account of a crime.

I could care less about what critics share my cinema tastes. They're not going to be drinking with me anytime soon. And the few that I've hit the bars with were such utter pricks that after a while I yearned to be getting liquored up with people who are actually entertained by movies. I'll take the Psychotronic over every book written by Pauline Kael.

I'm not sure where this whole "art" and "cinema" BS started, but film has always been about entertaining and getting butts in the seats.

Posted by corey3rd Author Profile Page at January 29, 2008 5:41 AM

comment #21

T. Holly Author Profile Page says ...

Don't read Rotten Tomatoes or Metacritc for the scores, read it for the writing. No longer is anyone limited by what's in their local paper or having to go to a bar to meet any of the pricks.

You've bested Milkman as angriest man here for having become a mechanic instead of an artist. I hope your que at Netflix is as long, deep and wide as you've become, and may you retire to become the man you were destined to be before reality took over.

Posted by T. Holly Author Profile Page at January 29, 2008 7:51 AM

comment #22

thorsen1nk Author Profile Page says ...

"One is either busy being born or busy dying. I know where I stand. Die at your desk."

Jesus Jeff, that is actually actually pretty damn inspiring.

Posted by thorsen1nk Author Profile Page at January 29, 2008 9:26 AM

comment #23

cjKennedy Author Profile Page says ...

"I'm not sure where this whole 'art' and 'cinema' BS started"

Clearly.

Posted by cjKennedy Author Profile Page at January 29, 2008 9:36 AM

comment #24

corey3rd Author Profile Page says ...

T. Holly, Who said I was a mechanic?

Posted by corey3rd Author Profile Page at January 29, 2008 10:08 AM

comment #25

EDouglas Author Profile Page says ...

Wow, Jack Matthews is one of the few critics I respect and the only reason I buy the Daily News... a real loss. I wonder if the NY Film Critics Circle fiasco he mentioned on his blog contributed to his retirement.

Posted by EDouglas Author Profile Page at January 29, 2008 12:13 PM

comment #26

Jimmycrackcorn Author Profile Page says ...

Maybe, in honor of his departure, we could at least get his name right. It's Mathews, with one T.

Posted by Jimmycrackcorn Author Profile Page at January 29, 2008 12:20 PM

Posted by T. Holly Author Profile Page at January 29, 2008 12:35 PM

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