Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Spewing in your seat

Arizona-based film journalist Henry Cabot Beck informs that last weekend in Pheonix "a sign was posted on each of the box-office windows of the AMC chain theaters warning people that they might get sick watching Cloverfield. When I asked the ticket seller, he told me there had been some upchucking and retching and like that. Next thing will be barf bags handed out with the tickets. William Castle would have made a mint with a gimmick like this."

I've almost never felt queasy from jiggly, hand-held photography (I eat films like Dancer in the Dark for breakfast), although I'll admit that Cloverfield has more than its share. Yesterday, however, I saw the King Kong of hand-held nausea jiggle movies -- Tia Lessin and Carl Deal's Trouble The Water, a doc about the Katrina disaster.

Half of it was shot by Lessin and Deal in the usual fashion and is no big challenge, but the other half is shakycam footage of Katrina's devastation shot by one of the film's main subjects, Kimberly Rivers. (The other is her husband Scott.) The footage is so scattered and whip-panny that I was starting to think about bolting less than ten minutes in. Show Trouble The Water to those Cloverfield sufferers in Pheonix and they'd spew in their seat.

Posted by Jeffrey Wells on January 21, 2008 at 6:29 AM

comment #1

Dave Author Profile Page says ...

I got queasy a couple of times during Cloverfield. Had to close my eyes and let it pass.

I don't blame the movie, though. OF COURSE it was going to make me queasy-- it's emulating crazy hand-held video. Can't really complain about something I knew going into ahead of time.

As for the movie itself. . . Jeff, I (and my GF) now kinda/sorta agree with your "Don't show the monster" rant. I think that Cloverfield did an awesome job of hinting at the monster for most of its running time-- it wasn't until the

SPOILER AHEAD!!

scene where Hud gets eaten, where he takes a long lingering shot at the beast above

SPOILER OVER!!

where the film goes off the rails RE: visualizing the monster. I was even okay with the ending "from the helicopter" shots-- the vantage point made sense. But the big "reveal" looked hokey, and sucked us out of the movie.

Still, a good ride, even if it felt long. I have no idea how they could make a 90-minute movie feel as long as they did, but after the fourth or fifth running scene, I was hoping the damn beast would just eat these brats already.

Posted by Dave Author Profile Page at January 21, 2008 7:24 AM

comment #2

tophertilson Author Profile Page says ...

I agree in principle, but that shot of the monster hovering over the camera has sort of haunted me. Don't know why.

On a completely unrelated note: I pray to God the Santa Barbara Film Festival ends soon. Those ads are KILLING my browser. Dag!

Posted by tophertilson Author Profile Page at January 21, 2008 7:58 AM

comment #3

corey3rd Author Profile Page says ...

The Waking Life made me feel rather sick when I saw it on a 30 ft. screen.

Posted by corey3rd Author Profile Page at January 21, 2008 8:08 AM

comment #4

ZacharyTF Author Profile Page says ...

On a completely unrelated note: I pray to God the Santa Barbara Film Festival ends soon. Those ads are KILLING my browser. Dag!

The Savages one is forcing my browser (Firefox) to wait until it loads completely to let me switch tabs. Annoying!

Posted by ZacharyTF Author Profile Page at January 21, 2008 8:42 AM

comment #5

The Winchester Author Profile Page says ...

AGREED on the Santa Barbara Fest ads screwing up my browser. It takes 3 minutes to load until I can click on anything else. Shennanigans!

AGREED on showing the monster less in Cloverfield. It was damn effective, and even though I wanted some nice Spielbergian glamour shots of the monster, the way it was done shows too much. Less is more.

However (SPOILER)...

When you can hear the goddamned creature from blocks away, how the hell can you not hear it when it's, I don't know, RIGHT BEHIND THE FREAKIN CAMERA THE JERKOFF DRUNK RUNS TO PICK BACK UP?!?!?!

Posted by The Winchester Author Profile Page at January 21, 2008 9:19 AM

comment #6

carla kolchak Author Profile Page says ...

I sat in the back row for both Cloverfield screenings I went to this past weekend and didn't feel even a moment of shaky cam-induced nausea. I also didn't witness any upchucking by others at either screening. I did, however, see a few walkouts by people who were sitting close to the screen.

Posted by carla kolchak Author Profile Page at January 21, 2008 9:56 AM

comment #7

Jean Author Profile Page says ...

Ditto on the not showing the creature method - I was so involved in the "veracity" of the the film, the feeling that you are there... then they'd show the creature and boom, you see the cgi and it pulls you out of the illusion.

The shaky cam did finally get to me. I sat too close to the screen - sit in the back rows and you'll be fine. But still, the cinematography used in Children of Men achieved the same effect without the shaky camera. The camera panning and lack of edits are what work, not the shake.

Posted by Jean Author Profile Page at January 21, 2008 10:39 AM

comment #8

LYT Author Profile Page says ...

Only shaky-cam that ever made me seasick was OPEN WATER. Hand held AND on a boat.

Posted by LYT Author Profile Page at January 21, 2008 11:59 AM

comment #9

alan Author Profile Page says ...

I am about ready to stop visiting Hollywood Elsewhere until my browser can load it without locking up for several minutes due to whatever ad is causing the problem. VERY frustrating.

Posted by alan Author Profile Page at January 21, 2008 7:01 PM

Post a comment