Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions
1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

January 8

Bitch Slap

Waiting for Armageddon

Wonderful World

Youth in Revolt

January 15

January 22

Drool

Extraordinary Measures

The Girl on the Train

Ansen De-Throned

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Another big-name print critic has been trap-doored -- Newsweek's David Ansen! One of the best critics in the country, certainly one of the wisest and most learned, a good fellow and a major voice on the big-time movie circuit since 1977 is being proverbially put out to pasture due to plummeting ad revenues and the general downswirling of dead-tree journalism. Ansen, 63, is one of 111 Newsweek staffers who accepted buyout deals last week.

Newsweek's David Ansen

Radar broke the story two or three hours ago. Variety's Anne Thompson is reporting that Ansen "will continue reviewing for the magazine until year's end, at which point he starts a year-long contract as contributing editor delivering reviews and longer features."

"Obviously the climate at newsmagazines is not great," Ansen told Thompson. "More cost-cutting, more trimming." He said he's looking forward to writing books, teaching and "not going out to screenings every night," he said. "I want to watch DVDs of movies I might actually like and read a book or two. Face it, a lot of movies are not that interesting to write about these days."

Street cred<< previous | next >>Black and white

Posted by Jeffrey Wells on March 30, 2008 at 4:31 PM

comment #1

D.Z. says ...

I stopped taking Newsweek seriously, when they resorted to Us Weekly-style reporting.

Posted by D.Z. at March 30, 2008 5:28 PM

comment #2

js1 says ...

D.Z., are you confusing People Magazine with Newsweek? 'Cause the Newsweek I know features news on politics, international affairs, the environment, and on and on. And there's pop culture news. In the back. For five pages.

Just like US Weekly. Right.

Anyway, it's a shame that Ansen's going. Just proves that no one (except maybe Ebert) is safe from the print critic going the way of the dodo.

Posted by js1 at March 30, 2008 6:13 PM

comment #3

D.Z. says ...

I think I can contradict js1 with http://www.newsweek.com/id/68365 .

Posted by D.Z. at March 30, 2008 6:46 PM

comment #4

erniesouchak says ...

I never cared one way or another about Ansen, but he's right. If I were required to sit through everything Hollywood put out, I'd shoot myself.

Posted by erniesouchak at March 30, 2008 6:54 PM

comment #5

js1 says ...

D.Z., you got me. Yes, one example from over a year ago definitely proves your point. Bravo.

Posted by js1 at March 30, 2008 7:26 PM

comment #6

BurmaShave says ...

I'm not trying to be a jerk, but was Ansen just informed he was being layed off when that picture was taken?

Posted by BurmaShave at March 30, 2008 7:46 PM

comment #7

lipranzer says ...

I'm glad Ansen has something good waiting for him - assuming the deal he made doesn't become fubar - but it's sad to see another knowledgable critic leaving because of cutbacks. While I may have disagreed with him, I always enjoyed reading him.

Posted by lipranzer at March 30, 2008 7:55 PM

comment #8

Jimmycrackcorn says ...

D.Z. apparently has not looked at an issue of Newsweek in many years. The current editor has no use whatsoever for arts coverage, tabloid-style or classy. Ansen and the other talented entertainment writers there have been severely marginalized for a long time. I'm surprised they didn't lay off every entertainment writer on staff, since they refuse to let any of them write anything. It's sad.

Posted by Jimmycrackcorn at March 30, 2008 8:12 PM

comment #9

LYT says ...

This seems as insane as firing Pete Hammond from Maxim. Does Newsweek not want publicity from film companies any more? Are they just going to stop film coverage altogether, or pay freelancers a pittance?

I know from working in a theater that the public wants reviews to help them decide what to see. Yet publications seem to think no critic is worth it nowadays.

Increasingly, I suspect the only ones who will continue to work are those prepared to do it as a hobby regardless of what their principal job is.

Posted by LYT at March 30, 2008 8:58 PM

comment #10

Wrecktum says ...

Does this mean no more film criticism from Newsweek? Just features?

Posted by Wrecktum at March 30, 2008 9:04 PM

comment #11

Movie fan09 says ...

Jeff!

you needed to be at afi dallas today.
they were discussing this very thing.
would have loved to hear what you had to say.

Posted by Movie fan09 at March 30, 2008 9:39 PM

comment #12

corey3rd says ...

Newsweek understands that they won't lose advertiser dollars by firing the movie reviewer and giving that inch count to the entertainment reporter to do fluff pieces on what's hot with the kids.

Posted by corey3rd at March 30, 2008 10:03 PM

comment #13

Terry McCarty says ...

LYT wrote:
This seems as insane as firing Pete Hammond from Maxim. Does Newsweek not want publicity from film companies any more? Are they just going to stop film coverage altogether, or pay freelancers a pittance?

NEWSWEEK probably wants the kind of film coverage they got a decade ago from folks like Corie Brown and Jeff Giles--go-along/get-along.

Posted by Terry McCarty at March 30, 2008 11:04 PM

comment #14

Jimmycrackcorn says ...

"This seems as insane as firing Pete Hammond from Maxim."

You have got to be joking, comparing these two events. Letting Ansen go from Newsweek is 50 times as insane as firing Hammond from Maxim could ever be.

Posted by Jimmycrackcorn at March 31, 2008 1:09 AM

comment #15

thorsen1nk says ...

WOW. This is horrible. Ansen was always a solid guy--20,000 the writer and journo of the inexplicably-ever-employed Bunghola Dargis. Who's next? Corliss? Turan? To quote Sir Ben Kingsley in his guest stint on the Sopranos. "Fu-uck!"

Posted by thorsen1nk at April 1, 2008 12:48 AM