Most Wanted
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Il Grido
(Antonioni, 1957)

The Fortune
(Nichols, 1975)

-30-
(Webb, 1959)

Betrayal
(Jones, 1983)

Play It As It Lays
(Perry, 1972)

The Outfit
(Flynn, 1973)

Alex in Wonderland
(Mazursky, 1969)

The Legend of Lylah Clare
(Aldrich, 1968)

In The Cool of the Day
(Stevens, 1963)

That Cold Day in the Park
(Altman, 1969)

The Fox
(Rydell, 1967)

Thumb Trippin'
(Masters, 1972)

Midas Run
(Kjellin, 1969)

At Long Last Love
(Bogdanovich, 1973)

Brewster McCloud
(Altman, 1972)

Outcast of the Islands
(Reed, 1951)

Mike's Murder
(Bridges, 1984)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

June 11

Tetro

June 12

Call of the Wild 3D

Food, Inc.

Imagine That

Moon

Sex Positive

The Taking of Pelham 1 2 3

Youssou N'Dour: I Bring What I Love

June 16

Yoo-Hoo, Mrs. Goldberg

June 19

$9.99

Dead Snow

The Proposal

Whatever Works

Year One

June 24

Transformers: Revenge of the Fallen

June 26

Cheri

Fireflies in the Garden

The Hurt Locker

My Sister's Keeper

The Stoning of Soraya M. 

Surveillance 

July 1

Ice Age: Dawn of the Dinosaurs

Public Enemies

July 3

The Girl from Monaco

I Hate Valentine's Day

July 10

Bruno

I Love You, Beth Cooper

Soul Power

July 15

Harry Potter and the Half-Blood Prince

July 17

(500) Days of Summer

All the Boys Love Mandy Lane

July 24

All Good Things

The Answer Man

G-Force

In the Loop

Orphan

The Ugly Truth

July 29

Adam

July 31

The Cove

Funny People

Lorna's Silence

They Came from Upstairs

August 7

G.I. Joe: The Rise of Cobra

Julie & Julia

Paper Heart

Shorts

When in Rome

August 14

A Perfect Getaway

Bandslam

District 9

The Goods: The Don Ready Story

I Sell the Dead

Ponyo

Pool Boys

Spread

Taking Woodstock

The Time Traveler's Wife

August 21

Five Minutes of Heaven

Goose on the Loose!

Inglorious Bastards

It Might Get Loud

Post Grad

World's Greatest Dad

August 28

The Boat that Rocked

Final Destination: Death Trip

H2

September 4

All About Steve

Amreeka

Black Dynamite

Carriers

Citizen Game

Extract

Pandorum

Shanghai

September 9

9

September 11

The Red Canvas

Tyler Perrys: I Can Do It All Myself

Whiteout

September 17

The Burning Plain

September 18

Armored

Brand New Day

Cloudy with a Chance of Meatballs

Jennifer's Body

Splice

September 25

Fame

The Invention of Lying

Surrogates

October 2

A Serious Man

More Than a Game

Sorority Row

Toy Story/Toy Story 2

Best Torino Tale

The most reasonable-sounding plot rumor so far concerning Clint Eastwood's Gran Torino (certainly more palatable than yesterday's near-ridiculous return-of-Dirty-Harry idea, which was floated by an AICN guy who claimed a certain inside knowledge due to a car deal that went south) has been posted by Film Jerk's Edward Havens.

He's heard it will be "a simple, quiet and compelling drama about Walt (Eastwood), a rural bigot who finds his outlook on life changed after a family of Hmong immigrants move in to the home next to his own, striking up a friendship with Tao, the family's teenaged son, over the older man's classic car."

Right off the top this sounds like a near-perfect Eastwood film -- quiet, soulful, moralistic, dealing with redemption -- and exactly the sort of thing that will do well in the '08 awards derby. I love the fact that the fast-moving Eastwood hasn't even shot this thing yet, and yet plans to have it out by December a la Million Dollar Baby.

The terms Hmong and Mong refer to an Asian ethnic group from the mountainous regions of southern China. Hmong currently live in several countries in Southeast Asia, including northern Vietnam, Laos, Thailand, and Myanmar.

Posted by Jeffrey Wells on March 21, 2008 at 9:04 AM

comment #1

Mgmax Author Profile Page says ...

Yeah, that sounds a lot more plausible coming from an American action star... whose last movie was in Japanese with subtitles.

Westerns are well suited to Eastwood's age, but cop movies, naah.

Posted by Mgmax Author Profile Page at March 21, 2008 9:30 AM

comment #2

Unison Author Profile Page says ...

That certainly makes sense than the Dirty Old Harry rumors... Why on earth Clint would put a popcorn movie up against a presumed Oscar contender like Changeling?

A one-two punch of two baity movies makes a lot more sense, though, and this subject matter sounds like a natural progression of sorts after Flags/Iwo Jima.

Posted by Unison Author Profile Page at March 21, 2008 9:31 AM

comment #3

actionman Author Profile Page says ...

It sounds like a nice film but I wish he was making a Dirty Harry film. Still, I'll see anything Clint puts his name on.

Posted by actionman Author Profile Page at March 21, 2008 9:40 AM

comment #4

Jay T. Author Profile Page says ...

Yeah, this makes more sense. I was actually surprised you bothered posting that AICN bullshit. They're about as reliable as a fictional reporter for the Baltimore Sun.

Posted by Jay T. Author Profile Page at March 21, 2008 9:40 AM

comment #5

wayne76 Author Profile Page says ...

I'll confess to being a little excited at the thought of another Dirty Harry film, but this premise is pretty fantastic.

Posted by wayne76 Author Profile Page at March 21, 2008 9:41 AM

comment #6

TheJeff Author Profile Page says ...

"a rural bigot who finds his outlook on life changed after a family of Hmong immigrants move in to the home next to his own, striking up a friendship with Tao, the family's teenaged son"

Eastwood is doing a live-action version of "King of the Hill?"

Posted by TheJeff Author Profile Page at March 21, 2008 9:42 AM

comment #7

alynch Author Profile Page says ...

I still can't believe that Eastwood is allowed to have two movies coming out within a month of each other from two different studios. You'd think that one of the studios would step in and say "Hey, we don't want you competing against your other movie."

Posted by alynch Author Profile Page at March 21, 2008 9:47 AM

comment #8

Bocephus Author Profile Page says ...

I like this idea a lot better. Eastwood is an original, why would he so blatantly rip off Stalllone's current (successful) tactic?

Posted by Bocephus Author Profile Page at March 21, 2008 9:49 AM

comment #9

Joel Author Profile Page says ...

Is it going to be set in Wausau?

Posted by Joel Author Profile Page at March 21, 2008 10:15 AM

comment #10

Rich S. Author Profile Page says ...

It's too bad the Gran Torino was such a POS. It was woefully underpowered for its weight. Starsky's version looked cool, but I suspect it was used because they could get a thousand of them from Ford for promotional consideration.

Posted by Rich S. Author Profile Page at March 21, 2008 10:25 AM

comment #11

gunder Author Profile Page says ...


I have credible inside information that tells me Gran Torino is actually a BIG LEBOWSKI sequel and it's about salvaging The Dude's car. Hence, the title Gran Torino. Eastwood plays a Willie Nelson-esque folk singer who joins Dude on his journey.

Posted by gunder Author Profile Page at March 21, 2008 10:44 AM

comment #12

echoes14 Author Profile Page says ...

Joel, i think there are more here in the twin cities.

Posted by echoes14 Author Profile Page at March 21, 2008 11:00 AM

comment #13

MeandMyselfandI Author Profile Page says ...

Ford was the contracted supplier of cars to the S&H show, so that's why Starsky had a Torino. The creator had wanted a Camaro. It was underpowered because they only had the standard engine and the actors hated it. Paul M. Glaser said it looked like a striped tomato, hence the running joke throughout the series. He drove it into the curb as much as possible.

Posted by MeandMyselfandI Author Profile Page at March 21, 2008 11:34 AM

comment #14

shermy Author Profile Page says ...

This sounds like a far more likely plotline. Unfortunately, it's still not an official announcement.

Meanwhile, Darkhorizons points out the following story, which claims to have verified the Dirty Harry rumor with a contact inside Malpaso: http://www.movieweb.com/news/81/27481.php

Then there's this, albeit less trustworthy, tidbit, which reiterates the idea that Eastwood wants to make one last action film: http://www.thaindian.com/newsportal/world-news/eastwood-to-return-as-dirty-harry_10029745.html

The problem is that both theories make sense when you look at Eastwood's career. The first is obviously what you'd expect from his recent output. He has devoted the last five years to directing Oscar-nominated films. But as much as everyone would like for him to only be an award-winning filmmaker from here on out, his career is far greater than his recent achievements.

Once you look at his entire output over a span of 40+ years, the second rumor could easily be just as true. One glimpse at his filmography reveals two key things: Eastwood has always enjoyed variety, and has built his entire career on intelligent, adult action films.

He followed Unforgiven- one of his greatest triumphs- with an action film (In The Line of Fire). And prior to his recent Oscar run, he made an unconventional crowd pleaser (Space Cowboys) and a relatively routine action thriller (Blood Work).

After five serious films in a row, he's certainly due for a change of pace- if his past career is any indication. Unforgiven allowed him to cap his western career on a high note, but his previous cop films have disappointed (The Rookie; Blood Work). It's entirely possible that he wants to provide both his career and his fans with one last, great, crowd-pleasing action film.

And if anyone has earned the right to go out with a bang, it's Clint Eastwood.

Posted by shermy Author Profile Page at March 21, 2008 12:27 PM

comment #15

Josh Massey Author Profile Page says ...

We're already getting serious Clint this year.

I want Dirty Harry VI.

Posted by Josh Massey Author Profile Page at March 21, 2008 1:29 PM

comment #16

p.Vice Author Profile Page says ...

This sounds 100 times worse than another Dirty Harry movie directed by fucking Buddy Van Horn. Clint as a bigot? I bet he'll be the kind of bigot that squints a lot and get really cantankerous before figgerin' out those slopes ain't such bad folk after all.

Posted by p.Vice Author Profile Page at March 21, 2008 3:01 PM

comment #17

BurmaShave Author Profile Page says ...

Just remember, not to be morbid, but for a man of Eastwood's age every film he makes could certainly be his last. You guys really want DIRTY HARRY VI to be potentially his final work?

If you're jonesing for Harry Callahan I can't imagine it'll be much longer until we're given a horrifying remake. Appreciate his late period, which has been perhaps the most impressive for a Actor/Director in at least a generation. I would put MILLION DOLLAR BABY and LETTERS FROM IWO JIMA up against almost anything of this time period. This plot of GRAN TORINO sounds like it could be wonderful.

Just out of curiousity who does anyone think could step into Harry Callahan's shoes, or into a reimagined(god I hate that word) DIRTY HARRY?

Posted by BurmaShave Author Profile Page at March 21, 2008 5:23 PM

comment #18

shermy Author Profile Page says ...

"I would put MILLION DOLLAR BABY and LETTERS FROM IWO JIMA up against almost anything of this time period."

But truthfully, Clint has always made pretty high quality films. 20 years from now, it will still be stuff like Dirty Harry and The Outlaw Josey Wales that defines his career. I've thoroughly enjoyed his recent output, but I don't automatically place it higher than his best work from the previous four decades. His recent films may be new, shiny, and popular to praise, but there's something to be said for the iconic side of the actor as well.

I'd be genuinely shocked if he were really starring in another Dirty Harry film, but that doesn't mean I'd look down upon it if it were true. I'm not sure why everyone acts as though it would be nothing more than a mindless action film. It might actually be interesting to see how someone as politically-incorrect as Dirty Harry would fit into our current society. And I could easily see Eastwood finding a place for actors like Morgan Freeman, Gene Hackman, James Woods, Ed Harris, etc. in the film. In fact, once you begin looking at it from that angle, it suddenly doesn't sound too bad at all.

But even if I wouldn't want that to be his final starring role, I can't say I'd want this new "Torino" plot to be it, either. For some reason, it evokes for me something like Robert Redford's "An Unfinished Life". I'm sure Clint could develop it into a good movie- it just wouldn't be my first choice. We already have The Changeling and The Human Factor to represent Eastwood's dramatic chops. I'd be lying if I said that the idea of him returning to his more crowd-pleasing side didn't excite me more than a little. After all, it is a formula that he has employed throughout his entire career.

Posted by shermy Author Profile Page at March 21, 2008 8:44 PM

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