Discland
edited by Jonathan Doyle
Mafioso (The Criterion Collection, 3.18.2008) Nino Badalamenti is a supervisor in a car manufacturing plant who hasn't taken a vacation in over two years. On his way out the door to visit his beloved childhood hometown of Sicily -- with his blonde wife and daughters -- Nino is handed a package by his boss and asked to deliver it to a powerful and influential Sicilian gangster named Don Vincenzo. Once in Sicily, Nino has a hoot seeing friends and family, but his wife has trouble fitting in and is unfairly dismissed as a snob by Nino's family. Even more worrisome, Nino finds himself entangled in an intricate web of secret mafioso dealings and is eventually sent on an unexpectedly... elaborate errand. (continued)

Upcoming


July 2

Hancock

July 3

The Whackness

July 4

Diminished Capacity

Gonzo: The Life and Work of Hunter S. Thompson

Holding Trevor

Kabluey

We are Together

July 9

Full Battle Rattle

July 11

A Man Named Pearl

August

Eight Miles High

Garden Party

Harold

Hellboy II: The Golden Army

Journey to the Center of the Earth

Meet Dave

Roman Polanski: Wanted and Desired

The Stone Angel

July 18

A Very British Gangster

Before I Forget

The Dark Knight

The Doorman

Felon

Lou Reed's Berlin

Mad Detective

Mamma Mia!

Space Chimps

Take

Transsiberian

July 22

Two Tickets to Paradise

July 23

Boy A




 

Dith Pran + Haing S. Ngor

Dith Pran, the real-life Cambodian-born photographer whose story of capture, enslavement and eventual escape from the hands of the psychopathic Khmer Rouge was dramatized in Roland Joffe's The Killing Fields, died yesterday of pancreatic cancer.


Dith Pran (l.), Haing S. Ngor (r.)

I never met him, but I interviewed Haing S. Ngor, who not only played Dith in the film but knew him as a close friend, for an Us magazine piece in '84.

A lovely hard-core guy who wore his memories and emotions on his sleeve, Ngor had gone through the same kind of Khymer Rouge horrors as Dith, and later wrote a book about this called "Haing Ngor: A Cambodian Odyssey." It was ironic as well as extremely tragic that Ngor survived his ghastly Cambodian ordeal only to be killed by Los Angeles gang-bangers during a robbery assault in 1996. Dith said upon his death, "He is like a twin with me...He is like a co-messenger and right now I am alone."

Now with the 65 year-old Dith gone, it's as if some kind of circle has been sealed with twin souls laid to rest, paired for eternity.

Posted by Jeffrey Wells on March 31, 2008 at 12:41 PM

comment #1

Edward Havens [TypeKey Profile Page] says ...

[Grammatical/architectural correction noted and adhered to -- thanks.]

Posted by Edward Havens [TypeKey Profile Page] at March 31, 2008 01:22 PM

comment #2

CinemaPhreek [TypeKey Profile Page] says ...

A friend of mine was working on a documentary about the "Mushroom War" that was going on in the California Federal forests between locals and the Cambodians over the very lucative wild 'shrooms that the Japanese were buying up at the time (mid-90's). Ngor was to be the narrator and his murder so knocked my friend off his feet that he not only abandoned the film, he quit the business altogether.

It did feel like circle was sadly completed with Pran's death.

Posted by CinemaPhreek [TypeKey Profile Page] at March 31, 2008 01:32 PM

comment #3

Howlingman [TypeKey Profile Page] says ...

Ngor's death was a fucking tragedy. To go through sheer hell on earth, only to be wasted by a bunch of low-life gang bangers (like there's any other kind) really diminishes one's positive outlook for humanity.

The reason Ngor was murdered? The scum mugging him wanted his locket. The locket carried a photo of his wife who was murdered by the Khmer Rouge. He refused.

Posted by Howlingman [TypeKey Profile Page] at March 31, 2008 02:18 PM

comment #4

Edward Havens [TypeKey Profile Page] says ...

When we face death, the Dharma asks us to turn our calm focus on the good deeds of the deceased. It also asks us to meditate on the impermanence of our own lives. Dith Pran's good deed was to survive to tell his story, and to remind us how one life can make a difference.

Posted by Edward Havens [TypeKey Profile Page] at March 31, 2008 03:15 PM

comment #5

T. Holly [TypeKey Profile Page] says ...

I remember Jonathan Demme/Spalding Gray's Swimming to Cambodia even more; loved that movie, sad what happened to Gray too.

Posted by T. Holly [TypeKey Profile Page] at March 31, 2008 03:39 PM

comment #6

CinemaPhreek [TypeKey Profile Page] says ...

"When we face death, the Dharma asks us to turn our calm focus on the good deeds of the deceased. It also asks us to meditate on the impermanence of our own lives. Dith Pran's good deed was to survive to tell his story, and to remind us how one life can make a difference."

Channeling Wells here: I hate to piss on anyone's cornflakes with this, but I have to quibble with that last part. If there is a lesson to Pran's life, it is that in the face of overwhelming horror and loss, you must go on and reestablish your connection to the life-affirming parts of life and not get sucked into the darkness that underscores the finer things in it.

Life just IS - deal with it or it will consume you.

To me, Pran is the embodiment of so many souls in this world, pushed around by forces beyond their control. He is not in the larger scheme of things that heroic, simply a survivor (albeit one that dealt with far more than most of us in the Western world will ever see). His escape from the killing fields and alerting us to the horrors the Khmer Rouge was putting Cambodia through only increased our understanding, yet caused no response.

There was no resulting outcry that sent the US or the UN in a giant undertaking to save the people of Cambodia. Pol Pott was not driven from power until Vietnam began to systematically attach the Khmer in 1984.

Pran is ultimately a symbol of all those who must deal with the aftermath of the world's clashes, all those powerless folks who are affected both by the unintended consequences or our military actions and of our indifference to the plight of those we "pragmatically" choose to ignore.

Posted by CinemaPhreek [TypeKey Profile Page] at March 31, 2008 05:50 PM

comment #7

Jeffrey Kunze [TypeKey Profile Page] says ...

The Killing Fields - a great film that will last through the ages.

I was given this DVD along with The Year of Living Dangerous from a politically-active friend one Christmas and didn't watch them for about a year.

When I finally got around to watching them, Living Dangerous was good/very intense but Killing Fields knocked m flat out. I've tried to recommend this film, but it's not easy getting others to watch it, as though they know what they're in for is gonna be rough.

Posted by Jeffrey Kunze [TypeKey Profile Page] at March 31, 2008 10:10 PM

comment #8

Jeffrey Kunze [TypeKey Profile Page] says ...

Excuse me: The Year of Living DangerousLY (staring Oscar winner Mel Gibson and Oscar winner Linda Hunt).


And, yes T. Holly, Spalding Gray's death was tragic and arbitrary.

Posted by Jeffrey Kunze [TypeKey Profile Page] at March 31, 2008 10:15 PM

comment #9

Joshua Mooney [TypeKey Profile Page] says ...

I interviewed Dr. Haing S. Ngor too. I remember it well. A friendly, wise, sincere and compassionate man who'd been through things I couldn't/can't imagine. It was an hour well spent. When he was murdered, some time later, the obvious ironies presented themselves to me. I was enraged for however many minutes, and then I just went numb, or numbed myself. Dith Pran's death has me thinking about him again.

Posted by Joshua Mooney [TypeKey Profile Page] at April 1, 2008 02:33 PM

Post a Comment

Thanks for signing in, . Now you can comment. (sign out)

(If you haven't left a comment here before, you may need to be approved by the site owner before your comment will appear. Until then, it won't appear on the entry. Thanks for waiting.)


Remember me?