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Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions
1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

January 8

Bitch Slap

Waiting for Armageddon

Wonderful World

Youth in Revolt

January 15

January 22

Drool

Extraordinary Measures

The Girl on the Train

Upside of Tragedy

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In the view of two knowledgable guys interviewed by AP reporter David Germain, Heath Ledger's death will -- sadly, ironically -- be a kind of boon to the fortunes of The Dark Knight (Warner Bros., 7.18). Germain states that Chris Nolan's film "has already emerged as arguably the biggest movie featuring a posthumous role in Hollywood history."

Everyone is tiring of seeing this same old Heath/Joker photo over and over -- it would be nice if Warner Bros. would remedy this.

Bill Ramey, founder of the fansite Batman-on-Film.com, says that "more people will come to see [Knight] because of Ledger's death. No doubt some people may be apprehensive about seeing it because there may be a little ghoulish factor about it. But I'm betting that more people now kind of look at it as a tribute to him, and the biggest tribute you could give someone is to go see it and enjoy his performance."

Ball State University film professor Wes Gehring says "it's a tacky thing to say, but what would have been a negative in the past now could be a positive thing. I think we've done a flip-flop on pop culture. Now it might actually be a selling point for a movie where you say, 'So and so's dead. Let's go see his movie.' What might have been a hindrance in 1935 now won't be a problem."

The list of major actors who starred in films after their deaths includes (1) James Dean (both Rebel Without a Cause and Giant opened after his car-crash death in September 1955), (2) Clark Gable (The Misfits came out 75 days after his passing on 11.16.60)), (3) Carole Lombard (To Be or Not To Be opened two months after her plane-crash demise), (4) Spencer Tracy (Guess Who's Coming to Dinner arrived in December '67, six months after Tracy's death on 6.10.67), (5) Jean Harlow (Saratoga opened six weeks after her death on 6.7.37), (6) Robert Walker (My Son John came out in April 1952, 9 months after his death in August '51), and (7) Montgomery Clift (whose final film, The Defector, came out in mid-November 1966, about five months after his death in July of that year.)

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Posted by Jeffrey Wells on March 27, 2008 at 12:54 PM

comment #1

Rich S. says ...

Don't forget the poor Lee family. Bruce: Enter the Dragon ('73) & Game of Death ('78) and Brandon: The Crow ('94).

Posted by Rich S. at March 27, 2008 1:55 PM

comment #2

Rich S. says ...

And of course Natalie Wood - Brainstorm ('83).

Posted by Rich S. at March 27, 2008 1:57 PM

comment #3

Jeffrey Kunze says ...

River Phoenix had a horrible movie released after his death, Silent Tongue.

Friggin' goddamn tragedy that man's death was.

Posted by Jeffrey Kunze at March 27, 2008 1:58 PM

comment #4

chicbn872 says ...

You know, I don't buy the hype for this movie growing due to Ledger's death that much. I know it's a factor but I think that even if Ledger were alive, the hype surrounding this movie would still be his performance. Christopher Nolan has said more than once that Ledger is off-the-charts amazing in this movie. Of course, I wouldn't expect Nolan to come out and say his performance is crap but what if his Joker is a sociopathic killer in the same world as Anton Chiguhr?

"The Dark Knight" was going to be massive no matter what has happened, that's the one thing that is a certainty.

Posted by chicbn872 at March 27, 2008 2:22 PM

comment #5

CinemaPhreek says ...

"has already emerged as arguably the biggest movie featuring a posthumous role in Hollywood history."

Still doesn't top GIANT, sorry.

Posted by CinemaPhreek at March 27, 2008 2:25 PM

comment #6

CinemaPhreek says ...

Speaking of deaths...

Guess we have a JUDGMENT AT NUREMBERG death pool/trilogy going on this week. Writer Abby Mann passed away Tuesday, joining Richard Widmark.

Considering that the director and most of the other stars (Lancaster, Tracy, Clift) are already dead, if I were Maximilian Schell or William Shatner I might be a tad nervous this week...

Posted by CinemaPhreek at March 27, 2008 2:41 PM

comment #7

Filthy Rich says ...

If it makes substantially more than Begins then maybe I'd buy it. But I don't.

I think it'll do about $250,000 because it looks a bit fresher than Begins and more interesting, mostly because of Ledger's role and performance.

'What doesn't kill you only makes you stranger. '

That line seems to sum up his character.

Posted by Filthy Rich at March 27, 2008 2:54 PM

comment #8

bmcintire says ...

Unloved and dated as it may be, I'm going to have to say that GUESS WHO'S COMING TO DINNER will have slightly more historical wieght than yet another installment in the BATMAN franchise. And good call on THE CROW, though that historical fact is pretty much all that makes this title memorable. BRAINSTORM suffers in much the same respect.

Posted by bmcintire at March 27, 2008 2:55 PM

comment #9