Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Minor Cannes Advantage

The only tactical advantage to seeing Indiana Jones and the Kingdom of the Crystal Skull in Cannes on 5.18 is that critics there will have a jump on those seeing it stateside by perhaps as little as seven or eight hours.


The Cannes press screening will happen at 8:30 am with reviews going up an hour or so after it ends at 10:35 am -- make that 11:30 am to 12 noon, Cote d'Azur time. That's 6:30 am to 7 am New York time, and 3:30 am to 4 am L.A. time. If U.S. domestic screenings happen in the evening, the word from Cannes will be exclusive for two-thirds of a day, give or take. Obviously less so if they happen in the afternoon. I'm hearing that U.S. screenings may begin around noon or 1 pm in the east.

Absent The Will<< previous | next >>Three Denby Dings

Posted by Jeffrey Wells on April 28, 2008 at 11:55 AM

comment #1

scooterzz Author Profile Page says ...

word is that there will be five screenings throughout the day of the 18th (here in l.a.) to accomodate everybodys schedule....still no word on location (s).......
if this is true, i'm guessing it will prob be the same in nyc.....

Posted by scooterzz Author Profile Page at April 28, 2008 12:10 PM

comment #2

The Pope Author Profile Page says ...

The only tactical advantage of seeing Jones in Cannes is that you see it a few hours before the critics in LA? How about the fact that being in Cannes you are NOT in LA. How about that for a tacitcal advantage?

Posted by The Pope Author Profile Page at April 28, 2008 12:46 PM

comment #3

Rich S. Author Profile Page says ...

Seeing Indy IV a couple of hours early is at least some justification for dumping all that carbon into the atmosphere while flying to France.

Posted by Rich S. Author Profile Page at April 28, 2008 12:52 PM

comment #4

D.Z. Author Profile Page says ...

Pope: I doubt people will be lining up in costumes and sleeping in cots for Indy the way they did for the Star Wars prequels.

Posted by D.Z. Author Profile Page at April 28, 2008 1:04 PM

comment #5

Craig Kennedy Author Profile Page says ...

A few hours just isn't enough time for a good take-down, is it Jeff?

Posted by Craig Kennedy Author Profile Page at April 28, 2008 1:29 PM

comment #6

The Winchester Author Profile Page says ...

DZ, if I knew I wouldn't be the only one, I would totally dress up like Mola Ramm and try to rip people's hearts out of their chests.

Posted by The Winchester Author Profile Page at April 28, 2008 1:56 PM

comment #7

Aladdin Sane Author Profile Page says ...

cj, I think Wells is hoping it'll actually be enjoyable. if i recall correctly, he said the trailer looked promising...of course it's great that this is a society where you continually shit on another's art and can still get invited back for another look.

Posted by Aladdin Sane Author Profile Page at April 28, 2008 2:14 PM

comment #8

Craig Kennedy Author Profile Page says ...

Aladdin, you're correct of course, though I remain skeptical. His turn around followed months of "Uncle Festus" cracks and bitching about aliens. Then there was the whole 140 minute thing which was certainly laying the groundwork for a takedown even if he was unwilling to come right out and say it at the time.

If he likes it and says so, I'll be happy to admit I'm wrong once again.

Posted by Craig Kennedy Author Profile Page at April 28, 2008 2:20 PM

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