Discland
edited by Jonathan Doyle
Cloverfield [BLU-RAY] (Paramount Home Entertainment, 6.3.2008) Disguised under deliberately goofy, yet deliciously edible-sounding, aliases such as Cheese and Slusho, Matt Reeves' Cloverfield was produced and rushed into theaters under an equally appetizing shroud of secrecy. From last year's incredibly elusive Super Bowl ad to the film's viral marketing campaign, Cloverfield had everybody scratching their heads and drooling in anticipation. Aside from the as-yet untitled title and the Blair Witch-ian visual style, the film's biggest appeal was the enigmatic creature who was last (un)seen hurling the decapitated head of the Statue of Liberty onto the crowded streets of New York City. All we knew about the mysterious beast was that it was big and angry. Now that the highy-anticipated project has come and gone, one question has fortunately been answered: Cloverfield was a major success. (continued)

Upcoming

December 31

Defiance

Good

January 2

Cargo 200

January 7

Silent Light

January 9

After Dark Horrorfest 2009

Bride Wars

How About You

Not Easily Broken

The Unborn

Yonkers Joe

January 16

Chandni Chwok to China

Cherry Blossoms

Hotel for Dogs

My Bloody Valentine 3-D

Notorious

Paul Blart: Mall Cop

January 21

Of Time and the City




Recession Preems

I suggested yesterday that Envelope columnist Elizabeth Snead should have attempted an explanation why the Sex and the City is blowing off a big-ass debut screening at the Cannes Film Festival in favor of one in London, especially since Sarah Jessica Parker said Cannes was a possibility in a Snead article that ran on 3.14.

Today Snead ran a portion of an interview with an anonymous Warner Bros. insider, who offered at least a partial answer to the London-not-Cannes question. "A WB insider who refused to go on record told me, 'One word: recession,'" Snead wrote,. "[The source added] that movie studios were feeling the pinch of a devalued U.S. dollar and that a Cannes fete done right would be far more costly than a red carpet event in London."

I don't believe this is the entire reason for one shaved millisecond. There's no doubting the fact that Cannes is going to be horrifically expensive for everyone this year, but London is no cheap deal either. Everything hurts when you're in London. I was there last March and I know. It's just as bad as France. So if you ask me the "London is cheaper" explanation is at least partly bullshit.

Dignity Out The Window<< previous | next >>Big Clock

Posted by Jeffrey Wells on April 22, 2008 at 1:11 PM

comment #1

Terry McCarty Author Profile Page says ...

Given the look of the trailer, I'm guessing that Time Warner would rather have a London opening since the British press might go easier on the film than the assembled critics at Cannes.

I'm sure the brickbats THE DA VINCI CODE received at Cannes is a major factor.

Posted by Terry McCarty Author Profile Page at April 22, 2008 2:09 PM

Post a comment