Most Wanted
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Il Grido
(Antonioni, 1957)

The Fortune
(Nichols, 1975)

-30-
(Webb, 1959)

Betrayal
(Jones, 1983)

Play It As It Lays
(Perry, 1972)

The Outfit
(Flynn, 1973)

Alex in Wonderland
(Mazursky, 1969)

The Legend of Lylah Clare
(Aldrich, 1968)

In The Cool of the Day
(Stevens, 1963)

That Cold Day in the Park
(Altman, 1969)

The Fox
(Rydell, 1967)

Thumb Trippin'
(Masters, 1972)

Midas Run
(Kjellin, 1969)

At Long Last Love
(Bogdanovich, 1973)

Brewster McCloud
(Altman, 1972)

Outcast of the Islands
(Reed, 1951)

Mike's Murder
(Bridges, 1984)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

June 11

Tetro

June 12

Call of the Wild 3D

Food, Inc.

Imagine That

Moon

Sex Positive

The Taking of Pelham 1 2 3

Youssou N'Dour: I Bring What I Love

June 16

Yoo-Hoo, Mrs. Goldberg

June 19

$9.99

Dead Snow

The Proposal

Whatever Works

Year One

June 24

Transformers: Revenge of the Fallen

June 26

Cheri

Fireflies in the Garden

The Hurt Locker

My Sister's Keeper

The Stoning of Soraya M. 

Surveillance 

July 1

Ice Age: Dawn of the Dinosaurs

Public Enemies

July 3

The Girl from Monaco

I Hate Valentine's Day

July 10

Bruno

I Love You, Beth Cooper

Soul Power

July 15

Harry Potter and the Half-Blood Prince

July 17

(500) Days of Summer

All the Boys Love Mandy Lane

July 24

All Good Things

The Answer Man

G-Force

In the Loop

Orphan

The Ugly Truth

July 29

Adam

July 31

The Cove

Funny People

Lorna's Silence

They Came from Upstairs

August 7

G.I. Joe: The Rise of Cobra

Julie & Julia

Paper Heart

Shorts

When in Rome

August 14

A Perfect Getaway

Bandslam

District 9

The Goods: The Don Ready Story

I Sell the Dead

Ponyo

Pool Boys

Spread

Taking Woodstock

The Time Traveler's Wife

August 21

Five Minutes of Heaven

Goose on the Loose!

Inglorious Bastards

It Might Get Loud

Post Grad

World's Greatest Dad

August 28

The Boat that Rocked

Final Destination: Death Trip

H2

September 4

All About Steve

Amreeka

Black Dynamite

Carriers

Citizen Game

Extract

Pandorum

Shanghai

September 9

9

September 11

The Red Canvas

Tyler Perrys: I Can Do It All Myself

Whiteout

September 17

The Burning Plain

September 18

Armored

Brand New Day

Cloudy with a Chance of Meatballs

Jennifer's Body

Splice

September 25

Fame

The Invention of Lying

Surrogates

October 2

A Serious Man

More Than a Game

Sorority Row

Toy Story/Toy Story 2

The Hairy One with the Big Feet

Adding to my dissenting view of Guillermo del Toro's official contracted commitment to spend four years making two Hobbitt movies for New Line/ Warner Bros. and the oppressive poobah Peter Jackson, Salon's Andrew O'Hehir yesterday riffed and elaborated about the regret many are feeling about a great filmmaker preparing to lie down with dogs.


O'Hehir's best score is quoting Del Toro from a 2006 Cannes interview he did with the guy, to wit: "I was never into heroic fantasy. At all. I don't like little guys and dragons, hairy feet, hobbits -- I've never been into that at all. I don't like sword and sorcery. I hate all that stuff." I knew it...knew it! A brother under the skin. Guillermo, homie...I'm with you all the way.

Second best O'Hehir graph: "And where did the brilliant idea to make a 'Hobbit' sequel -- a movie that will presumably cover the 60-year gap between the stories told in 'The Hobbit' and in 'The Lord of the Rings' -- actually come from? If you read all the back-and-forth stories closely, it becomes clear that New Line executive Mark Ordesky at some point told Peter Jackson that the studio had acquired rights to make both 'The Hobbit' and a sequel, presumably based on Tolkien's fragmentary back-story information about what happens in his fictional universe between the two novels.

"A less kind way of saying this is that any 'Hobbit' sequel won't really be a Tolkien adaptation; Jackson and Walsh and Boyens and del Toro and Ordesky and, I don't know, some guy in the Warner Bros. lunch room will be making the shit up."

Ethics Lecture<< previous | next >>Requesting Variation

Posted by Jeffrey Wells on April 26, 2008 at 10:52 AM

comment #1

cinefan Author Profile Page says ...

I like Del Toro's work as a director but that quote makes him look like a complete hypocrite who is just taking the Hobbit job because of the large amount of money he was offered to direct it.

Posted by cinefan Author Profile Page at April 26, 2008 11:46 AM

comment #2

Walter Sobchak Author Profile Page says ...

I agree with Del Toro down the line about fantasy crap, which is why I think he'll be good directing the Hobbit films. He'll reign in the "magical fantastical" shit and probably make them grittier and less unicorny.

Posted by Walter Sobchak Author Profile Page at April 26, 2008 12:11 PM

comment #3

Craptastic Author Profile Page says ...

When I read that quote I thought, "Brother!". Being into sci-fi and horror, I must've corrected people a million times when they confused my interests with flying unicorns and pixies.

However, I don't think he's backing that quote up with his work. I'd say "Pan's..." is 75% fantasy film. A little girl immerses herself into a world filled with magical creatures, legends, kings and queens, etc. That's the definition of fantasy.

Now if you'll excuse me, I have to return to the Anti-Narnia webpage to show those nerds what's what.

Posted by Craptastic Author Profile Page at April 26, 2008 12:43 PM

comment #4

lazarus Author Profile Page says ...

DId it ever occur to anyone that Del Toro may have taken the job so he could sniff out Jackson's weight loss secret?

Since we're so obsessed with the subject of obesity lately (well, always) around here.

Posted by lazarus Author Profile Page at April 26, 2008 12:52 PM

comment #5

nemo Author Profile Page says ...

Del Toro may not be into heroic fantasy, but he's certainly into other forms of fantasy. No question about it, he's deeply into monsters.

"I think there is a point in our lives when we are kids, when literature, and magic, and fantasy have as strong a presence in our soul as religion would in later days. It's a spiritual reality, as strong as when people say I accept Jesus in my heart. Well, at a certain age I accepted monsters in my heart."

From a Jan 24 2007 Fresh Air interview with Guillermo del Toro on Pan's Labyrinth.

Posted by nemo Author Profile Page at April 26, 2008 1:11 PM

comment #6

DarthCorleone Author Profile Page says ...

"A less kind way of saying this is that any 'Hobbit' sequel won't really be a Tolkien adaptation; Jackson and Walsh and Boyens and del Toro and Ordesky and, I don't know, some guy in the Warner Bros. lunch room will be making the shit up."

Yeah, I agree 100 percent with this. What's the point? I've read enough Tolkien - including those Lord of the Rings appendices - to know that the time between The Hobbit and The Lord Of The Rings does not have a compelling narrative or protagonist as Tolkien wrote it. The whole idea of doing that sequel/prequel is just insane. I'm down with a Hobbit movie, but this other thing - what the hell is it? It sure won't be Tolkien.

Posted by DarthCorleone Author Profile Page at April 26, 2008 2:58 PM

comment #7

JohnCope Author Profile Page says ...

Walter, I don't understand what you're talking about (unless you're trying to be sarcastic). First of all, why would del Toro's cinema ever be considered the antithesis of "magical fantastical shit"? It's all about that.

And as someone who values Tolkien I can speak for those of us who were not enthused by Jackson's adaptations and found them lacking precisely because they were not transcendent enough. With the exception of Return of the King, in which his imagination was allowed to go slightly more unconstrained, Jackson or someone in his party worked to diminish the heightened mythos of Tolkien's established worlds and how they represented archetypal reality by constantly feeling the need to qualify every damn thing to make it all "believable". We were treated to the kind of numbingly boring faux-reality you seem to want more of. We got fashionable gender politics and a lot of depictions of Aragorn as a relatable presence; at least relatable in respect to early twenty-first century notions of "real" conceivable masculinity. It was reduced in that way. The quest was constantly made banal due to the insistence on representing the pseudo-grittiness of the terrain and conditions of exhaustion, etc. Still, this emphasis has its appeal to this period's cultural sensibility (see CSI's body-centric mindlessness) and that may explain the series' otherwise unfathomable popularity.

For my part I kept waiting and hoping for Jackson to go ape shit and break out the rubber monsters from his greatest works, Meet the Feebles and Brain Dead. That kind of wickedly unapologetic and irreverent approach would have been a worthy fusion of Jackson's own sensibility and Tolkien's towering, elevated prose.

Posted by JohnCope Author Profile Page at April 26, 2008 3:35 PM

comment #8

storymark Author Profile Page says ...

Yeah, their making up a story to fit between THe Hobbit and LOTR is totally going to blow the credibility of their "Based on a true story" claims....

And how dare tha director of Mimic, Blade 2 and Hellboy degrade himself by taking the reins on the biggest franchise of the last decade, which has millions of fans.

Seriously, lighten up, folks. No one is going to force you at gunpoint to see the damned thing.

Posted by storymark Author Profile Page at April 26, 2008 4:18 PM

comment #9

DarthCorleone Author Profile Page says ...

"Based on a true story." Cute.

I'm a fan of the films and the books, and I'm excited about The Hobbit adaptation. But I think a little skepticism about the potential quality of something created out of almost completely thin air and slapping the name of Tolkien's Middle-Earth on it is more than warranted. Frankly, as protective as Tolkien's estate as been about the property over the years, I'm a little surprised that they are letting the studio get away with this - ludicrously excessive cash-grab or not.

As always when it comes to skepticism, I eagerly hope that I am proven wrong.

Posted by DarthCorleone Author Profile Page at April 26, 2008 5:15 PM

comment #10

MovieBob Author Profile Page says ...

It reveals so much about the old-guard critical press that "Pan's Labyrinth" gets exempted from their never-take-scifi/fantasy-seriously rule EXCLUSIVELY because it has subtitles. They don't even carry it over into Del Toro's NON-Spanish films - "Hellboy" and "Pans" are first cousins, cinematically: Same overall look, most of the same overall tone, same mashup of monsters, WWII-era facism and mythology.

And yet they continue to miss both this AND the much-larger picture: Neither Jackson nor Del Toro has "sold out." Making giant-scale movies about monsters and dragons and warrior-elves and whatnot aren't something Geek filmmakers do for clout - it's what they do WHEN they get clout."

Posted by MovieBob Author Profile Page at April 27, 2008 12:30 AM

comment #11

BurmaShave Author Profile Page says ...

It's a shame. No one really wants to see this movie that badly, especially two. Not to mention SATURN AND THE END OF DAYS sounds like a fucking awesome idea. I'd love for him to finish his 'Children Processing War/Trauma' trilogy. Isn't one franchise enough?

Posted by BurmaShave Author Profile Page at April 27, 2008 3:08 AM

comment #12

actionman Author Profile Page says ...

What a waste of Del Toro's time

Posted by actionman Author Profile Page at April 27, 2008 7:56 AM

comment #13

Feathers McGraw Author Profile Page says ...

While I'm intrigued to see what Del Toro does with the Hobbit, I'm bitter that it means we have to wait that much longer for his At The Mountains of Madness adaptation. Maybe he could convince Jackson and WETA to do it with him?

Posted by Feathers McGraw Author Profile Page at April 27, 2008 10:17 AM

comment #14

storymark Author Profile Page says ...

"No one really wants to see this movie that badly"

Maybe no one (or at least, not many) around here wants to see it, but the geek sites are tripping over themselves with joy, and plently of people out in the "real world" are excited at the prospect of more Middle-Earth movies. Many of whom don't know or care who Del Toro is, and whether or not online sourpusses are displeased with his choice in projects.

Posted by storymark Author Profile Page at April 27, 2008 11:42 AM

comment #15

CinemaPhreek Author Profile Page says ...

Walter - in order to write "reign in the 'magical fantastical'" shit, that must have been a great year in the Peace Corps you spent , otherwise did you NOT see Pan's Labyrinth???

Folks need to stop losing their shit over this. Del Toro must have other personal projects (not to mention family obligations) down the road he is concerned about. Afterall, even though he looks like some 30 year old film school geek, the man is 43 now and has yet to have a break out hit that will let him coast over more than one bad film.

Posted by CinemaPhreek Author Profile Page at April 27, 2008 12:26 PM

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