Most Wanted
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Il Grido
(Antonioni, 1957)

The Fortune
(Nichols, 1975)

-30-
(Webb, 1959)

Betrayal
(Jones, 1983)

Play It As It Lays
(Perry, 1972)

The Outfit
(Flynn, 1973)

Alex in Wonderland
(Mazursky, 1969)

The Legend of Lylah Clare
(Aldrich, 1968)

In The Cool of the Day
(Stevens, 1963)

That Cold Day in the Park
(Altman, 1969)

The Fox
(Rydell, 1967)

Thumb Trippin'
(Masters, 1972)

Midas Run
(Kjellin, 1969)

At Long Last Love
(Bogdanovich, 1973)

Brewster McCloud
(Altman, 1972)

Outcast of the Islands
(Reed, 1951)

Mike's Murder
(Bridges, 1984)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

June 11

Tetro

June 12

Call of the Wild 3D

Food, Inc.

Imagine That

Moon

Sex Positive

The Taking of Pelham 1 2 3

Youssou N'Dour: I Bring What I Love

June 16

Yoo-Hoo, Mrs. Goldberg

June 19

$9.99

Dead Snow

The Proposal

Whatever Works

Year One

June 24

Transformers: Revenge of the Fallen

June 26

Cheri

Fireflies in the Garden

The Hurt Locker

My Sister's Keeper

The Stoning of Soraya M. 

Surveillance 

July 1

Ice Age: Dawn of the Dinosaurs

Public Enemies

July 3

The Girl from Monaco

I Hate Valentine's Day

July 10

Bruno

I Love You, Beth Cooper

Soul Power

July 15

Harry Potter and the Half-Blood Prince

July 17

(500) Days of Summer

All the Boys Love Mandy Lane

July 24

All Good Things

The Answer Man

G-Force

In the Loop

Orphan

The Ugly Truth

July 29

Adam

July 31

The Cove

Funny People

Lorna's Silence

They Came from Upstairs

August 7

G.I. Joe: The Rise of Cobra

Julie & Julia

Paper Heart

Shorts

When in Rome

August 14

A Perfect Getaway

Bandslam

District 9

The Goods: The Don Ready Story

I Sell the Dead

Ponyo

Pool Boys

Spread

Taking Woodstock

The Time Traveler's Wife

August 21

Five Minutes of Heaven

Goose on the Loose!

Inglorious Bastards

It Might Get Loud

Post Grad

World's Greatest Dad

August 28

The Boat that Rocked

Final Destination: Death Trip

H2

September 4

All About Steve

Amreeka

Black Dynamite

Carriers

Citizen Game

Extract

Pandorum

Shanghai

September 9

9

September 11

The Red Canvas

Tyler Perrys: I Can Do It All Myself

Whiteout

September 17

The Burning Plain

September 18

Armored

Brand New Day

Cloudy with a Chance of Meatballs

Jennifer's Body

Splice

September 25

Fame

The Invention of Lying

Surrogates

October 2

A Serious Man

More Than a Game

Sorority Row

Toy Story/Toy Story 2

Flying Rights

Remember the days when vampire movies didn't need super powers and the ability to fly in order to compete with other CG thrillers? I do. Their peculiarities aside, vampires used to be shlep around and suck blood somewhat normally. No longer. When did they become flying bullets? Was it with Len Wiseman's Underworld? Before? If vampires can stop cars from slamming into people, does this mean they can also stop falling jumbo jets from slamming into baseball stadiums? Can they now theoretically lift ocean liners out of the water and hurl them into space orbit?

Thriller- and monster-movie producers these days don't respect anything. Accepting boundaries or a semblance of within-the-genre genre credibility be damned! The term for such behavior is "professionally sociopathic." All they want to do is put enough cool stuff in their films so kids won't say "the other film was cooler." Directors are just as guilty (i.e., willing). Twilight will make money, but this is malevolent thinking all the same.

Posted by Jeffrey Wells on May 10, 2008 at 4:23 AM

comment #1

EDouglas Author Profile Page says ...

Seriously, how did Summit get their hands on this franchise? Even without seeing this trailer, I imagined something between "Blood and Chocolate" (teen werewolf movie) and "The Covenant" (teen witches movie)... and it looks just as bad as both of them. I'll never understand today's teens but if this movie does well, I'll really feel as if I've crossed that old curmudgeon barrier where there's no going back.

Posted by EDouglas Author Profile Page at May 10, 2008 5:12 AM

comment #2

nemo Author Profile Page says ...

All your old school vampire had to do was look fabulous, like David Bowie.

Posted by nemo Author Profile Page at May 10, 2008 8:35 AM

comment #3

Edward Author Profile Page says ...

Yuck!

Posted by Edward Author Profile Page at May 10, 2008 9:14 AM

comment #4

Edward Author Profile Page says ...

Looks like it should be a series on the CW next season.

Posted by Edward Author Profile Page at May 10, 2008 9:15 AM

comment #5

dangovich Author Profile Page says ...

Most notable to me is that the guy is walking around in the daytime. The whole vampire myth was based on the idea that you were giving up something in return for immortality. Now, you gain a bunch of superpowers and apparently lose nothing. Where's the conflict in that? I guess a nocturnal, feral creature doesn't appeal to the teen demo, so they go with the emo dreamboat aesthetic instead.

Posted by dangovich Author Profile Page at May 10, 2008 10:50 AM

Posted by D.Z. Author Profile Page at May 10, 2008 12:16 PM

comment #7

Bocephus Author Profile Page says ...

Super powered vampires are nothing new. Stroker's Dracula could turn into a black wolf, could control minds, and I think I could remember him being able to fly. In Herzog's he could summon swarms of rats. In the old movies they could turn into bats. Anne Rice's vampires have had super-speed, strength, and other powers since 1976. There is actually a vampire superhero named Morbius who first showed up in the seventies.

That said, what annoys me about these movies is that they are action films, and usually bad ones. They are not scary, and that's the problem with them. Give me another one like Herzog's Nosferatu, which was more a classic tragedy than a horror film. Or something low budget and creepy like The Addiction. All you need for a great vampire movie is a good pair of fake fangs.

Posted by Bocephus Author Profile Page at May 10, 2008 12:28 PM

comment #8

Pelham123 Author Profile Page says ...

There was a story on NPR yesterday about the author of the books this movie is based on. They are calling the books, what else, the new "Harry Potter". Her latest, not of this series, has a first printing of 2.5 million copies. As Edward mentioned, this looks like a new series for the CW and that ain't good. Yuck, indeed.

Posted by Pelham123 Author Profile Page at May 10, 2008 12:29 PM

comment #9

scooterzz Author Profile Page says ...

i read sometime ago that the cw was trying to bag this as a series.....with only three books out (soon to be four) this series of novels is every bit as popular as the 'gossip girl' books......

Posted by scooterzz Author Profile Page at May 10, 2008 10:06 PM

comment #10

folio Author Profile Page says ...

Vampires have been super-powered from the start in writing. Some of these powers became lost or changed as they were put on film. In the book Dracula, he has the following abilities:

1. Can walk in daylight albeit not strong sunlight.
2. Is very strong
3. Is extremely fast
4. Can change his form (smoke, a wolf etc.)
5. Can see through the eyes of those he has marked.
6. Can call others to him.

IIRC, the vampire women can also fly as they appear out of the sky when they attack Harker, but i don't remember Drac himself flying.

His major handicaps are:

1. Cannot cross running water unaided.
2. Is not as strong/fast and cannot change form in daylight.
3. Must sleep on his native soil.

Initial movies focused on the scary and seductive qualities rather than the super powers.

While stopping a car from smashing him may not be vampire cannon, it is not that far away from the original skill set.

Posted by folio Author Profile Page at May 10, 2008 11:53 PM

comment #11

bb Author Profile Page says ...

Every vampire movie I can remember sets the ground rules for that particular movie at some point. And they are always different. And often characters comment when the rules differ from what they thought.

But this does look like a CW series.

Posted by bb Author Profile Page at May 11, 2008 11:00 AM

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