Most Wanted
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Il Grido
(Antonioni, 1957)

The Fortune
(Nichols, 1975)

-30-
(Webb, 1959)

Betrayal
(Jones, 1983)

Play It As It Lays
(Perry, 1972)

The Outfit
(Flynn, 1973)

Alex in Wonderland
(Mazursky, 1969)

The Legend of Lylah Clare
(Aldrich, 1968)

In The Cool of the Day
(Stevens, 1963)

That Cold Day in the Park
(Altman, 1969)

The Fox
(Rydell, 1967)

Thumb Trippin'
(Masters, 1972)

Midas Run
(Kjellin, 1969)

At Long Last Love
(Bogdanovich, 1973)

Brewster McCloud
(Altman, 1972)

Outcast of the Islands
(Reed, 1951)

Mike's Murder
(Bridges, 1984)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

June 11

Tetro

June 12

Call of the Wild 3D

Food, Inc.

Imagine That

Moon

Sex Positive

The Taking of Pelham 1 2 3

Youssou N'Dour: I Bring What I Love

June 16

Yoo-Hoo, Mrs. Goldberg

June 19

$9.99

Dead Snow

The Proposal

Whatever Works

Year One

June 24

Transformers: Revenge of the Fallen

June 26

Cheri

Fireflies in the Garden

The Hurt Locker

My Sister's Keeper

The Stoning of Soraya M. 

Surveillance 

July 1

Ice Age: Dawn of the Dinosaurs

Public Enemies

July 3

The Girl from Monaco

I Hate Valentine's Day

July 10

Bruno

I Love You, Beth Cooper

Soul Power

July 15

Harry Potter and the Half-Blood Prince

July 17

(500) Days of Summer

All the Boys Love Mandy Lane

July 24

All Good Things

The Answer Man

G-Force

In the Loop

Orphan

The Ugly Truth

July 29

Adam

July 31

The Cove

Funny People

Lorna's Silence

They Came from Upstairs

August 7

G.I. Joe: The Rise of Cobra

Julie & Julia

Paper Heart

Shorts

When in Rome

August 14

A Perfect Getaway

Bandslam

District 9

The Goods: The Don Ready Story

I Sell the Dead

Ponyo

Pool Boys

Spread

Taking Woodstock

The Time Traveler's Wife

August 21

Five Minutes of Heaven

Goose on the Loose!

Inglorious Bastards

It Might Get Loud

Post Grad

World's Greatest Dad

August 28

The Boat that Rocked

Final Destination: Death Trip

H2

September 4

All About Steve

Amreeka

Black Dynamite

Carriers

Citizen Game

Extract

Pandorum

Shanghai

September 9

9

September 11

The Red Canvas

Tyler Perrys: I Can Do It All Myself

Whiteout

September 17

The Burning Plain

September 18

Armored

Brand New Day

Cloudy with a Chance of Meatballs

Jennifer's Body

Splice

September 25

Fame

The Invention of Lying

Surrogates

October 2

A Serious Man

More Than a Game

Sorority Row

Toy Story/Toy Story 2

Boll Rant

Postal director Uwe Boll, angry at journalists for not paying attention to the fact that his film Postal is opening on very few screens as well as Boll's suggested reason for this (i.e., political censorship), has written the following:

"You are all not getting that I'm the guy who made it against the big Hollywood system and you are all busy trying to destroy me and finish me up, and [from this] you've won what? The attention of the studios, Michael Bay...?? If you damage me you feel closer to Hollywood? What is your game plan?

"If you want [to see] only movies like Jumper, Speed Racer, What Happens in Vegas, then keep going and your dreams will be fullfilled. Postal makes some very important points, but you don't wanna see that. That Bush used 9.11 to start a war against a country what had nothing to do with Bin Laden, etc., but none of this matters because you're all busy thinking that Indiana Jones or Narnia are important movies.

"In reality real they are empty shells of an industry what wants to make money and what wants to keep you looking "escape movies" with nothing in it. in between they are putting some controversial movies to show that they can do also important movies, but ones that are not really critica. They only supporting the system and not showing the "big picture," which Postal does. It nails the absurd situation with all the stupid religions, races and nations we are living [among].

"Postal is not accepting bullshit politics. Postal has not the opinion that Bush made mistakes -- it has the opinion that it is a scandal that Bush is not in jail. What's happened in America over the last seven years is the biggest joke since Columbus stepped on that land."

Waste of Time<< previous | next >>Waker-Uppers

Posted by Jeffrey Wells on May 17, 2008 at 2:41 AM

comment #1

markj Author Profile Page says ...

Dear Uwe,

Indiana Jones is an important movie.

Love,
Mark

Posted by markj Author Profile Page at May 17, 2008 3:13 AM

comment #2

Mgmax Author Profile Page says ...

Dear Uwe,

I'd rather see the German comedy with Bush in clown makeup. It looks subtler than yours.

yrs,
Mgmax

Posted by Mgmax Author Profile Page at May 17, 2008 4:44 AM

comment #3

PerfectTommy Author Profile Page says ...

Dear Uwe,
I wish I could make time for "Postal", but I'm writing my thesis on other important films: BLOODRAYNE and BLOODRAYNE II: THE DELIVERANCE. I hope I finish it before the third BLOODRAYNE comes out. (Tell me, sir, will the third film's title have a semi colon as well?)

Ever most sincerely,

PT

Posted by PerfectTommy Author Profile Page at May 17, 2008 5:05 AM

comment #4

swordandpen Author Profile Page says ...

Dear Uwe,

Doing the whole "independent filmmaker standing up against the Hollywood system" routine works better when you actually make good movies.

Sincerely,
SS

Posted by swordandpen Author Profile Page at May 17, 2008 5:40 AM

comment #5

Undercover Brother Author Profile Page says ...

Dear Uwe,

You are furthering the thought that you are in fact not only deluded beyond reason, but quite possibly retarded. Based on your previous work, and this asinine letter, I'm stunned you know which direction to point the camera. Actually, considering your films, pointing the camera at something other than the actors would probbaly be an improvement. Give that a try.

Your Friend and fellow Bush loather,
UB

Posted by Undercover Brother Author Profile Page at May 17, 2008 6:32 AM

comment #6

Zoidberg Author Profile Page says ...

I support Uwe Boll's continued presence in the film industry strictly because I like the idea of there being a sort of modern day Ed Wood running around out there.
I hope he makes a thousand more shitty movies!


Posted by Zoidberg Author Profile Page at May 17, 2008 9:56 AM

comment #7

Craptastic Author Profile Page says ...

I kind of wish Hollywood would bite and play along with one of his silly little games just to show him what a hack he is. Something like: Give him talented actors, a good script and an averge budget.... but if the film doesn't make 75 million dollars he has to quit making movies for the rest of his life.

Shit. I think I just gave the good Doctor his next press whore scam.

Posted by Craptastic Author Profile Page at May 17, 2008 10:24 AM

comment #8

LYT Author Profile Page says ...

"Give him talented actors, a good script and an average budget"

He often uses talented actors, just in completely inappropriate roles. And In the Name of the King had a $60 million budget.

Boll will tell you it was a better movie than Eragon or Dungeons and Dragons. I'm not sure I can disagree with that.

Posted by LYT Author Profile Page at May 17, 2008 11:15 AM

comment #9

Goulet Author Profile Page says ...

Even though I expect it to suck, I contacted the Canadian distributor about opportunities to review POSTAL for the Montreal alt-weekly I work for, and they're not screening it for critics.

I don't know if the situation is the same in the US but if so, how can you complain about critics not supporting your movie if you won't even show it to them!

Posted by Goulet Author Profile Page at May 17, 2008 11:52 AM

comment #10

MiraJeffAICN Author Profile Page says ...

Uwe loves to play the underdog card and claim he's an independent filmmaker because he doesn't work with the Hollywood studios but he gets a ton of money and he makes shit with it. I think Uwe is a decent producer and shrewd businessman. He knows how to find a good deal and how he manages to convince B and C-list actors to appear in his movies is beyond me, but hat's off to the guy. And Postal does make one or two worthwhile political points. But it is far from an important film and it doesn't deserve any more press because its director insists on acting like a child. Just because you're not afraid to use the media to communicate with your critics and fans doesn't make it a good idea. A little self-censorship would go a long way, if only Uwe could stand to let his films speak for themselves.

Posted by MiraJeffAICN Author Profile Page at May 17, 2008 3:11 PM

comment #11

LYT Author Profile Page says ...

I'd like to see Uwe be the subject of the next Project Greenlight. I have a feeling it would be amazing.

Posted by LYT Author Profile Page at May 17, 2008 5:06 PM

comment #12

Legowombat Author Profile Page says ...

Zoidberg: I understand the Ed Wood comparison. I was snoozing my way through 'House Of The Dead', when it suddenly exploded into this incredible 10 minute sequence where the characters try to reach the house of the title.

It featured:

- everyone magically developing firearm skills;

- incomprehensible editing where you can't follow the line of action from shot to shot;

- every one of the 10 characters getting a Bullet Time moment;

- character deaths depicted by a frozen tabluea with a full 360 circling camera and red wipe;

- big, chunky, heavilly-pixelated inserts of the original video game;

- and for some reason, a recap of the entire movie, in gradually increasing speedy cuts, until they become a blur.

It's patently *insane*, but in a creative way, and as such it's some kind of bravura triumph of outsider art, even as it fails so disasterously. At least it made me sit up and pay attention, which is more than can be said for last 10 minutes of 'Transformers', which was the same messy blur without the fun. I can see Boll's confusion here.

'Alone In The Dark' features more Outsider Art goodness, but after that, 'Bloodrayne' was just run-of-the-mill ignorably bad, rather than creatively bad.

I'm hoping 'Postal' and 'In The Name Of The King' bring back the WTF? goodness. I mean, could they really be any worse than Guy Ritchie's 'Revolver'?

Posted by Legowombat Author Profile Page at May 17, 2008 8:58 PM

comment #13

Craptastic Author Profile Page says ...

LYT, that idea is fucking genius! I'd watch that in a heartbeat.

Posted by Craptastic Author Profile Page at May 17, 2008 10:56 PM

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