Most Wanted
Email here for additions & corrections.

Il Grido
(Antonioni, 1957)

The Fortune
(Nichols, 1975)

-30-
(Webb, 1959)

Betrayal
(Jones, 1983)

Play It As It Lays
(Perry, 1972)

The Outfit
(Flynn, 1973)

Alex in Wonderland
(Mazursky, 1969)

The Legend of Lylah Clare
(Aldrich, 1968)

In The Cool of the Day
(Stevens, 1963)

That Cold Day in the Park
(Altman, 1969)

The Fox
(Rydell, 1967)

Thumb Trippin'
(Masters, 1972)

Midas Run
(Kjellin, 1969)

At Long Last Love
(Bogdanovich, 1973)

Brewster McCloud
(Altman, 1972)

Outcast of the Islands
(Reed, 1951)

Mike's Murder
(Bridges, 1984)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

June 11

Tetro

June 12

Call of the Wild 3D

Food, Inc.

Imagine That

Moon

Sex Positive

The Taking of Pelham 1 2 3

Youssou N'Dour: I Bring What I Love

June 16

Yoo-Hoo, Mrs. Goldberg

June 19

$9.99

Dead Snow

The Proposal

Whatever Works

Year One

June 24

Transformers: Revenge of the Fallen

June 26

Cheri

Fireflies in the Garden

The Hurt Locker

My Sister's Keeper

The Stoning of Soraya M. 

Surveillance 

July 1

Ice Age: Dawn of the Dinosaurs

Public Enemies

July 3

The Girl from Monaco

I Hate Valentine's Day

July 10

Bruno

I Love You, Beth Cooper

Soul Power

July 15

Harry Potter and the Half-Blood Prince

July 17

(500) Days of Summer

All the Boys Love Mandy Lane

July 24

All Good Things

The Answer Man

G-Force

In the Loop

Orphan

The Ugly Truth

July 29

Adam

July 31

The Cove

Funny People

Lorna's Silence

They Came from Upstairs

August 7

G.I. Joe: The Rise of Cobra

Julie & Julia

Paper Heart

Shorts

When in Rome

August 14

A Perfect Getaway

Bandslam

District 9

The Goods: The Don Ready Story

I Sell the Dead

Ponyo

Pool Boys

Spread

Taking Woodstock

The Time Traveler's Wife

August 21

Five Minutes of Heaven

Goose on the Loose!

Inglorious Bastards

It Might Get Loud

Post Grad

World's Greatest Dad

August 28

The Boat that Rocked

Final Destination: Death Trip

H2

September 4

All About Steve

Amreeka

Black Dynamite

Carriers

Citizen Game

Extract

Pandorum

Shanghai

September 9

9

September 11

The Red Canvas

Tyler Perrys: I Can Do It All Myself

Whiteout

September 17

The Burning Plain

September 18

Armored

Brand New Day

Cloudy with a Chance of Meatballs

Jennifer's Body

Splice

September 25

Fame

The Invention of Lying

Surrogates

October 2

A Serious Man

More Than a Game

Sorority Row

Toy Story/Toy Story 2

Exchange Praise

Just spoke to a British journalist who's just come out of Clint Eastwood's The Exchange. "Absolutely first-rate," he said. "It's long" -- 141 minutes -- "but it's very strong, very moving. There's not a weak point in the entire film." Like Mystic River before, which also dealt with a missing child and the violations that result, The Exchange is a genre piece -- a kidnapping whodunit, set in 1928 -- but, the journo said, Eastwood mines the material for a good deal of "complexity and emotional depth."


Angelina Jolie, he emphasized, "is very, very good," he said. Ditto John Malkovich as an activist minister who helps Jolie's character, Christine Collins, uncover the truth of what's really happened to her kidnapped son. J. Michael Straczynski's script hammers the old-time LAPD for the corruption that was rife in that period, but "its much more of woman's film," the Brit emphasized. "And much more than what the plot suggests."

Eastwood "is amazing," he said. "He just keeps getting and better the older he gets. What is he...close to 80 now? I think he might pull of a Best Director win next weekend."

Red Happening<< previous | next >>Stenography

Posted by Jeffrey Wells on May 20, 2008 at 1:58 AM

comment #1

p.Vice Author Profile Page says ...

Eastwood is an out-of-touch dinosaur who as a director has made about 4 or 5 decent-quality films in as many decades. Long at 141 minutes? His last four or five pretentious pieces of crap have all run between 130 and 140-odd minutes. It's the same senile bullshit over and over...

Posted by p.Vice Author Profile Page at May 20, 2008 7:04 AM

comment #2

ZacharyTF Author Profile Page says ...

I'm pretty sure 99.9% of directors would love to have the following films on their resume:

Bird
Unforgiven
A Perfect World
Bridges of Madison County
Mystic River
Million Dollar Baby
Flags of our Fathers
Letters from Iwo Jima

Eastwood is at the point now where I look as forward to his films as anything from Scorsese or Spielberg.

Posted by ZacharyTF Author Profile Page at May 20, 2008 7:26 AM

comment #3

diesel Author Profile Page says ...

p.vice, you're a fucking idiot. half your remarks are pretentious bullshit, designed only to make you look hip, but the thing is, you're the only one who don't see the reverse effect.

Posted by diesel Author Profile Page at May 20, 2008 8:36 AM

comment #4

Jeffrey Kunze Author Profile Page says ...

I give Eastwood so much credit. He really loves what he does, and it always shows.

Posted by Jeffrey Kunze Author Profile Page at May 20, 2008 10:27 AM

comment #5

The Pope Author Profile Page says ...

I think it was William Goldman who, in his book, Hype & Glory (appropriately enough about serving on the Cannes Jury), opined that had Coppola or Scorsese or Altman directed Bird, it would have been hailed as a masterpiece. I think it was with The Outlaw Josey Wales that Pauline Kael and Orson Welles began banging the drum.

... to your list ZachaeryTF, I'm with you on most of them... but I would like to suggest Honkytonk Man.

Posted by The Pope Author Profile Page at May 20, 2008 12:43 PM

comment #6

Rich S. Author Profile Page says ...

If nothing else, Eastwood must be considered one of the best directors of actors ever. How long did Sean Penn, Tim Robbins and Morgan Freeman wait for their Oscars? And Hilary Swank and Gene Hackman added their second statuettes to the mantle in Eastwood films.

Looks like Jolie may be the latest to benefit.

Posted by Rich S. Author Profile Page at May 20, 2008 1:33 PM

comment #7

The Pope Author Profile Page says ...

One of the many, many things I really like about Clint is how he just gets on with the job. I think the less you know about a Cilnt movie UNTIL it is released, the better chance it is going to be good. Million Dollar Baby went into production AFTER The Aviator has wrapped... Mystic River no one said boo to until it was about to be relased... and remember back in thos halcyon pre-internet days when Unforgiven was an afterthought as far as the likes of Premiere magazine was concerned when it came to telling us what was going to hit in the summer of 92?
I just read Emanuel Levy (who I must admit is a bit hit and miss) but he gave The Changeling an A.
Mike Goodridge in Screen Daily says it will go all the way "from the Palais to the Academy Awards next March."

Posted by The Pope Author Profile Page at May 20, 2008 2:59 PM

comment #8

Richardson Author Profile Page says ...

I don't love everything Eastwood has done, and in fact really really disliked 'Million Dollar Baby' for a variety of reasons...

but the guy can sure make movies.

And that list should include 'High Plains Drifter' on it. A lot of folks would add 'Josey Wales' as well, so I wouldn't argue against it.

Posted by Richardson Author Profile Page at May 20, 2008 3:26 PM

comment #9

mauberley Author Profile Page says ...

No list of the great man's work is complete without "Play Misty For Me". We love you, Cleent! Bravo on what appears to be another triumph.

Posted by mauberley Author Profile Page at May 21, 2008 7:01 AM

comment #10

Gaydos Author Profile Page says ...

Dear Pope: I thought Kael detested Eastwood and railed against him. But I could be wrong. There is no Kael on my shelves. Please illuminate.

I will admit I hope this is the case as it would make her even more consistently wrong than I found her to be on a regular basis.

The FIRST person I ever heard rave about Eastwood's directing work was Paul Morrissey, who explained why that year's Eastwood, "Sudden Impact" was genius. I must admit I was skeptical, but if time hasn't necessarily proven the indisputable genius of that film, it sure has proven the worth of Eastwood-as-helmer.

It's the best late-career run since John Huston.

HOWEVER, his best work for me will always be in the service of Siegelini. DIRTY HARRY, BEGUILED, ESCAPE FROM ALCATRAZ; genius.

Posted by Gaydos Author Profile Page at May 21, 2008 9:57 AM

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