Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Force is a Wimp

It's mostly the title, which says exactly what's happening right now. The tone doesn't feel right, though -- good-bad Star Wars mythology argues with the complex and malevolent unfoldings of this campaign. Even without this, someone should have taken the time to refine the facial-pasting a bit more.

Founding Fathers<< previous | next >>A Coen Gospel?

Posted by Jeffrey Wells on May 3, 2008 at 9:21 AM

comment #1

Jeffrey Kunze Author Profile Page says ...

That was wonderful. I laughed out loud during many parts, especially that transition to the Mos Esley Cantina, complete with that infectious music.

Posted by Jeffrey Kunze Author Profile Page at May 3, 2008 10:00 AM

comment #2

Peter T Chattaway Author Profile Page says ...

The best thing about this video is how it aligns Obama with the internally inconsistent we're-not-warriors-but,-well,-okay,-we're-warriors ethos.

Posted by Peter T Chattaway Author Profile Page at May 3, 2008 4:23 PM

comment #3

Peter T Chattaway Author Profile Page says ...

Whoops, I meant to say "Jedi ethos".

Posted by Peter T Chattaway Author Profile Page at May 3, 2008 4:24 PM

comment #4

K. Bowen Author Profile Page says ...

Geez, Obama as Luke - the tool of self-righteous hippie has-beens who were unable to successfully govern. There's gotta be a William Ayers joke in there somewhere.

Posted by K. Bowen Author Profile Page at May 3, 2008 6:12 PM

comment #5

JckNapier2 Author Profile Page says ...

Seriously, people. This just makes Obama supporters (myself included) look stupid and childish. This makes Obama supporters look less like well-informed voters and more like idiotic children who like Obama because he looks and sounds swell (gosh, he's every bit as nifty as Luke Skywalker blowing up the Death Star!). Having said that, I wouldn't mind if it were funnier or more clever. Even as humor, it's not creative and basically is the level of parody of Date Movie or Epic Movie ('look - Obama is dressed like Luke Skywalker... that's funny!').

Senator Clinton is a rival Democratic senator who is also running for President. She is not Darth Vader. She's not evil. This is the kind of black and white thinking that got us two terms of Bush Jr (John Kerry is French! George W. Bush is a 'nice guy'). Yes, some of Clinton's campaign tactics have been less than honorable. But that's politics and she should be allowed to attack her opponent to the best of her abilities, especially if she keeps winning primaries.

Having said that, don't mistake my defense of her as approval for her strategy. Her main argument at this point is that she can successfully attack the GOP machine in November and can defend herself from like. Two problems with this - A) She has yet to really prove this, and she would be far more convincing if she had spent the last few months actually battling John McCain as opposed to her Democratic rival (Obama needs to shape up in this area too). B) This again allows the GOP to write the script. Who says that it's the GOP who gets to be on the offensive?

Who says that it's the Democrats who should be afraid of the Republicans? In this election, more so than the last two, it is the Democrats who should create the narrative. After seven years of near complete GOP control and the utter catastrophe that it has brought this nation, the Democrats have no excuse for being on the defensive. It is long past due for Democrats and progressives to reclaim the vocabulary of politics.

We can redefine patriotism as actions that better every citizen rather than empty words of admiration for an abstract. We can redefine morality, so that morality exists also in the boardroom, and the small business, and in the factories, rather than almost exclusively in the bedroom. We can expose the empty 'support the troops' slogan for what it is, as start to really fixing our broken armed forces.

We once again convince Americans that government can and should be a major force for good and for progress. But that's only if we do the job ourselves. And only if we stop seeing the other Democrat across the isle as Darth Vader. Hillary Clinton may not be your preferred Democratic candidate, but she is not your enemy.

Scott Mendelson

Posted by JckNapier2 Author Profile Page at May 5, 2008 11:09 AM

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