Most Wanted
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Il Grido
(Antonioni, 1957)

The Fortune
(Nichols, 1975)

-30-
(Webb, 1959)

Betrayal
(Jones, 1983)

Play It As It Lays
(Perry, 1972)

The Outfit
(Flynn, 1973)

Alex in Wonderland
(Mazursky, 1969)

The Legend of Lylah Clare
(Aldrich, 1968)

In The Cool of the Day
(Stevens, 1963)

That Cold Day in the Park
(Altman, 1969)

The Fox
(Rydell, 1967)

Thumb Trippin'
(Masters, 1972)

Midas Run
(Kjellin, 1969)

At Long Last Love
(Bogdanovich, 1973)

Brewster McCloud
(Altman, 1972)

Outcast of the Islands
(Reed, 1951)

Mike's Murder
(Bridges, 1984)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

June 11

Tetro

June 12

Call of the Wild 3D

Food, Inc.

Imagine That

Moon

Sex Positive

The Taking of Pelham 1 2 3

Youssou N'Dour: I Bring What I Love

June 16

Yoo-Hoo, Mrs. Goldberg

June 19

$9.99

Dead Snow

The Proposal

Whatever Works

Year One

June 24

Transformers: Revenge of the Fallen

June 26

Cheri

Fireflies in the Garden

The Hurt Locker

My Sister's Keeper

The Stoning of Soraya M. 

Surveillance 

July 1

Ice Age: Dawn of the Dinosaurs

Public Enemies

July 3

The Girl from Monaco

I Hate Valentine's Day

July 10

Bruno

I Love You, Beth Cooper

Soul Power

July 15

Harry Potter and the Half-Blood Prince

July 17

(500) Days of Summer

All the Boys Love Mandy Lane

July 24

All Good Things

The Answer Man

G-Force

In the Loop

Orphan

The Ugly Truth

July 29

Adam

July 31

The Cove

Funny People

Lorna's Silence

They Came from Upstairs

August 7

G.I. Joe: The Rise of Cobra

Julie & Julia

Paper Heart

Shorts

When in Rome

August 14

A Perfect Getaway

Bandslam

District 9

The Goods: The Don Ready Story

I Sell the Dead

Ponyo

Pool Boys

Spread

Taking Woodstock

The Time Traveler's Wife

August 21

Five Minutes of Heaven

Goose on the Loose!

Inglorious Bastards

It Might Get Loud

Post Grad

World's Greatest Dad

August 28

The Boat that Rocked

Final Destination: Death Trip

H2

September 4

All About Steve

Amreeka

Black Dynamite

Carriers

Citizen Game

Extract

Pandorum

Shanghai

September 9

9

September 11

The Red Canvas

Tyler Perrys: I Can Do It All Myself

Whiteout

September 17

The Burning Plain

September 18

Armored

Brand New Day

Cloudy with a Chance of Meatballs

Jennifer's Body

Splice

September 25

Fame

The Invention of Lying

Surrogates

October 2

A Serious Man

More Than a Game

Sorority Row

Toy Story/Toy Story 2

Gospel of Il Divo

"Never overdramatize things. Everything can be fixed. Keep a certain detachment from everything. The important things in life are very few." -- former Italian Prime Minister Giulio Andreotti, whose political career, particularly the events that led to revelations about his ties to the Italian mafia and reported complicity in the murder of a journalist, is dramatized in Paolo Sorrentino's Il Divo.


(l. to r.) Seven-times-elected Italian Prime Minister Giulio Andreotti; actor Toni Servillo; Servillo as Andreotti in Paolo Sorrentino's Il Divo.

Wisdom, or a semblance of same, sometimes comes from very odd places. There's nothing very admirable about the Andreotti portrayed in Il Divo -- an uptight, coldly calculating Machievellian politician of the highest (or lowest, as the case may be) order. But since hearing the above lines during Thursday night's screening, I haven't been able to shake them. It's almost become a kind of mantra to me. A way of fending off life's unruliness that I've considered and agreed with in discussions from time to time, but hearing the above spoken by actor Toni Servillo (whose performance as Andreotti is somewhere between a marvel and a hoot) led to some kind of "aha!" moment.

Since Thursday night I have become, as far as this approach to life is concerned, an Andreotti convert of sorts. As far as dealing with life's hassles is concerned. Be cool, don't get all cranked up, there's always a way through it. Call me Darth Implacable.

I seem to recall Oliver Stone saying something to the effect that the experience of making Nixon led him to admire or at least appreciate some of the virtues of Richard Nixon. The big-time politicians with the darkest souls have frequently passed along some very choice pearls, it seems. The wit and wisdom of Ferdinand Marcos, Josef Stalin, Pol Pot, etc.

Il Divo hasn't a prayer of betting distributed in the States. As Variety's Jay Weissberg noted in his 5.23 review, the film's "sole drawback is that non-locals will feel inundated by names, most of which are familiar only to Italo auds...this is a brave, bold film whose chances of international success are relatively small, but whose ramifications are huge."

He called Il Divo "a masterpiece for Sorrentino...an intensely political film so wildly inventive and witty that it will become a touchstone for years to come. Pic features an astonishing degree of craftsmanship and a towering performance by Servillo."

I knew I was seeing something intensely audacious and stylistically exciting, but the political arena it depicts is so dry and complex and wholly-unto-itself that gradually the film makes you feel as if you're lying in an isolation tank. Most of the journos I spoke to after the screening expressed admiration for it, but at the same time confessed they weren't all that drawn in, a result of the syndrome Weissberg described.

Che Needs It<< previous | next >>No Forgiving

Posted by Jeffrey Wells on May 24, 2008 at 8:21 AM

comment #1

gruver1 Author Profile Page says ...

See? Zero interest. Not a damn remark about this film or the Andreotti quote or anything. No reference points for anyone stateside, no echoes...flatline. Which is why Sorrentino's striking film, which is certainly worth a viewing, probably won't open in the U.S.

Posted by gruver1 Author Profile Page at May 25, 2008 3:43 AM

comment #2

nemo Author Profile Page says ...

I confess the name Giulio Andreotti didn't mean a thing to me. But when I looked up his Wikipedia entry last night, I couldn't believe I'd never heard of him. He sounds like Richard Nixon and the old Mayor Daley raised to the nth degree, but with more organized crime connections and more verbal wit.

The article explains the movie title: "He is called sometimes Divo Giulio (from Latin Divus Iulius, "divine Julius", an epithet of Julius Caesar) because of his authority and importance . . ."

Besides the "never over-dramatize" quotation, Andreotti also said: "You sin in thinking bad about people — but, often, you guess right."

His opponents in Italy often call him Belzebù (Beelzebub).

There is also a popular joke about a fellow member of his party encouraging Andreotti to attend the funeral of a judge who specialized in prosecuting the Mafia and was assassinated by the mafia. Andreotti's friend said to him: "The State must give an answer to the Mafia, and you are one of the top authorities in it!". To which Andreotti answered puzzled, "Which one do you mean?"

It's a short article, but there's more there about not only Andreotti's possible involvement in the murder of the journalist, but also the murder in prison of a banker and felon. He is also strongly suspected of impeding rescue attempts of Aldo Moro, the prime minister who was kidnapped in the 70s by the Red Brigade, held for two months, then murdered. Andreotti may have impeded the rescue attempts since Moro was a hated rival.

Spoiler alert -- Andreotti was actually convicted in 2002 of his role in the death of the journalist and sentenced to 24 years at age 83, although the conviction was later overturned.

There is also a great picture of Andreotti hanging out with Frank Sinatra and Richard Nixon at the White House in 1973 -- a portrait of three powerful scumbags.

I only know about contemporary Italian politics comes from the wonderful Andrea Camilleri detective novels and from some 1970s movies such as Investigation of a Citizen Above Suspicion and The Spider's Strategem. Thanks for telling us about this film, I'm looking forward to it, if I can find it in the US.

Posted by nemo Author Profile Page at May 25, 2008 7:48 AM

comment #3

nola Author Profile Page says ...

It's getting harder and harder for foreign films in the U.S. It seems like there were more released back in the late 80s/into the 90s. Am I wrong? MIRAMAX used to distribute quite a few of them.

The only reason I know about this film is because I live in Rome now and there is a lot of press here about it and GOMMORAH.

Posted by nola Author Profile Page at May 25, 2008 12:25 PM

comment #4

nycfilmguy28 Author Profile Page says ...

I would absolutely love to see this film distributed in the US... simply because I'm very curious to see it. I love Italian cinema and wish more of it made its way over to our screens. Foreign films are so much better at exploring the intersections of the personal and the political (I'm thinking of The Lives of Others, The Barbarian Invasions, The Best of Youth), rather than grandstanding like most movies about American politics. I hope at least some small distributor picks this up for release in NY and LA and on DVD.

Posted by nycfilmguy28 Author Profile Page at May 25, 2008 12:47 PM

comment #5

JosephB Author Profile Page says ...

I find this type of film fascinating. Hopefully, with it's win of the festival jury prize, it might make it to American screens. There's a fantastic documentary called "Excellent Cadavers" by Italian director Marco Turco that explores the relationship in the 70's and 80's between Italian politics and the mafia. It's a compelling expose with tons of names, dates and murders that begins to make you scratch your head because SO much is going on, and it sounds like "Il Divo" has the same hump to get over. But if you invest time with it, it's a great documentary. Problem is, I don't know how many audience-goers are willing to invest that much in a film. Here's hoping for the best for "Il Divo".

Posted by JosephB Author Profile Page at May 25, 2008 4:22 PM

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