Most Wanted
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Il Grido
(Antonioni, 1957)

The Fortune
(Nichols, 1975)

-30-
(Webb, 1959)

Betrayal
(Jones, 1983)

Play It As It Lays
(Perry, 1972)

The Outfit
(Flynn, 1973)

Alex in Wonderland
(Mazursky, 1969)

The Legend of Lylah Clare
(Aldrich, 1968)

In The Cool of the Day
(Stevens, 1963)

That Cold Day in the Park
(Altman, 1969)

The Fox
(Rydell, 1967)

Thumb Trippin'
(Masters, 1972)

Midas Run
(Kjellin, 1969)

At Long Last Love
(Bogdanovich, 1973)

Brewster McCloud
(Altman, 1972)

Outcast of the Islands
(Reed, 1951)

Mike's Murder
(Bridges, 1984)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

June 11

Tetro

June 12

Call of the Wild 3D

Food, Inc.

Imagine That

Moon

Sex Positive

The Taking of Pelham 1 2 3

Youssou N'Dour: I Bring What I Love

June 16

Yoo-Hoo, Mrs. Goldberg

June 19

$9.99

Dead Snow

The Proposal

Whatever Works

Year One

June 24

Transformers: Revenge of the Fallen

June 26

Cheri

Fireflies in the Garden

The Hurt Locker

My Sister's Keeper

The Stoning of Soraya M. 

Surveillance 

July 1

Ice Age: Dawn of the Dinosaurs

Public Enemies

July 3

The Girl from Monaco

I Hate Valentine's Day

July 10

Bruno

I Love You, Beth Cooper

Soul Power

July 15

Harry Potter and the Half-Blood Prince

July 17

(500) Days of Summer

All the Boys Love Mandy Lane

July 24

All Good Things

The Answer Man

G-Force

In the Loop

Orphan

The Ugly Truth

July 29

Adam

July 31

The Cove

Funny People

Lorna's Silence

They Came from Upstairs

August 7

G.I. Joe: The Rise of Cobra

Julie & Julia

Paper Heart

Shorts

When in Rome

August 14

A Perfect Getaway

Bandslam

District 9

The Goods: The Don Ready Story

I Sell the Dead

Ponyo

Pool Boys

Spread

Taking Woodstock

The Time Traveler's Wife

August 21

Five Minutes of Heaven

Goose on the Loose!

Inglorious Bastards

It Might Get Loud

Post Grad

World's Greatest Dad

August 28

The Boat that Rocked

Final Destination: Death Trip

H2

September 4

All About Steve

Amreeka

Black Dynamite

Carriers

Citizen Game

Extract

Pandorum

Shanghai

September 9

9

September 11

The Red Canvas

Tyler Perrys: I Can Do It All Myself

Whiteout

September 17

The Burning Plain

September 18

Armored

Brand New Day

Cloudy with a Chance of Meatballs

Jennifer's Body

Splice

September 25

Fame

The Invention of Lying

Surrogates

October 2

A Serious Man

More Than a Game

Sorority Row

Toy Story/Toy Story 2

Indifference

"For all the warnings of history, the makers of Indiana Jones and the Kingdom of the Crystal Skull will stage their film's world premiere at the festival on the French Riviera tomorrow night," writes Times Online correspondent Dalya Alberge. "The film, which opens in the setting of 1957 at the height of the Cold War, is arguably the most anticipated movie release of 2008. Such is the interest that the trailer was seen more than 200 million times in its first week of release on the internet.


{[But] the last time a studio dared to premiere a major blockbuster in this sanctum of high-brow cinema, it was savaged. The actors and director of The Da Vinci Code barely escaped with their lives."

Except The DaVinci Code made lots of money after that. The '06 Cannes beat-down was embarassing, sure, but the general public didn't care. Hundreds and hundreds of millions were spent on DaVinci Code admissions. And nobody in ticket-buying land will give a damn if Cannes critics whack Indy 4. At all. Obviously Paramount marketers know this, and that's why they're here. The Cannes spotlight will boost the film's European, Eastern European, Russian, Asian, African and South American earnings. And that's what matters.

Stern Response<< previous | next >>Good Guy Woody

Posted by Jeffrey Wells on May 17, 2008 at 4:12 AM

comment #1

The Pope Author Profile Page says ...

Also, people were loaded AGAINST The Da Vinci Code even before it went into production. Soooo many people hated the book and its success... then there was the anti-Ron Howard constituency... and the let's beat up Tom Hianks brigade.

For Indy, I think at the very most, people are apprehensive. They fear that what befell Star Wars will visit upon the man with the hat. I don't sense the hate coming from the media in the run up to this.

Posted by The Pope Author Profile Page at May 17, 2008 4:57 AM

comment #2

Hickenlooper Author Profile Page says ...

The whole 'Indiana Jones' thing feels depressing to me for some reason. I enjoyed the originals but in the post 9/11 world this event feels bloated with all the relevance of a MacDonald's Happy Meal being sold at an organic fruit stand. I have as much desire to see this as I would seeing a sequel to Spielberg's 'Always.' Spielberg is a great director who should be doing original material. 'Munich' is one of the best films of the last ten years.

Posted by Hickenlooper Author Profile Page at May 17, 2008 5:26 AM

comment #3

markj Author Profile Page says ...

Too bad you're missing out on the fun Hickenlooper. I'm looking forward to the new film. So long as it's a well-made, fun adventure film i'll be happy. It can never top Raiders, but it could still be a good film. We'll find out tomorrow...

Posted by markj Author Profile Page at May 17, 2008 5:46 AM

comment #4

K. Bowen Author Profile Page says ...

Is there a single still of this thing that looks anything but disastrous?

Posted by K. Bowen Author Profile Page at May 17, 2008 8:19 AM

comment #5

Edward Author Profile Page says ...

It's not just the stills K. Bowen, some of the sets scream "fake."

Posted by Edward Author Profile Page at May 17, 2008 8:44 AM

comment #6

The Winchester Author Profile Page says ...

Out of curiosity, with the Dark Knight coming out this summer, how is Indy claiming the "most anticipated" crown? People flip out for that trailer, and go on city wide scavenger hunts just to see a picture. When I see the trailer before a movie, I wish I was seeing that instead of whatever I've paid money to see.

And Hickenlooper, careful what you say about Munich round these parts. Wells took that movie down a few years back.

Posted by The Winchester Author Profile Page at May 17, 2008 9:23 AM

comment #7

sweet_billy Author Profile Page says ...

cannes only matters to like 2% of the moviegoing audience. most people cant even pronounce it.

Posted by sweet_billy Author Profile Page at May 17, 2008 9:30 AM

comment #8

K. Bowen Author Profile Page says ...

"some of the sets scream "fake." "

SOme of the people look fake.

That said, that little three-second clip in banner ad looks fairly rip-roarin'. But it should.

Posted by K. Bowen Author Profile Page at May 17, 2008 9:39 AM

comment #9

breadlymoore Author Profile Page says ...

"People flip out for that trailer, and go on city wide scavenger hunts just to see a picture."

Those are geeks. Geeks are not "people."

Posted by breadlymoore Author Profile Page at May 17, 2008 10:24 AM

comment #10

The Pope Author Profile Page says ...

sweet_billy,

Saying that Cannes only matters to 2% is like saying that Comic-Con matters to only 2%. The reason why it matters is because the world's press are there. All in one place. And the critics. It is the ultimate place to launch a movie. High risk, but if you're critic proof like Indy seems to be, and Star Wars was, and The Da Vinci Code and Shrek... well, I rest my case.

How about this for a spin on the really odd stills. They are NOT from the film. A la Hitchock. Or maybe at most, they are mock-ups from the film... and as we know all publicity shots are taken AFTER the scene has been wrapped and the photographer comes in and takes the snaps with the actors holding their positions... I can't recall seeing a publicity photo for a film that actually lens for lens, frame for frame was the same as the finished product.

But again, I do agree that shot of Cate and Harrison looks really bad... what's with the deep focus. Can you get that when shooting anamorphic?

Posted by The Pope Author Profile Page at May 17, 2008 10:47 AM

comment #11

CinemaPhreek Author Profile Page says ...

"Such is the interest that the trailer was seen more than 200 million times in its first week of release on the internet."

Where is the source to back up this bullshit claim? Everyone keeps repeating it, but a quick check of YouTube shows if you combine the highest rated versions of that first teaser (which is what the 200 million supposedly refers to), you barely get 10 million (the highest viewed version only has 1,774,429, compared to the highest viewed one of DARK KNIGHT at 7,449,142 proving which is the summers actual most anticipated film).

Posted by CinemaPhreek Author Profile Page at May 17, 2008 11:29 AM

comment #12

CinemaPhreek Author Profile Page says ...

HICKENLOOPER - you always struck me as a guy who loved all the old movies, but I guess you must hate all those old serials and genre pictures of the 30's. I mean, talk about frivolous nonsense while the country was suffering FAR worse during the Depression than anything we've seen after 9/11.

Man, you must really think Busby Berkley was irrelevant to his times...

Posted by CinemaPhreek Author Profile Page at May 17, 2008 11:34 AM

comment #13

Roman Author Profile Page says ...

The main difference of course, is that Indiana Jones 4 will get MUCH BETTER Reviews than craptastic Da Vinci Code. How dare you even compare Ron Howard to Spielberg? Just because they are two big movies doesn't mean they'll get similar reviews.

And Spielberg should do whatever he wants, it just happens that fans like myself like seeing him do fun action/adventure films once in a while.

P.S. Only an idiot would even begin to compare anticipation for Dark Knight to Indy. In fact, Indy will probably make more money domestically than TDK worldwide. Also, mediocre Batman Begins has nothing for

Posted by Roman Author Profile Page at May 17, 2008 12:23 PM

comment #14

D.Z. Author Profile Page says ...

The Da Vinci Code probably did well, in spite of bad press, because Hanks didn't have three underwhelming, albeit highly anticipated films, which preceded it, and because no one watches Ron Howard movies because of Ron Howard.
But if people have an axe to grind against Speed Racer, because of the Matrix sequels(which I personally liked), you can bet that the SW prequel haters be even more vicious to Indy 4, if it doesn't deliver.

Posted by D.Z. Author Profile Page at May 17, 2008 1:27 PM

comment #15

The Bandsaw Vigilante Author Profile Page says ...

Nice to see that Cate's Russkie-chick has the almost-wifebeater-thing going on underneath, there...

Posted by The Bandsaw Vigilante Author Profile Page at May 17, 2008 1:56 PM

comment #16

tommysunshine Author Profile Page says ...

The director of Factory Girl lectures Spielberg on originality. That's like King Herod complaining about a hospital's mother and baby unit.

Hickenlooper, you had your shot with Factory Girl. It was terrible. I saw the "improved" director's cut. I wanted to like it especially as I thought your documentary on that freak Rodney was above average. But it was retreading old ground and had nothing new to say.

Will you apologize for Factory Girl to all those- not many of us, actually, but as a symbolic gesture it would be appreciated- who saw Factory Girl in the cinema or on DVD?

Best of good wishes,

Tommy Sunshine

Posted by tommysunshine Author Profile Page at May 17, 2008 3:23 PM

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