Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions
1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

January 8

Bitch Slap

Waiting for Armageddon

Wonderful World

Youth in Revolt

January 15

January 22

Drool

Extraordinary Measures

The Girl on the Train

Picturehouse Tumbling Down?

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Somebody help me out here because this is weird. Warner Bros. has two dependent distribution arms, Warner Independent and Picturehouse, under its wing, and Defamer's Stu Van Airsdale is reporting that Picturehouse, seen by most veterans of the trench as the more shrewdly guided, successful and geared-up of the two, may soon be shut down? What?

A story posted this evening by Variety's Anne Thompson said that Picturehouse chief Bob Berney and Warner Independent prexy Polly Cohen are "likely" to accept a bicoastal power-sharing arrangement that will preside over a merged operation -- Warner Indiepicturehouse.

"We have yet to hear where Berney will wind up," Van Airsdale writes, "though a popular rumor has him sharing power at Warners' other struggling boutique outpost, Warner Independent Pictures, with current WIP boss Polly Cohen." I commented last night that this sounds like a post-Ides of March power-sharing deal between Octavian and Marc Antony. I've been told all along that Berney has been squeamish about the deal that Warner Bros. has wanted him to go with.

Van Airsdale has also reported another scenario with Berney "starting fresh at a new company underwritten with hedge fund cash, [which] would suit him well with Cannes on the horizon and Warners' decreasing overall interest in the volatile indie marketplace. Warner Bros. would gladly get out anytime, but we hear they're willing to move ahead with Berney if he's interested."

Jenkins' Career Booster<< previous | next >>Fair Play for Towelhead

Posted by Jeffrey Wells on May 1, 2008 at 5:53 PM

comment #1

Don Murphy says ...

PictureHouse Is Teh Shits and Must Remain Independent from Bosnia!
PictureHouse Is Teh Shits and Must Remain Independent from Bosnia!
PictureHouse Is Teh Shits and Must Remain Independent from Bosnia!
PictureHouse Is Teh Shits and Must Remain Independent from Bosnia!
PictureHouse Is Teh Shits and Must Remain Independent from Bosnia!
PictureHouse Is Teh Shits and Must Remain Independent from Bosnia!
PictureHouse Is Teh Shits and Must Remain Independent from Bosnia!
PictureHouse Is Teh Shits and Must Remain Independent from Bosnia!
PictureHouse Is Teh Shits and Must Remain Independent from Bosnia!
PictureHouse Is Teh Shits and Must Remain Independent from Bosnia!
PictureHouse Is Teh Shits and Must Remain Independent from Bosnia!
PictureHouse Is Teh Shits and Must Remain Independent from Bosnia!
PictureHouse Is Teh Shits and Must Remain Independent from Bosnia!
PictureHouse Is Teh Shits and Must Remain Independent from Bosnia!
PictureHouse Is Teh Shits and Must Remain Independent from Bosnia!
PictureHouse Is Teh Shits and Must Remain Independent from Bosnia!
PictureHouse Is Teh Shits and Must Remain Independent from Bosnia!
PictureHouse Is Teh Shits and Must Remain Independent from Bosnia!
PictureHouse Is Teh Shits and Must Remain Independent from Bosnia!
PictureHouse Is Teh Shits and Must Remain Independent from Bosnia!