Most Wanted
Email here for additions & corrections.

Il Grido
(Antonioni, 1957)

The Fortune
(Nichols, 1975)

-30-
(Webb, 1959)

Betrayal
(Jones, 1983)

Play It As It Lays
(Perry, 1972)

The Outfit
(Flynn, 1973)

Alex in Wonderland
(Mazursky, 1969)

The Legend of Lylah Clare
(Aldrich, 1968)

In The Cool of the Day
(Stevens, 1963)

That Cold Day in the Park
(Altman, 1969)

The Fox
(Rydell, 1967)

Thumb Trippin'
(Masters, 1972)

Midas Run
(Kjellin, 1969)

At Long Last Love
(Bogdanovich, 1973)

Brewster McCloud
(Altman, 1972)

Outcast of the Islands
(Reed, 1951)

Mike's Murder
(Bridges, 1984)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

June 11

Tetro

June 12

Call of the Wild 3D

Food, Inc.

Imagine That

Moon

Sex Positive

The Taking of Pelham 1 2 3

Youssou N'Dour: I Bring What I Love

June 16

Yoo-Hoo, Mrs. Goldberg

June 19

$9.99

Dead Snow

The Proposal

Whatever Works

Year One

June 24

Transformers: Revenge of the Fallen

June 26

Cheri

Fireflies in the Garden

The Hurt Locker

My Sister's Keeper

The Stoning of Soraya M. 

Surveillance 

July 1

Ice Age: Dawn of the Dinosaurs

Public Enemies

July 3

The Girl from Monaco

I Hate Valentine's Day

July 10

Bruno

I Love You, Beth Cooper

Soul Power

July 15

Harry Potter and the Half-Blood Prince

July 17

(500) Days of Summer

All the Boys Love Mandy Lane

July 24

All Good Things

The Answer Man

G-Force

In the Loop

Orphan

The Ugly Truth

July 29

Adam

July 31

The Cove

Funny People

Lorna's Silence

They Came from Upstairs

August 7

G.I. Joe: The Rise of Cobra

Julie & Julia

Paper Heart

Shorts

When in Rome

August 14

A Perfect Getaway

Bandslam

District 9

The Goods: The Don Ready Story

I Sell the Dead

Ponyo

Pool Boys

Spread

Taking Woodstock

The Time Traveler's Wife

August 21

Five Minutes of Heaven

Goose on the Loose!

Inglorious Bastards

It Might Get Loud

Post Grad

World's Greatest Dad

August 28

The Boat that Rocked

Final Destination: Death Trip

H2

September 4

All About Steve

Amreeka

Black Dynamite

Carriers

Citizen Game

Extract

Pandorum

Shanghai

September 9

9

September 11

The Red Canvas

Tyler Perrys: I Can Do It All Myself

Whiteout

September 17

The Burning Plain

September 18

Armored

Brand New Day

Cloudy with a Chance of Meatballs

Jennifer's Body

Splice

September 25

Fame

The Invention of Lying

Surrogates

October 2

A Serious Man

More Than a Game

Sorority Row

Toy Story/Toy Story 2

The Gods Make Mad

I admire and respect the moves and the intent of Speed Racer (Warner Bros., 5.9), which I saw last night at the Leow's IMAX near Lincoln Center. Right away I was saying to myself, "All right, this is out there....infuriating but brilliantly out there." But it offers almost nothing in the way of genuine personal charm (except for the monkey, Chim-Chim) and I began looking at my watch starting around the 45-minute mark. Honestly? More like a half-hour in.


This is a deranged, steroid-cranked family-action movie...the work of madmen -- undeniably brash and looney and, I feel, desperately in need of a quaalude. Speed Racer is a piece of very audacious, high-quality....I was going to say "torture" but it's not. It's extremely nervy filmmaking, clearly, but the Wachowskis are way too caught up in fulfilling their "we're cooler than any of you!" vision and in being at least two if not three giant steps in front of everyone else in terms of creating a new film vocabulary in order to explore and shake the cage while ostensibly telling a story, and a lame-ass one to boot.

The Wachowskis are so zonked by the design dreams in their own heads that they've delivered a new kind of monster-budget insanity. They've made this movie for themselves, first and foremost, and for open-minded (or at least fair-minded) critics, and certainly for film history...but they haven't concurrently "served the corporation" and made a film that people over the age of 8 or 9 can settle into very easily or comfortably. Or even settle into with some effort. I didn't sit there consumed with loathing for this thing. It's too fascinating for that. But it's also a movie that's saying over and over, "Look at us! Look at what we're doing!" It's too breathtaking to really entertain. And as pleased as I was by the verve-and-moxie element, I was dying for it to end.

You have to throw out the rule book and accept that this movie is using an entirely different kind of spaceship and orbiting the earth in a way that is going to vaguely piss you off but at the same time dazzle you. Or certainly intrigue you. The refusal to conventionally cut or fade or wipe from one scene to another -- awesome. But it's not done in a way that gives any sort of familiar, recognizable pleasure, and as square as this sounds, you really do need some of that in a movie. You have to keep feeding and massaging the square guy while introducing the new hipster, and there's very little square-massaging going on in this thing.


Speed Racer certainly isn't pleasurable to sit through, character-, theme- or story-wise. In subjecting their audience to the same old pure-hearted individual contender vs. the corrupt corporation horseshit, the Wachowskis are showing their elitist-sadist colors. If it was good enough for Japanese anime and and other graphic media in its day, they seem to be saying, it's good enough for us right now...and if you don't like it, tough! Watching it is a bondage-and-discipline game -- you feel trussed up and bound with Andy and Larry (or whatever his name is now) applying the cool whip.

But it's more than a little ironic that for a movie that trots out the evil-corporate-mogul business for the 189th time, Speed Racer is drenched in synthetic splendor that's been bought and paid for by corporate cash. And it's way, way too long. It should have been a 95-minute deal, tops, but it goes on for two hours and 9 minutes.

The racing sequences are insane. You never have any idea about what's going on. Shots don't build or match up or pivot off each other. They collide in a kind of surreal cartoon madness. The geometric/spatial relationships between the racing competitors are almost always a complete mystery. Off with the editor's head! And the martial arts combat sequences are nothing -- fatally boring, by my book.


The performances are okay, but I found more fascination in the face of Chim-Chim than anything the humans came up with. I loved that fucking monkey, and began to really dislike -- hate! -- the Wachowskis for only using him for typical animal-reaction cutaway shots. If they'd only dwelled on his facial reactions for seven or eight seconds at a time (or more!). But no -- over and over they do a quick Chim-Chim laugh cut and then back to Emile Hirsch or John Goodman or Christina Ricci or Susan Sarandon or the mugging, heebie- jeebie supporting players. Fuck! (And I don't like to use profanity unless it fits.)

Posted by Jeffrey Wells on May 8, 2008 at 5:46 AM

comment #1

p.Vice Author Profile Page says ...

If only someone would think to put just as much work into the story, themes, and characters as they do the special effects... they might really be onto something there.

Posted by p.Vice Author Profile Page at May 8, 2008 6:46 AM

comment #2

Ogami Itto Author Profile Page says ...

So it's worth seeing for Chim-Chim's performance? I'll wait for the DVD.

Posted by Ogami Itto Author Profile Page at May 8, 2008 6:52 AM

comment #3

wayne76 Author Profile Page says ...

Jesus, this sounds like torture.

Posted by wayne76 Author Profile Page at May 8, 2008 6:52 AM

comment #4

Rich S. Author Profile Page says ...

I was killing time last weekend with my nephew playing a fighting game on the Wii. The action was so frenetic and the colors so bright, I had no idea what was going on or how to score any hits (and I was fairly proficient at Mortal Kombat back in the day). But my nephew knew exactly what was going on and what he was doing and accordingly kicked my ass.

It sounds like this movie was made for his generation, not ours. Remember when Ebert half-panned Cameron's Aliens because it had too much action without a let-up? I'm not sure anyone over the age of 20 is even qualified to critique a movie like Speed Racer.

I'm sure everything Jeffrey is saying is true. But at the same time, it sounds like the movie uses a visual vocabulary that someone not weaned on today's video game mayhem can even begin to understand.

Posted by Rich S. Author Profile Page at May 8, 2008 7:20 AM

comment #5

Rich S. Author Profile Page says ...

And no matter what you think of it, expect to see it on every HD TV in every store in America (and probably Japan and Europe) around Christmastime.

Posted by Rich S. Author Profile Page at May 8, 2008 7:25 AM

comment #6

Mr. Muckle Author Profile Page says ...

If I could get me a monkey like that, I'd never have to go to the movies again.

Posted by Mr. Muckle Author Profile Page at May 8, 2008 7:25 AM

comment #7

actionman Author Profile Page says ...

Wow, amazing review Wells, I will definitely wait till the HD DVD.

Posted by actionman Author Profile Page at May 8, 2008 7:30 AM

comment #8

Gaydos Author Profile Page says ...

"pure-hearted individual contender vs. the corrupt corporation horseshit"

THERE WILL BE SPEED.

Posted by Gaydos Author Profile Page at May 8, 2008 7:39 AM

comment #9

Mgmax Author Profile Page says ...

Great review, and it sounds like the two things that worried me are both realized fears: one, that it's pure sensation you can't take in as a movie, and two, that there's an inherent incongruity between an anti-big business message and a product as shiny and machine-tooled and technological as this...

Posted by Mgmax Author Profile Page at May 8, 2008 7:57 AM

comment #10

Midwest Doug Author Profile Page says ...

Actionman, do you have a time machine?

Jeff, how do they go from one scene to another?

Posted by Midwest Doug Author Profile Page at May 8, 2008 7:58 AM

comment #11

breadlymoore Author Profile Page says ...

Terrible movie, but even worse? It's in the same visual realm as SPY KIDS 3-D, yet every lousy critic who praises this heap of gloss mentions the film as being "revolutionary."

Outside of the focal tricks (nothing the Average Joe will notice), the film is a Rodriguez production retread, like the SHARKBOY/ LAVA GIRL abomination from years back.

Plus Hirsch is bland and useless in the role of Speed. He does NOTHING in the movie.

Posted by breadlymoore Author Profile Page at May 8, 2008 8:00 AM

comment #12

mjn Author Profile Page says ...

Sounds like a movie everyone will be raving about 10-15 years from now, citing how innovative it was.

In the future, the lucky 8-year olds of today (the ones with open-minded parents) will say how cool it was to see it on the big screen. While the jaded pretenders will say they were on board the whole time with the movie, while not divulging that they tried to kill it with their prejudgements and cynicism leading up to its theatrical release.

Posted by mjn Author Profile Page at May 8, 2008 8:03 AM

comment #13

Walter Sobchak Author Profile Page says ...

I always find it fascinating how many people are willing to watch crap at home, as if crap is better handled in your living room.

"It looks awful! No way I'm paying ten bucks to see it in the theater. I'll wait 'till it comes out on DVD and rent it. Then, I'll spend two hours of my life watching it on my own television instead of something really good, or even 'Law and Order' for that matter."

Posted by Walter Sobchak Author Profile Page at May 8, 2008 8:07 AM

comment #14

Mgmax Author Profile Page says ...

Walter, the reason is 1) you can surf the Web on your laptop while it's on, 2) you can turn it off after 20 minutes, no harm, 3) you can fast forward it to get to the good parts (I showed my wife the all-Kurt Russell version of Death Proof the other night in about a half hour), etc.

Posted by Mgmax Author Profile Page at May 8, 2008 8:19 AM

comment #15

btwnproductions Author Profile Page says ...

Even Armond White didn't like it.

Posted by btwnproductions Author Profile Page at May 8, 2008 8:36 AM

comment #16

D.Z. Author Profile Page says ...

Funny that this is the same week Jeff discussed Heaven's Gate. I hope that's not what we're getting from Speed Racer...

Posted by D.Z. Author Profile Page at May 8, 2008 8:42 AM

comment #17

K. Bowen Author Profile Page says ...

Jeff, a really good job at an intelligent negative review. But man, have film critics simply lost their ability to be blown away by a movie. Here's a film that's breaking new ground, and all these critics shrug and go re-watch that stalker fantasy Forgetting Sarah Marshall.

Posted by K. Bowen Author Profile Page at May 8, 2008 9:20 AM

comment #18

K. Bowen Author Profile Page says ...

"Sounds like a movie everyone will be raving about 10-15 years from now, citing how innovative it was. "

MJN, yeah, basically. I mean look at the post a couple before you. Speed Racer hasn't been released yet, and people are already on message boards claiming it rips other movies off. Usually they wait until at least Saturday night.

Posted by K. Bowen Author Profile Page at May 8, 2008 9:24 AM

comment #19

messiahcomplexio Author Profile Page says ...

So the over 50 crowd is surprised the "kids movie" wasn't made for them?

Maybe there will be a DVD directors cut where

The supposed death of speed's brother turns him into an abusive alcoholic.

Trixe gets knocked up by racer X, which leads to a bloody rivalry between speed and X on the track.

Pop beats mom with a greasy wrench and is arrested for abuse...

and the kid and the monkey are inappropriately "diddled" by the family priest.

BTW Took my 8 year old nephew to see it.
He loved it, but felt that the corporate vs individual subplot didn't adequately explore the tensions that exist in today's increasingly interconnected world. " to not explore the economic strain such a high tech society would have on 3rd world countries, already struggling to compete in a world of limited resources? C'mon. It's a speed racer movie. I come in with expectations"

His words, not mine.

Oh, and he hopes they don't play dodge-ball at school on monday. There's an Asian kid with a really good arm who has it out for him.

Sigh...

Posted by messiahcomplexio Author Profile Page at May 8, 2008 9:31 AM

comment #20

giantman Author Profile Page says ...

Speed Racer is a tough movie to write a review about, it's obviously not a great film as films go, it isn't even a good story, but it certainly is something. And that something is freaking weird, zany, crazy ass fun. Personally I had a blast with it, although I got bored quickly and almost threw up a little in my mouth a few times.

I'm almost 42. My 14 year old also enjoyed it, although we both felt it was waaaaaay too long.

I can see where you are coming from Jeff and I honestly can't disagree. That's what makes it a strange experience. It will be interesting to see how audiences react and how well it does at the BO.

Posted by giantman Author Profile Page at May 8, 2008 9:50 AM

comment #21

Dzayson Author Profile Page says ...

That last post was one of the best I've ever read at this forum. "this is a speed racer movie. I came in with expectations"= AWESOME.

Nice review, Wells. For some odd reason, though, I kind of want to see it anyway. Perhaps just for that monkey. Or because I have a friend who works at Arclight who can get me in for free.

Posted by Dzayson Author Profile Page at May 8, 2008 9:57 AM

comment #22

iamjoe Author Profile Page says ...

Monkeys are always a guarrenteed sale. Always; its the only way to justify the money that Burton's Planet of the Apes made.

More monkeys, please.

Posted by iamjoe Author Profile Page at May 8, 2008 10:09 AM

comment #23

Adonis Author Profile Page says ...

One of your best reviews in quite some time, Wells. Thank you for it.

The barrage of imagery might be in some ways better than the film's attempts to do the same.

Posted by Adonis Author Profile Page at May 8, 2008 10:20 AM

comment #24

breadlymoore Author Profile Page says ...

"Here's a film that's breaking new ground"

What's the new ground broken? What haven't we've seen before in SPEED? Since you have such a strong opinion that others can't see the genius, give me a list.

Corporate bad guys? Check.

Elaborate green-screen sets? Check.

Anime visuals? Check.

Family member legacy arc? Check.

Car-fu? Check.

Monkey-flinging-poop jokes? Check.

Hirsch unable to emote? Check.

Posted by breadlymoore Author Profile Page at May 8, 2008 11:30 AM

comment #25

Rothchild Author Profile Page says ...

It's pretty embarrassing when David Poland is right and you are all wrong. Especially when that has NEVER HAPPENED BEFORE. This is not a movie for old white guys. This is not a movie for cynical assholes. And to compare it to Spy Kids 3D shows you have no frame of reference and are struggling to classify what you've seen or haven't (which is the category most of you are in).

Posted by Rothchild Author Profile Page at May 8, 2008 12:12 PM

comment #26

LYT Author Profile Page says ...

Chimpanzees aren't monkeys. They're apes.

Posted by LYT Author Profile Page at May 8, 2008 12:31 PM

comment #27

appleman Author Profile Page says ...

To me, none of this matters. I will see it tomorrow. I expect to blown away. That the end of it.

I would have loved to have seen the studio reaction to it when they saw a finished print in February. With their test scores in hand.

Posted by appleman Author Profile Page at May 8, 2008 1:15 PM

comment #28

Mgmax Author Profile Page says ...

"Chimpanzees aren't monkeys. They're apes."

Whatever, we'll make 'em Americans!

Posted by Mgmax Author Profile Page at May 8, 2008 2:51 PM

comment #29

breadlymoore Author Profile Page says ...

"Chimpanzees aren't monkeys. They're apes."

Thank you for making my point.

Posted by breadlymoore Author Profile Page at May 8, 2008 4:51 PM

comment #30

Zoidberg Author Profile Page says ...

I had absolutely no interest whatsoever in seeing this film UNTIL I read Jeff's review right here....
I'm sure I won't like it; in fact, I doubt I'll even be able to sit all the way through it. However, after having read Wells' description of this film, I GOTTA see what the fuck he's talking about.

Posted by Zoidberg Author Profile Page at May 8, 2008 6:41 PM

comment #31

K. Bowen Author Profile Page says ...

"Here's a film that's breaking new ground"

What's the new ground broken? What haven't we've seen before in SPEED? Since you have such a strong opinion that others can't see the genius, give me a list.
"Corporate bad guys? Check.

Elaborate green-screen sets? Check.

Anime visuals? Check.

Family member legacy arc? Check.

Car-fu? Check.

Monkey-flinging-poop jokes? Check.

Hirsch unable to emote? Check."

I get it. You dislike it. What are you on about?

Posted by K. Bowen Author Profile Page at May 8, 2008 7:57 PM

comment #32

The Winchester Author Profile Page says ...

My favorite revelation about this review comes from the joy Wells finds in the monkey. For my money, nothing's funnier than a monkey.

Except a monkey in a tuxedo.

Posted by The Winchester Author Profile Page at May 9, 2008 1:08 AM

comment #33

Terry McCarty Author Profile Page says ...

mjn wrote:
Sounds like a movie everyone will be raving about 10-15 years from now, citing how innovative it was.

At the very least, it's a candidate for the kind of cult status that Mike Hodges' FLASH GORDON still enjoys.

Posted by Terry McCarty Author Profile Page at May 10, 2008 1:05 AM

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