Most Wanted
Email here for additions & corrections.

Il Grido
(Antonioni, 1957)

The Fortune
(Nichols, 1975)

-30-
(Webb, 1959)

Betrayal
(Jones, 1983)

Play It As It Lays
(Perry, 1972)

The Outfit
(Flynn, 1973)

Alex in Wonderland
(Mazursky, 1969)

The Legend of Lylah Clare
(Aldrich, 1968)

In The Cool of the Day
(Stevens, 1963)

That Cold Day in the Park
(Altman, 1969)

The Fox
(Rydell, 1967)

Thumb Trippin'
(Masters, 1972)

Midas Run
(Kjellin, 1969)

At Long Last Love
(Bogdanovich, 1973)

Brewster McCloud
(Altman, 1972)

Outcast of the Islands
(Reed, 1951)

Mike's Murder
(Bridges, 1984)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

June 11

Tetro

June 12

Call of the Wild 3D

Food, Inc.

Imagine That

Moon

Sex Positive

The Taking of Pelham 1 2 3

Youssou N'Dour: I Bring What I Love

June 16

Yoo-Hoo, Mrs. Goldberg

June 19

$9.99

Dead Snow

The Proposal

Whatever Works

Year One

June 24

Transformers: Revenge of the Fallen

June 26

Cheri

Fireflies in the Garden

The Hurt Locker

My Sister's Keeper

The Stoning of Soraya M. 

Surveillance 

July 1

Ice Age: Dawn of the Dinosaurs

Public Enemies

July 3

The Girl from Monaco

I Hate Valentine's Day

July 10

Bruno

I Love You, Beth Cooper

Soul Power

July 15

Harry Potter and the Half-Blood Prince

July 17

(500) Days of Summer

All the Boys Love Mandy Lane

July 24

All Good Things

The Answer Man

G-Force

In the Loop

Orphan

The Ugly Truth

July 29

Adam

July 31

The Cove

Funny People

Lorna's Silence

They Came from Upstairs

August 7

G.I. Joe: The Rise of Cobra

Julie & Julia

Paper Heart

Shorts

When in Rome

August 14

A Perfect Getaway

Bandslam

District 9

The Goods: The Don Ready Story

I Sell the Dead

Ponyo

Pool Boys

Spread

Taking Woodstock

The Time Traveler's Wife

August 21

Five Minutes of Heaven

Goose on the Loose!

Inglorious Bastards

It Might Get Loud

Post Grad

World's Greatest Dad

August 28

The Boat that Rocked

Final Destination: Death Trip

H2

September 4

All About Steve

Amreeka

Black Dynamite

Carriers

Citizen Game

Extract

Pandorum

Shanghai

September 9

9

September 11

The Red Canvas

Tyler Perrys: I Can Do It All Myself

Whiteout

September 17

The Burning Plain

September 18

Armored

Brand New Day

Cloudy with a Chance of Meatballs

Jennifer's Body

Splice

September 25

Fame

The Invention of Lying

Surrogates

October 2

A Serious Man

More Than a Game

Sorority Row

Toy Story/Toy Story 2

Book of Saul

The influence of illustrator-designer Saul Bass persists and persists. Last year ThinkFilm's Mark Urman ordered up a poster for Sidney Lumet's Before the Devil Knows You're Dead that referenced the look of Bass's classic one-sheets, and this year -- now -- we have a new poster that also hums with Bassian attitude, particularly in its use of a font similar to one Bass used in the '50s and '60s -- hand-drawn, block letters -- for the films of director Otto Preminger. Before revealing the new poster, here are three Bass samples:


Saul Bass one-sheets for Otto Preminger's The Man With the Golden Arm, In Harm's Way and Bunny Lake Is Missing.

And here's the new poster, revealed today on Cinematical, for Joel and Ethan Coen's Burn After Reading. The font is actually a mixture of Bass and Pablo Ferro's hand-drawn title design for the opening of Dr. Strangelove.



So Entwined<< previous | next >>High Def Button

Posted by Jeffrey Wells on June 17, 2008 at 5:33 PM

comment #1

corey3rd Author Profile Page says ...

ouch my eyes.

Posted by corey3rd Author Profile Page at June 17, 2008 6:13 PM

comment #2

gruver1 Author Profile Page says ...

Wells to Corey What are you saying? That there are too many cast names in that white Bassian font in the Burn poster? It really works better if you put a little effort into writing actual sentences that have been composed with a little strategy and thought in mind.

Posted by gruver1 Author Profile Page at June 17, 2008 6:34 PM

comment #3

bmcintire Author Profile Page says ...

I really like it. And the bloody color scheme reminds me of this one of Bass's for Preminger's SAINT JOAN:

http://cineleet.com/wp-content/uploads/2008/03/saint-joan.gif

Posted by bmcintire Author Profile Page at June 17, 2008 6:44 PM

comment #4

Balthazar Author Profile Page says ...

FAIL

Posted by Balthazar Author Profile Page at June 17, 2008 6:52 PM

comment #5

Mgmax Author Profile Page says ...

SAFE

Posted by Mgmax Author Profile Page at June 17, 2008 7:00 PM

comment #6

BurmaShave Author Profile Page says ...

I must say as Bass homages go it's weak. Indeed too much white text, and the characters below are too small. A nice effort, but ugly. This film is coming together really promisingly though.

Posted by BurmaShave Author Profile Page at June 17, 2008 7:07 PM

comment #7

alynch Author Profile Page says ...

I gotta agree. The size of the actors' names make that poster seem way out of proportion.

Posted by alynch Author Profile Page at June 17, 2008 7:12 PM

comment #8

NDH Author Profile Page says ...

Terrible poster! The cast names are far too big, and the figures at the bottom are far too small. I appreciate what they're going for, and the Bassian letters are a great fit for the material, but who came up with such an absurd layout? The title size is fine, but for God's sake, shrink those cast names!

Posted by NDH Author Profile Page at June 17, 2008 7:14 PM

comment #9

Geoff Author Profile Page says ...

You guys are insane. Bad taste all around.

Posted by Geoff Author Profile Page at June 17, 2008 7:52 PM

comment #10

K. Bowen Author Profile Page says ...

K. Bowen to Wells: Cyd Charisse, Rest in Peace.

http://ap.google.com/article/ALeqM5hAuQ3IUH5W98eyryE_bGjmCDIbegD91C62U80

Posted by K. Bowen Author Profile Page at June 17, 2008 8:17 PM

comment #11

BurmaShave Author Profile Page says ...

Don't be a prick Geoff go look at the VERTIGO poster and then try to tell us we're full of shit.

Posted by BurmaShave Author Profile Page at June 17, 2008 8:18 PM

comment #12

corey3rd Author Profile Page says ...

JWW
sorry, I just typed my gut response.

It really hurts my eyes to look at that hideous irregular font. The red background, white letters doesn't help. It is a poke in the eyes. Am I supposed to look away when I see this poster? I understand that they are trying to be artsy, but it's extremely alienating. that poster suggests this is a movie that will have a shaky cam and jagged cuts. There's nothing seductive in its salesmanship.

Posted by corey3rd Author Profile Page at June 17, 2008 9:05 PM

comment #13

MickTravis Author Profile Page says ...

I doubt it'll be the final poster, but I think it's cool as hail.

Posted by MickTravis Author Profile Page at June 17, 2008 10:06 PM

comment #14

Daniel Tayag Author Profile Page says ...

Benjamin Button trailer now in HD:
http://www.apple.com/trailers/paramount/thecuriouscaseofbenjaminbutton/

Posted by Daniel Tayag Author Profile Page at June 17, 2008 10:10 PM

comment #15

BurmaShave Author Profile Page says ...

The HD reveals seams I'd rather not see, but that trailer is still a work of art. I wonder if Fincher's majestic kind of CGI is becoming it's own kind of Cinematography?

Posted by BurmaShave Author Profile Page at June 17, 2008 10:52 PM

comment #16

BurmaShave Author Profile Page says ...

Appropos of nothing being discussed here, is Dennis Hooper's CATCHFIRE/BACKTRACK the most fascinating bad movie ever made, or am I just tired?

Posted by BurmaShave Author Profile Page at June 17, 2008 11:22 PM

comment #17

The Hoyk Author Profile Page says ...

Not nearly as visible as BEFORE THE DEVIL or BURN AFTER READING, but the indie comedy MILITARY INTELLIGENCE AND YOU has a poster that is a clear rip on Bass' IN HARM'S WAY poster:

http://multivisionnaire.com/mv_film_images/keyart_AMIAU_126.jpg

Posted by The Hoyk Author Profile Page at June 18, 2008 4:12 AM

comment #18

moviemaniac2002 Author Profile Page says ...

I don't know if Bass had anything to do with the
end credits of "In Harm's Way", but it's an
incredible little piece of film-making (The film
is structured just like today's movies - title credit only at the beginning, all other credits at the
close.) A series of progressively more violent
surf, waves, stormy oceans...culminating in an
atomic blast...then returning to gentle lapping
waves. Those few minutes prove more effective
in encapsulating World War II then the entire
2 and a half hour running time of Preminger's film.

Posted by moviemaniac2002 Author Profile Page at June 19, 2008 5:58 AM

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