Most Wanted
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Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Making Nice-Nice

In an interview with Christianity Today's Mark Moring, WALL*E director Andrew Stanton talks about how his Christian faith has informed his creative process at Pixar and the making of his latest film. You'd barely know from Moring's side-stepping intro and Stanton's many quotes that there's a strong anti-corporate, beware-of-unbridled-consumerism, save-the-earth-before- it's-too-late theology that runs all through WALL*E.

Pixar's John Lasseter and his nervous-nelly lieutenants have clearly put the word out to downplay this aspect of the film out of fear that American Jabbas and other impulse consumers will avoid WALL*E if they get the idea that it's some kind of lefty message flick that Al Gore would be proud to call his own.

I'm starting to feel vaguely offended, I must say, by a p.r. policy that's totally fine with sucking up to Christian moviegoers (a conservative bunch that harbors a faction of global-warming deniers) but shilly-shallies away from acknowledging that a significant side of WALL*E is dealing with the most pressing and life-threatening issue of our time. Sorry, but there's something a wee bit sickening about this.

Kids are going to get what they want to get out of this (cute robots, etc.) but the glory of the Pixar product is that it's concurrently written for and angled to adults.

Insanity Blows<< previous | next >>Reprieve

Posted by Jeffrey Wells on June 24, 2008 at 12:16 PM

comment #1

Midwest Doug Author Profile Page says ...

Edward sleeps?

Posted by Midwest Doug Author Profile Page at June 24, 2008 12:56 PM

comment #2

sutter kane Author Profile Page says ...

What better way to get the very people who need to be exposed to this message into the theatre? It's probably more likely to hit home with them if it's delivered by a cute little animated robot than with, you know, facts and statistics and numbers and stuff anyway.

Posted by sutter kane Author Profile Page at June 24, 2008 1:00 PM

comment #3

Midwest Doug Author Profile Page says ...

I have no problem with this at all. The movie is what it is, and people will take out of it what they will.

Whatever the message, I like a little foreplay and subtlety with a message film. No need to have it hammered over one's head.

Posted by Midwest Doug Author Profile Page at June 24, 2008 1:03 PM

comment #4

Noel Murray Author Profile Page says ...

For what it's worth, the evangelical community has been turning around on global warming of late. There's a whole wave of younger Christians who are moving towards positive activism -- trying to improve the world in the here and now rather than sitting around condemning sinners and waiting for the rapture. (They're more Mike Huckabee than Ralph Reed, in other words.)

Posted by Noel Murray Author Profile Page at June 24, 2008 1:11 PM

comment #5

breadlymoore Author Profile Page says ...

"beware-of-unbridled-consumerism"

In a Pixar film. Released by Disney.

Are they fucking kidding me? What a joke.

I'll make sure to laugh my ass off at this film when I next step into a Disney store.

Posted by breadlymoore Author Profile Page at June 24, 2008 1:13 PM

comment #6

Edward Author Profile Page says ...

Sleeping? Heck, I was working and counting the days til retirement.

Posted by Edward Author Profile Page at June 24, 2008 1:17 PM

comment #7

Overstreet Author Profile Page says ...

Breadlymoore,

I understand your snarky response. Of course, Disney is the king of merchandising movies. And yes, it is grossly ironic that WALL*E sounds the alarm about the wildfire while Disney feeds the flames.

But I gotta say, I'm impressed with Andrew Stanton. Given the Disney platform, what is he as a storyteller to do? Avoid any theme that might contradict the policies and procedures of Disney?

If Stanton's storytelling highlights the excess of Disney, or any corporation (or any individual) more power to him. If he can do so while receiving a Disney paycheck, I want to congratulate him like some kind of genius.

I wouldn't rush to call him a "hypocrite," as some have, because I doubt that Stanton, as the writer/director, has much influence over what Disney merchandising does with the movie he made.

And if those disposable toys end up drawing kids more fully into the experience of a film that kindles questions in their minds about consumerism, well... that's not a total loss. The Lorax made an impression on me when I was a kid, and I read it on paper that wasn't recycled.

Posted by Overstreet Author Profile Page at June 24, 2008 1:38 PM

comment #8

Bocephus Author Profile Page says ...

"The Lorax made an impression on me when I was a kid, and I read it on paper that wasn't recycled."

Overstreet wins!

Posted by Bocephus Author Profile Page at June 24, 2008 1:41 PM

comment #9

Jimmycrackcorn Author Profile Page says ...

It's "sickening" that Disney is trying to push this as a story-driven film instead of a movie that you should see because it'll be good for you? Really?

Posted by Jimmycrackcorn Author Profile Page at June 24, 2008 1:44 PM

comment #10

hollyman Author Profile Page says ...

check out some comments Stanton. http://www.hollywoodoutbreak.com/?p=592

Posted by hollyman Author Profile Page at June 24, 2008 1:51 PM

comment #11

rgmax99 Author Profile Page says ...

Noel Murray is correct. A large portion of conservative Christians are on the global warming bandwagon.

Witness the television and magazine advertisements featuring Rev. Al Sharpton and Pat Robertson sitting on the beach, talking about the need for both lefties and righties to join the fight against global warming.

I wouldn't call myself a conservative Christian, but Jeff's slight tweak of Christians in this post is another example of his black and white, stereotypical and close-minded views: Middle America folks, McCain supporters, and Christians are bozos. (And no, I haven't decided if I'm going Obama or McCain yet, but I'm a Christian from flyover land.)

That might be a bit harsh, but shit, that's how it seems from our humble high thread-count loving host here at HE.

Posted by rgmax99 Author Profile Page at June 24, 2008 1:59 PM

comment #12

Overstreet Author Profile Page says ...

I followed Hollyman's link, and I'm a little baffled. The writer says, "I wasn’t alone in noticing that the first half of the upcoming DISNEY / PIXAR animated film, WALL-E, is basically a statement about conservation and the environment."

Is there a difference between "making a statement" and "telling a story"? I think there's a big difference.

Is "Blade Runner" a "statement"? Sure, we can pick up all kinds of implications about where society is headed by considering the details of Ridley Scott's wildly imaginative and bleak vision of the future. We can do the same with "WALL-E." If we treat it as if it can be reduced to a simplistic sermon, we lose the magic of the movie... and it's that magic that I find remarkable.

What I saw on the big screen last night was an exaggerated vision of the future, and the exaggerations can give us pause and inspire us to consider what they suggest about our current behavior. But I was so caught up in the humor and imagination that I never felt smacked around or that Stanton was sermonizing.

Don't get me wrong: The story is illustrated with alarming, cartoonish images of gross consumerism and wastelands of junk. But Stanton, like Ridley Scott, found a story there, and that makes all the difference.

Is it somehow against the rules for Pixar's folks to stick their toes in the genre of apocalypse-storytelling?

Posted by Overstreet Author Profile Page at June 24, 2008 2:04 PM

comment #13

breadlymoore Author Profile Page says ...

"Given the Disney platform, what is he as a storyteller to do? Avoid any theme that might contradict the policies and procedures of Disney?"

Of course.

Posted by breadlymoore Author Profile Page at June 24, 2008 2:42 PM

comment #14

Overstreet Author Profile Page says ...

Then we might as well scrap "Ratatouille" while we're at it, since it also frowned upon the cheapening of entertainment, and merchandising crap for a quick buck.

Posted by Overstreet Author Profile Page at June 24, 2008 2:53 PM

comment #15

breadlymoore Author Profile Page says ...

"Then we might as well scrap "Ratatouille" while we're at it, since it also frowned upon the cheapening of entertainment, and merchandising crap for a quick buck."

Frowned and preached are two very different speeds. Don't start drilling holes on thin ice to make your argument click.

And you label me snarky?

Overstreet, WE GET IT: you loved WALL-E. You were handed access to the filmmakers too. Place your tights and cape back into the closet and stop equating shallow Pixar product to the wonders and intelligence of Dr. Seuss.

Please accept that some will see through the tepid WALL-E slapstick and find an extremely hypocritical film absent subtlety and artistic refinement.

I don't read Playboy for warnings on haystack posing safety, and I don't want to see a Disney film decry the evils of consumerism. Take that shit to Ralph Bakshi...

...hey...now there's a fucking movie!


Posted by breadlymoore Author Profile Page at June 24, 2008 3:09 PM

comment #16

Richardson Author Profile Page says ...

"and I don't want to see a Disney film decry the evils of consumerism"

I think it's strange to break down movies by the company which distributes them. But, okay then, which multi-billion dollar distributor do you want to see release films decrying the evils of consumerism?

Posted by Richardson Author Profile Page at June 24, 2008 3:42 PM

comment #17

Edward Author Profile Page says ...

I don't know what's wrong with a Disney film that has a subtext beyond entertainment and selling product? The fact that it's a Pixar film, makes it all the better.

Posted by Edward Author Profile Page at June 24, 2008 3:49 PM

comment #18

Chris Baumgardt Author Profile Page says ...

breedlymoore,

What is it you have against Pixar exactly? You smack Pixar around as being shallow and glossed over kids stuff while trumpeting Dr. Suess and Ralph Bakshi. I am sorry you can't see the very mature level of storytelling going on in every Pixar film. Everyone I know or talk to seems to be able to pick it out and loves that Pixar doesn't make just "kids films".

Of all the companies and film makers doing animation today, Pixar is making some of the deepest and most mature films out there. I love Dr. Suess and Ralph Bakshi, but holding them up as examples of greater subtlety over Pixar is just stupid. Have you watched Wizards and its oh so subtle anti-war message lately?

Posted by Chris Baumgardt Author Profile Page at June 24, 2008 4:17 PM

comment #19

Legowombat Author Profile Page says ...

I don't understand the hype for this company at all.

They fit in perfectly with Disney: boring character design; easy b&w messages that would be described as 50's naive if the critics were viewing any obviously adult modern film; faking emotional depth and 'heart' by the tired old 'big eyes' and sad music cliche; and phoned-in performances from celebrity actors, (note i didn't say voice actors), who completely fail to bring the characters to life through their vocal work, and, as such, it falls to the animators to pick up the slack to give them personality.

On top of all that, the avalanche of merchandising for each film is repellent.

I have a 3 year old nephew who loves 'Cars'. Do you have any idea how much stupid 'Cars' merchandise is currently floating around in your average department store? How many trips to whatever American Fast Food Chain is currently flogging their 'moulded in china' collectable figures it takes to complete a set? I doubt this movie is purely about two robots, because that doesn't guarantee 8 weeks of return business to McDonalds or Burger King - there is bound to be a collection of superfluous characters they can turn into plastic figures.

This movie sounds hypocritical in the extreme. Plus, it also looks familiar, in the way that 'Cars' is 'Doc Hollywood', and 'The Incredibles' is 'The Fantastic Four', this looks suspiciously like 'Short Circuit'.

Posted by Legowombat Author Profile Page at June 24, 2008 4:26 PM

comment #20

Chris Baumgardt Author Profile Page says ...

I would say that making films that appeal to people from 5 to 50 is a pretty big indicator that Pixar has some storytelling ability. Normally I don't go in for the make it appeal to everyone out there style, but Pixar seems to be able to consistently pull of this difficult feat film after film.

The fact they they layer their stories on top of familiar arch-stories doesn't make them any less appealing or any less of an achievement. War and Peace was great, but it didn't tell me a new story I couldn't have read from tons of books that were far older. I suppose I could call Tolstoy a copying hack, but I would prefer not to.

As for the case of a Disney backed movie slamming mass-consumerism, I would definitely agree that it is pretty suspect. However, like Overstreet said above I think it is pretty interesting that Stanton and Pixar where able to make a movie that basically bites the hand of their corporate masters. The fact that Disney is ignoring this message and pumping out a ton of cheap toys is quite beyond Stanton's power to control and shouldn't be laid at his feet.

Posted by Chris Baumgardt Author Profile Page at June 24, 2008 4:37 PM

comment #21

Overstreet Author Profile Page says ...

breadlymoore wrote:
"Place your tights and cape back into the closet and stop equating shallow Pixar product to the wonders and intelligence of Dr. Seuss."

Dude, I quit wearing my cape after I saw The Incredibles. Didn't that movie teach you anything?

And as I strive to become a better storyteller, I find a lot to admire about Pixar's efficient character development, distinct voices, and gutsy storytelling choices. You'd prefer "Meet the Robinsons" or "Shrek 4" or "Pocahontas"? I don't see any reason to have to choose between Pixar and the whimsical delights of Seuss.

And Bakshi? (shudder) I'm having flashbacks to his flannel-graph version of The Lord of the Rings.


Posted by Overstreet Author Profile Page at June 24, 2008 4:54 PM

comment #22

Richardson Author Profile Page says ...

I think that anybody who compares "Cars" to "Doc Hollywood" really needs to go back and re-watch "Doc Hollywood". It amuses me to no end to watch people criticize "Cars" because of superficial similarities (and I bet even one or two overt references), as if "Doc Hollywood" is "Citizen Kane" and can never be touched. "Doc Hollywood" wasn't even the first movie to use the "Doc Hollywood" formula. You only remember that movie at all because your parents rented it because it's a PG movie with MJ Fox and you suddenly got to see boobs. I can't believe that anybody who was older than 15 when they saw that movie is even sure that they can remember it.

Posted by Richardson Author Profile Page at June 24, 2008 4:57 PM

comment #23

Richardson Author Profile Page says ...

"And Bakshi? (shudder) I'm having flashbacks to his flannel-graph version of The Lord of the Rings."

Everything that needs to be said about Bakshi:

http://youtube.com/watch?v=dcR3ZFlMYNQ

(You might want to skip to about a minute in.)

Posted by Richardson Author Profile Page at June 24, 2008 5:03 PM

comment #24

moring Author Profile Page says ...

Thanks for linking to my interview with Stanton. I won't bother to address Wells' head-in-the-sand stereotypes about Christians, but I *will* say that my intro and interview were VERY clear that, the way I saw it, the film is full of "beware-of-unbridled-consumerism" themes. I wrote in my intro:

"The humans on the space station have grown fat, languid, and disconnected, victims of their own consumerism."

And I asked Stanton:

"It seemed to have heavier social commentary than most Pixar films. It seemed like a story about fat, lazy, American consumers who don't care about the environment and . . . "

And when he disputed that interpretation, I asked, "But why are they all fat and lazy?" -- clearly questioning his own explanation.

Sheesh, Wells, what do you want? Want me to pick a fight with Stanton and say he's a liar? You're welcome to do that . . .

As for "sucking up to Christian moviegoers," since when is granting an interview to a publication that can reach one million readers "sucking up" to anything? That's called "reaching the ticket buyers," man. That's called capitalism. That's called promoting your film to the audience. Since when is there a problem with that? Should Disney adopt a policy of "No interviews with ANYbody who adheres to ANY religion?" Or do you think they should just shut out Christians with their PR policies?

Well, I gotta run -- time to do my recycling. (Oops, did I just give myself away? A Christian who recycles and cares about the environment? Yikes, that's an oxymoron in Wells' book, apparently.)

mark moring
ChristianityTodayMovies.com



Posted by moring Author Profile Page at June 24, 2008 5:07 PM

comment #25

Richardson Author Profile Page says ...

I have no particular respect for the publication, but Mark's response was pretty good. You have to remember, Mark, that Jeff is a very hateful person who hates almost everybody in the entire country. He uses "Christians" interchangeably with "midwesterners", "rubes", "overweight people", and "mouth breathers".

Posted by Richardson Author Profile Page at June 24, 2008 5:17 PM

comment #26

MovieBob Author Profile Page says ...

Y'know what this sounds like to me?

It sounds like the Pixar guys are aware that Wall*E is either too "arty" (no-dialogue first act, dark-future, etc.) or maybe they didn't quite nail it (rumored 3rd act issues) but either way that it might NOT be as big a hit as their others. And if it does, they don't want it to be seen as part of the "liberal message movies don't sell" B.S.

Posted by MovieBob Author Profile Page at June 24, 2008 9:08 PM

comment #27

Ogami Itto Author Profile Page says ...

You have to remember, Mark, that Jeff is a very hateful person who hates almost everybody in the entire country. He uses "Christians" interchangeably with "midwesterners", "rubes", "overweight people", and "mouth breathers".

You forgot shlubs and Hispanics.

Posted by Ogami Itto Author Profile Page at June 25, 2008 8:15 AM

comment #28

GonePostal Author Profile Page says ...

As totally bigoted as Jeff is towards those who aren't "enlightened" like he is, I do like his phrase "American Jabbas" because that's one thing he's right about. Obesity is going to cost us a ton in health care, and people need to start being ashamed of being land beasts again. Working out is not hard. Government shouldn't regulate food intake, I still say eat what you want, but maybe some old fashioned mocking will get the "Jabbas" to eat right.

Posted by GonePostal Author Profile Page at June 25, 2008 10:54 AM

comment #29

Ju-osh Author Profile Page says ...

You have to remember, Mark, that Jeff is a very hateful person who hates almost everybody in the entire country. He uses "Christians" interchangeably with "midwesterners", "rubes", "overweight people", and "mouth breathers".

You forgot shlubs and Hispanics.

And blings!

Posted by Ju-osh Author Profile Page at June 25, 2008 12:53 PM

comment #30

jimb12345 Author Profile Page says ...

You cannot go wrong with working Pixar. They are one of the best companies to work for when making films.
orlando dui law

Posted by jimb12345 Author Profile Page at January 30, 2010 9:16 AM

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