June 12
Call of the Wild 3D
Youssou N'Dour: I Bring What I Love
June 16
June 19
Dead Snow
Whatever Works
June 24
Transformers: Revenge of the Fallen
June 26
Cheri
Fireflies in the Garden
July 1
Ice Age: Dawn of the Dinosaurs
July 3
The Girl from Monaco
I Hate Valentine's Day
July 10
July 15
Harry Potter and the Half-Blood Prince
July 17
July 24
All Good Things
The Answer Man
In the Loop
July 29
July 31
The Cove
August 7
When in Rome
August 14
A Perfect Getaway
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The Goods: The Don Ready Story
Ponyo
Pool Boys
Spread
The Time Traveler's Wife
August 21
Five Minutes of Heaven
Goose on the Loose!
It Might Get Loud
World's Greatest Dad
August 28
The Boat that Rocked
September 4
Amreeka
Carriers
Citizen Game
Shanghai
September 9
September 11
The Red Canvas
Tyler Perrys: I Can Do It All Myself
September 17
The Burning Plain
September 18
Brand New Day
Cloudy with a Chance of Meatballs
Jennifer's Body
Splice
September 25
October 2
A Serious Man
Toy Story/Toy Story 2
Clint Eastwood's Changeling, a 1920s kidnapping melodrama starring Angelina Jolie and John Malkovich, was going to open on November 7th. Now Universal is announcing a new date that's two weeks earlier. The limited release will be on Friday, 10.24, and the wide on Friday, 10.31.

There's no ambiguity about the title, by the way, as was indicated during the Cannes Film Festival. Eastwood's films will definitely be called Changeling, despite that festival rumble about a possible switch to The Exchange and producer Brian Grazer having told Variety's Anne Thompson during the festival that he "thinks" it'll be called that.
My reaction after catching the Cannes makeup screening: "Longish and leisurely paced. Delivers a keen sense of humanity and moral clarity. Offers a complex but rewarding story. Really nice music, as usual, that lends a feeling of warmth and assurance. Superbly acted, shot, and paced (not every movie has to feel like a machine gun).
"More than a few top-notch performances -- Jolie's leading the pack. A movie that understands itself and its subject matter completely. Some overly black or white-ish characterizations, but not to the extent that they bug you horribly. Aimed at adults (i.e., those 25 and over with the ability/willingness to process this sort of thing). Not a great film, but a very fine one. Terrible last line, though."
Posted by Jeffrey Wells on June 9, 2008 at 12:14 PM
comment #1
Unison
says ...
I liked the last line a lot.... I'll take whatever small amount of levity I can get after 2 1/2 hours of bleak tension (even if said levity is immediately undercut by the closing title cards...).
Posted by Unison
at June 9, 2008 1:06 PM
comment #2
Edward Havens
says ...
Think of this... Clint Eastwood has made as many movies in the last four years as Malick has made in the last forty.
But yeah, I can see Universal moving Changeling so they can mount a good plan of attack against Gran Torino... unless GT isn't meant to be Oscar-bait material.
Posted by Edward Havens
at June 9, 2008 1:38 PM
comment #3
FNG
says ...
"Shut YO Face!"
Sorry.
I wonder which film has a better shot at the Oscars this year, Clint's or Spike Lee's WW2 drama, Miracle at St. Anna?
Is Spike trying to derail Clint's chances for more gold by painting the legend as a racist?
Posted by FNG
at June 9, 2008 2:48 PM
comment #4
erniesouchak
says ...
Something about this photo convinces me I won't like this movie.
Posted by erniesouchak
at June 10, 2008 5:07 AM
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