Most Wanted
Email here for additions & corrections.

Il Grido
(Antonioni, 1957)

The Fortune
(Nichols, 1975)

-30-
(Webb, 1959)

Betrayal
(Jones, 1983)

Play It As It Lays
(Perry, 1972)

The Outfit
(Flynn, 1973)

Alex in Wonderland
(Mazursky, 1969)

The Legend of Lylah Clare
(Aldrich, 1968)

In The Cool of the Day
(Stevens, 1963)

That Cold Day in the Park
(Altman, 1969)

The Fox
(Rydell, 1967)

Thumb Trippin'
(Masters, 1972)

Midas Run
(Kjellin, 1969)

At Long Last Love
(Bogdanovich, 1973)

Brewster McCloud
(Altman, 1972)

Outcast of the Islands
(Reed, 1951)

Mike's Murder
(Bridges, 1984)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

June 11

Tetro

June 12

Call of the Wild 3D

Food, Inc.

Imagine That

Moon

Sex Positive

The Taking of Pelham 1 2 3

Youssou N'Dour: I Bring What I Love

June 16

Yoo-Hoo, Mrs. Goldberg

June 19

$9.99

Dead Snow

The Proposal

Whatever Works

Year One

June 24

Transformers: Revenge of the Fallen

June 26

Cheri

Fireflies in the Garden

The Hurt Locker

My Sister's Keeper

The Stoning of Soraya M. 

Surveillance 

July 1

Ice Age: Dawn of the Dinosaurs

Public Enemies

July 3

The Girl from Monaco

I Hate Valentine's Day

July 10

Bruno

I Love You, Beth Cooper

Soul Power

July 15

Harry Potter and the Half-Blood Prince

July 17

(500) Days of Summer

All the Boys Love Mandy Lane

July 24

All Good Things

The Answer Man

G-Force

In the Loop

Orphan

The Ugly Truth

July 29

Adam

July 31

The Cove

Funny People

Lorna's Silence

They Came from Upstairs

August 7

G.I. Joe: The Rise of Cobra

Julie & Julia

Paper Heart

Shorts

When in Rome

August 14

A Perfect Getaway

Bandslam

District 9

The Goods: The Don Ready Story

I Sell the Dead

Ponyo

Pool Boys

Spread

Taking Woodstock

The Time Traveler's Wife

August 21

Five Minutes of Heaven

Goose on the Loose!

Inglorious Bastards

It Might Get Loud

Post Grad

World's Greatest Dad

August 28

The Boat that Rocked

Final Destination: Death Trip

H2

September 4

All About Steve

Amreeka

Black Dynamite

Carriers

Citizen Game

Extract

Pandorum

Shanghai

September 9

9

September 11

The Red Canvas

Tyler Perrys: I Can Do It All Myself

Whiteout

September 17

The Burning Plain

September 18

Armored

Brand New Day

Cloudy with a Chance of Meatballs

Jennifer's Body

Splice

September 25

Fame

The Invention of Lying

Surrogates

October 2

A Serious Man

More Than a Game

Sorority Row

Toy Story/Toy Story 2

Needs A Bruisin'

Updated: The thrust of this Anne Thompson Variety piece is that Will Smith is pretty much the only guy right now whose movies can't seem to fail, no matter how mediocre they may be. The article is written with a sportswriter-like aplomb and a seasoned understanding of the how the marketplace works, etc., but it's basically a show of obeisance before box-office power.

The best thing that could happen to the guy, of course, would be to fail as this would make him dig deeper and try harder, which would lead to growth and maturity as an artist-performer. Smith has made exactly three "growth" movies since he graduated from Fresh Prince of Bel Air -- Six Degrees of Separation ('93), Ali ('01) and The Pursuit of Happyness ('06). Three such efforts in 15 years time obviously indicates an attitude of cruising and contentment. Which, of course, a true artist should never embrace. Although I have to say he really nailed that dog-dying scene in I Am Legend.

Stay anxious, stay hungry. Just ask Bob Rafelson.

Cheap Ass<< previous | next >>'Nother Bounce

Posted by Jeffrey Wells on June 20, 2008 at 6:12 PM

comment #1

MAGGA Author Profile Page says ...

What about Ali? It was a challenging role for him AND a box office bomb.

Posted by MAGGA Author Profile Page at June 20, 2008 7:46 PM

comment #2

DarthCorleone Author Profile Page says ...

Yeah, I agree. ALI immediately came to mind. When that sentence began with "...has made exactly two "growth" movies...", I immediately assumed that would be one of them.

Posted by DarthCorleone Author Profile Page at June 20, 2008 7:50 PM

comment #3

nemo Author Profile Page says ...

"... Will Smith is pretty much the only guy right now whose movies can't seem to fail, no matter how mediocre they may be."

And what is Adam Sandler? Chopped liver?

Posted by nemo Author Profile Page at June 20, 2008 9:27 PM

comment #4

D.Z. Author Profile Page says ...

When Sandler can actually sell a Six Degrees-like movie, then he'll be able to compete on Smith's level.

Posted by D.Z. Author Profile Page at June 20, 2008 9:43 PM

comment #5

actionman Author Profile Page says ...

He was INCREDIBLE in Ali, which is one of the most underrated movies of the decade.

Posted by actionman Author Profile Page at June 20, 2008 9:44 PM

comment #6

lazespud Author Profile Page says ...

Seriously Jeff -- You need to either tell us you forgot about Ali, or explain your reasons why you didn't think it belongs in the company of Six Degrees and Happyness. I actually didn't like Ali all that much, but Smith was terrific and it was definitely a grown-up, mature piece of work.

Posted by lazespud Author Profile Page at June 20, 2008 9:53 PM

comment #7

lazespud Author Profile Page says ...

Just read about your dad Jeff. You've had a really tough year; we're all pulling for you.

Posted by lazespud Author Profile Page at June 20, 2008 9:56 PM

comment #8

Aris P Author Profile Page says ...

DZ - Sandler showed some decent chops in in Reign O'er Me. Punch Drunk Love, though offbeat, also comes to mind.

Posted by Aris P Author Profile Page at June 20, 2008 10:12 PM

comment #9

/3rtfu11 Author Profile Page says ...

"Where the Day Takes You" (1992)

I don't forget this movie. Everyone else does.

Posted by /3rtfu11 Author Profile Page at June 20, 2008 10:40 PM

comment #10

Rothchild Author Profile Page says ...

I've had very off-the-record conversations with people about Will Smith, and all I can say is this, the man works his motherfucking ass off. It's pretty fucking unbelievable. He deserves to be the biggest star in the world, which he is.

Posted by Rothchild Author Profile Page at June 21, 2008 6:55 AM

comment #11

gruver1 Author Profile Page says ...

I forgot about Ali. Smith has done three growth movies, and I forgot about Ali. Why did I forget about Ali? Because it's the best Michael Mann movie that never really stirred me or lifted me high. Smith was superb in it. He built himself up, learned to dance, got the voice, did everything right. But unlike Lee's Malcolm X, which moved me and brought me to tears the first time, Ali had a curiously inert effect. Which isn't to put it down. But it does explain why, in the recesses of my mind, it didn't surface when I thought of Smith's growth moves. It was an error to omit it, but it's not and never has been a popper for me.

Posted by gruver1 Author Profile Page at June 21, 2008 8:42 AM

comment #12

Josh Massey Author Profile Page says ...

If you've ever been in the same room as Smith, you immediately understand why he's the biggest star in the world. The dude is made of electricity.

I wish he would make better movies, but I can't think of a weak performance he's delivered (except in the first season of "Bel-Air," of course, when you can see him lip-synching the other actors' lines).

Posted by Josh Massey Author Profile Page at June 21, 2008 10:07 AM

comment #13

Arizona Joe Author Profile Page says ...

Will Smith was merely passable in Ali. It was a tall task measuring up to a human being who was arguably the most marvelous blend of charisma and athleticism the world has ever seen, and a lot of his real life was on film. Many of us remember Cassius Clay, not just the fighter, but the guy quoting poetry in Miami Beach, laughing with Howard Cosell, and speaking Arabic in praise of Elijah Muhammad, enjoying his grandma's carrot cake with a scoop of ice cream in Louisville.

Compared to the real thing, Smith's and Michael Mann's depiction was flat. It really lacked Ali's wonderful sense of humor, an essential part of his character: "You cut off that beard, 'cause I ain't fightin' no billy goat," Muhammad said to Wilt Chamberlain.

Hence, "Ali" was one of the most disappointing films I have ever seen. And I don't think it was Will Smith's fault. In a biopic, or a biography for that matter, the choice of incidents or scenes, and the degree of treatment they are given, really tells the tale. I don't think Michael Mann chose the right ones. He went with the obvious, when smaller grace notes would have been more revealing. In addition, Jon Voight as Cosell and Ron Silver as Angelo Dundee was terrible casting.

Michael Mann, renowned for violence and style, does not know jack shit about athletes. Pardon my pretentiousness, but I could have written a better screenplay.

People respond to Will Smith. And reports that he works very hard do not surprise me. He seems like a very good guy. However, as Will Smith has gotten older and heavier, he has lost some of his charisma. It's a credit to him that he still gets the box office he does. He cruises because it works for him.

I wish he would choose better projects, but what is there to choose from? I don't know if Will Smith or any actor has that much control over the quality of material from agents and studios. Most of it is crap. They can even turn Muhammad Ali into a journeyman.

Posted by Arizona Joe Author Profile Page at June 21, 2008 12:53 PM

comment #14

Mgmax Author Profile Page says ...

"I don't know if Will Smith or any actor has that much control over the quality of material from agents and studios. Most of it is crap."

Well, I think Will Smith could get a studio to back him in the novels of Henry Green if he wanted to, so it's not a matter of control. I do think there's a subtler form of control sometimes where a star is told over and over that the world loves him doing X and he gets no support from his management and entourage for trying Y because that might upset the gravy train. Elvis Presley of course is the most extreme example of that, but I'm sure many stars have experienced it.

Posted by Mgmax Author Profile Page at June 21, 2008 9:30 PM

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