Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Once More...

A friend I just spoke to was under the impression I was half-and-half on WALL*E. Not in the least, I said. I'm an unamibiguous admirer top to bottom and start to finish. It's a masterpiece of its type. It's going to win the Best Animated Feature Oscar. I understand the impulse on the part of director Andrew Stanton to call it a robot love story and leave it at that, but it's a lie, of course -- a disinforming of pig-trough moviegoers who might think twice about going to a "green" movie that satirizes their lie-around, fat-ass lifestyle.


The plan seems to be working because WALL*E is going to make a lot of money this weekend. Between $52 and $57 million, according to Fantasy Moguls' Steve Mason.

A sweet, amusing and reasonably profound save-the-earth parable, WALL*E's reliance on 85% visual, mostly dialogue-free storytelling (which makes it a kind of silent film) recalls the artistry of Charles Chaplin, Harry Langdon, Jacques Tati and other others whose style of performance art has been dormant for so many decades. It lives again.

Of course, not everyone is going to understand how good this film is. A woman who saw it with me said to a young publicist on the way out, "It's nice but I was bored." So beware -- some are going to say it's not...whatever, snappily entertaining enough according to current popcorn-munching standards. Anyone who says this, trust me, is a plebe and a moron in terms of their cinematic taste buds.

Six months into 2008 and WALL*E is one of the two or three best so far, if not the best of the year. It's a major film and an occasion for enormous pride on Pixar's part.

Face Time<< previous | next >>Hard Rain

Posted by Jeffrey Wells on June 26, 2008 at 12:04 PM

comment #1

Unison Author Profile Page says ...

For all I know Wall-E is amazing, but there's also a new Miyazaki film coming this year, so the Oscar could possibly be lost.

Posted by Unison Author Profile Page at June 26, 2008 12:31 PM

comment #2

aquaon23rd Author Profile Page says ...

I think the words "sweet" and "amusing" give the impression of a pretty good--not good or great--movie

Posted by aquaon23rd Author Profile Page at June 26, 2008 12:33 PM

comment #3

Alan Cerny Author Profile Page says ...

"It's a masterpiece of its type."

I'm glad you said it, I've been telling people that for the past two weeks and getting funny looks. But I hold to it regardless. I loved WALL*E.

Posted by Alan Cerny Author Profile Page at June 26, 2008 12:44 PM

comment #4

swhitty Author Profile Page says ...

A beautiful, beautiful movie -- and I wasn't knocked out by "Ratatouille," and was really underwhelmed by "Cars." Great work, Pixar.

Except what does it say about Hollywood that the year's best movie romance is a cartoon about a guy who looks like a forklift and a gal who looks like an Ikea trashcan?

Posted by swhitty Author Profile Page at June 26, 2008 12:56 PM

comment #5

mjn Author Profile Page says ...

Over at Phil Villareal is currently being excoriated for posting the sole "rotten" rating for WALL-E.

http://www.rottentomatoes.com/m/wall_e/comments.php?reviewid=1737210

Posted by mjn Author Profile Page at June 26, 2008 1:09 PM

comment #6

LauraReeling Author Profile Page says ...

I appreciated the message of WALL*E but thought the movie began to seriously drag once WALL*E left Earth. Too many missed opportunities for Pixar's wonderful wit and visual gags. And will someone please explain how photosynthesis could occur in a refrigerator that had been shut for 700 years? And if John's hand touching Mary's was such a revelation to those two, where did all those babies on board come from?

Posted by LauraReeling Author Profile Page at June 26, 2008 1:26 PM

comment #7

le corbeau Author Profile Page says ...

We need a drinking game based on how long Wells can write thoughtfully about Wall-E before he starts slamming fatasses again.

Posted by le corbeau Author Profile Page at June 26, 2008 1:34 PM

comment #8

Chris Willman Author Profile Page says ...

So these two things are certain: (1) Wall-E will, like most Pixar movies, be one of the two or three best-reviewed films of the year. (2) Its chances of being nominated for a best picture Oscar will, again, be zero.

Posted by Chris Willman Author Profile Page at June 26, 2008 1:56 PM

comment #9

Terry McCarty Author Profile Page says ...

Chris Willman wrote:
So these two things are certain: (1) Wall-E will, like most Pixar movies, be one of the two or three best-reviewed films of the year. (2) Its chances of being nominated for a best picture Oscar will, again, be zero.

I'm going to guess otherwise on (2).

Given Disney booster Charles Solomon's recent resurfacing today in THE LOS ANGELES TIMES to condemn Ralph Bakshi, it wouldn't surprise me to see Solomon write copious priase of WALL-E between now and the announcement of Oscar nominations.

Posted by Terry McCarty Author Profile Page at June 26, 2008 2:16 PM

comment #10

arentin Author Profile Page says ...

Great post nice info, thank you for post it

Cerita Campur Aduk Arentin

Posted by arentin Author Profile Page at February 1, 2010 12:26 AM

comment #11

Valentinus Author Profile Page says ...

Given Disney booster Charles Solomon's recent resurfacing today buy generic levitra to condemn levitra bayer Ralph Bakshi

Posted by Valentinus Author Profile Page at February 6, 2010 2:44 AM

comment #12

davehogan78 Author Profile Page says ...

I like this sweet, amusing and reasonably profound save-the-earth parable, WALL*E's reliance on 85% visual, mostly dialogue-free storytelling .. The Data Recovery Company

Posted by davehogan78 Author Profile Page at February 11, 2010 1:26 PM

comment #13

davehogan78 Author Profile Page says ...

I purchased the DVD yesterday. This is already the 4th time I watched this great show.. :)
Harlan Kilstein

Posted by davehogan78 Author Profile Page at March 15, 2010 11:32 AM

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