Most Wanted
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Il Grido
(Antonioni, 1957)

The Fortune
(Nichols, 1975)

-30-
(Webb, 1959)

Betrayal
(Jones, 1983)

Play It As It Lays
(Perry, 1972)

The Outfit
(Flynn, 1973)

Alex in Wonderland
(Mazursky, 1969)

The Legend of Lylah Clare
(Aldrich, 1968)

In The Cool of the Day
(Stevens, 1963)

That Cold Day in the Park
(Altman, 1969)

The Fox
(Rydell, 1967)

Thumb Trippin'
(Masters, 1972)

Midas Run
(Kjellin, 1969)

At Long Last Love
(Bogdanovich, 1973)

Brewster McCloud
(Altman, 1972)

Outcast of the Islands
(Reed, 1951)

Mike's Murder
(Bridges, 1984)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

June 11

Tetro

June 12

Call of the Wild 3D

Food, Inc.

Imagine That

Moon

Sex Positive

The Taking of Pelham 1 2 3

Youssou N'Dour: I Bring What I Love

June 16

Yoo-Hoo, Mrs. Goldberg

June 19

$9.99

Dead Snow

The Proposal

Whatever Works

Year One

June 24

Transformers: Revenge of the Fallen

June 26

Cheri

Fireflies in the Garden

The Hurt Locker

My Sister's Keeper

The Stoning of Soraya M. 

Surveillance 

July 1

Ice Age: Dawn of the Dinosaurs

Public Enemies

July 3

The Girl from Monaco

I Hate Valentine's Day

July 10

Bruno

I Love You, Beth Cooper

Soul Power

July 15

Harry Potter and the Half-Blood Prince

July 17

(500) Days of Summer

All the Boys Love Mandy Lane

July 24

All Good Things

The Answer Man

G-Force

In the Loop

Orphan

The Ugly Truth

July 29

Adam

July 31

The Cove

Funny People

Lorna's Silence

They Came from Upstairs

August 7

G.I. Joe: The Rise of Cobra

Julie & Julia

Paper Heart

Shorts

When in Rome

August 14

A Perfect Getaway

Bandslam

District 9

The Goods: The Don Ready Story

I Sell the Dead

Ponyo

Pool Boys

Spread

Taking Woodstock

The Time Traveler's Wife

August 21

Five Minutes of Heaven

Goose on the Loose!

Inglorious Bastards

It Might Get Loud

Post Grad

World's Greatest Dad

August 28

The Boat that Rocked

Final Destination: Death Trip

H2

September 4

All About Steve

Amreeka

Black Dynamite

Carriers

Citizen Game

Extract

Pandorum

Shanghai

September 9

9

September 11

The Red Canvas

Tyler Perrys: I Can Do It All Myself

Whiteout

September 17

The Burning Plain

September 18

Armored

Brand New Day

Cloudy with a Chance of Meatballs

Jennifer's Body

Splice

September 25

Fame

The Invention of Lying

Surrogates

October 2

A Serious Man

More Than a Game

Sorority Row

Toy Story/Toy Story 2

Once More...

A friend I just spoke to was under the impression I was half-and-half on WALL*E. Not in the least, I said. I'm an unamibiguous admirer top to bottom and start to finish. It's a masterpiece of its type. It's going to win the Best Animated Feature Oscar. I understand the impulse on the part of director Andrew Stanton to call it a robot love story and leave it at that, but it's a lie, of course -- a disinforming of pig-trough moviegoers who might think twice about going to a "green" movie that satirizes their lie-around, fat-ass lifestyle.


The plan seems to be working because WALL*E is going to make a lot of money this weekend. Between $52 and $57 million, according to Fantasy Moguls' Steve Mason.

A sweet, amusing and reasonably profound save-the-earth parable, WALL*E's reliance on 85% visual, mostly dialogue-free storytelling (which makes it a kind of silent film) recalls the artistry of Charles Chaplin, Harry Langdon, Jacques Tati and other others whose style of performance art has been dormant for so many decades. It lives again.

Of course, not everyone is going to understand how good this film is. A woman who saw it with me said to a young publicist on the way out, "It's nice but I was bored." So beware -- some are going to say it's not...whatever, snappily entertaining enough according to current popcorn-munching standards. Anyone who says this, trust me, is a plebe and a moron in terms of their cinematic taste buds.

Six months into 2008 and WALL*E is one of the two or three best so far, if not the best of the year. It's a major film and an occasion for enormous pride on Pixar's part.

Face Time<< previous | next >>Hard Rain

Posted by Jeffrey Wells on June 26, 2008 at 12:04 PM

comment #1

Unison Author Profile Page says ...

For all I know Wall-E is amazing, but there's also a new Miyazaki film coming this year, so the Oscar could possibly be lost.

Posted by Unison Author Profile Page at June 26, 2008 12:31 PM

comment #2

aquaon23rd Author Profile Page says ...

I think the words "sweet" and "amusing" give the impression of a pretty good--not good or great--movie

Posted by aquaon23rd Author Profile Page at June 26, 2008 12:33 PM

comment #3

Alan Cerny Author Profile Page says ...

"It's a masterpiece of its type."

I'm glad you said it, I've been telling people that for the past two weeks and getting funny looks. But I hold to it regardless. I loved WALL*E.

Posted by Alan Cerny Author Profile Page at June 26, 2008 12:44 PM

comment #4

swhitty Author Profile Page says ...

A beautiful, beautiful movie -- and I wasn't knocked out by "Ratatouille," and was really underwhelmed by "Cars." Great work, Pixar.

Except what does it say about Hollywood that the year's best movie romance is a cartoon about a guy who looks like a forklift and a gal who looks like an Ikea trashcan?

Posted by swhitty Author Profile Page at June 26, 2008 12:56 PM

comment #5

mjn Author Profile Page says ...

Over at Phil Villareal is currently being excoriated for posting the sole "rotten" rating for WALL-E.

http://www.rottentomatoes.com/m/wall_e/comments.php?reviewid=1737210

Posted by mjn Author Profile Page at June 26, 2008 1:09 PM

comment #6

LauraReeling Author Profile Page says ...

I appreciated the message of WALL*E but thought the movie began to seriously drag once WALL*E left Earth. Too many missed opportunities for Pixar's wonderful wit and visual gags. And will someone please explain how photosynthesis could occur in a refrigerator that had been shut for 700 years? And if John's hand touching Mary's was such a revelation to those two, where did all those babies on board come from?

Posted by LauraReeling Author Profile Page at June 26, 2008 1:26 PM

comment #7

Mgmax Author Profile Page says ...

We need a drinking game based on how long Wells can write thoughtfully about Wall-E before he starts slamming fatasses again.

Posted by Mgmax Author Profile Page at June 26, 2008 1:34 PM

comment #8

Chris Willman Author Profile Page says ...

So these two things are certain: (1) Wall-E will, like most Pixar movies, be one of the two or three best-reviewed films of the year. (2) Its chances of being nominated for a best picture Oscar will, again, be zero.

Posted by Chris Willman Author Profile Page at June 26, 2008 1:56 PM

comment #9

Terry McCarty Author Profile Page says ...

Chris Willman wrote:
So these two things are certain: (1) Wall-E will, like most Pixar movies, be one of the two or three best-reviewed films of the year. (2) Its chances of being nominated for a best picture Oscar will, again, be zero.

I'm going to guess otherwise on (2).

Given Disney booster Charles Solomon's recent resurfacing today in THE LOS ANGELES TIMES to condemn Ralph Bakshi, it wouldn't surprise me to see Solomon write copious priase of WALL-E between now and the announcement of Oscar nominations.

Posted by Terry McCarty Author Profile Page at June 26, 2008 2:16 PM

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