Most Wanted
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Il Grido
(Antonioni, 1957)

The Fortune
(Nichols, 1975)

-30-
(Webb, 1959)

Betrayal
(Jones, 1983)

Play It As It Lays
(Perry, 1972)

The Outfit
(Flynn, 1973)

Alex in Wonderland
(Mazursky, 1969)

The Legend of Lylah Clare
(Aldrich, 1968)

In The Cool of the Day
(Stevens, 1963)

That Cold Day in the Park
(Altman, 1969)

The Fox
(Rydell, 1967)

Thumb Trippin'
(Masters, 1972)

Midas Run
(Kjellin, 1969)

At Long Last Love
(Bogdanovich, 1973)

Brewster McCloud
(Altman, 1972)

Outcast of the Islands
(Reed, 1951)

Mike's Murder
(Bridges, 1984)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

June 11

Tetro

June 12

Call of the Wild 3D

Food, Inc.

Imagine That

Moon

Sex Positive

The Taking of Pelham 1 2 3

Youssou N'Dour: I Bring What I Love

June 16

Yoo-Hoo, Mrs. Goldberg

June 19

$9.99

Dead Snow

The Proposal

Whatever Works

Year One

June 24

Transformers: Revenge of the Fallen

June 26

Cheri

Fireflies in the Garden

The Hurt Locker

My Sister's Keeper

The Stoning of Soraya M. 

Surveillance 

July 1

Ice Age: Dawn of the Dinosaurs

Public Enemies

July 3

The Girl from Monaco

I Hate Valentine's Day

July 10

Bruno

I Love You, Beth Cooper

Soul Power

July 15

Harry Potter and the Half-Blood Prince

July 17

(500) Days of Summer

All the Boys Love Mandy Lane

July 24

All Good Things

The Answer Man

G-Force

In the Loop

Orphan

The Ugly Truth

July 29

Adam

July 31

The Cove

Funny People

Lorna's Silence

They Came from Upstairs

August 7

G.I. Joe: The Rise of Cobra

Julie & Julia

Paper Heart

Shorts

When in Rome

August 14

A Perfect Getaway

Bandslam

District 9

The Goods: The Don Ready Story

I Sell the Dead

Ponyo

Pool Boys

Spread

Taking Woodstock

The Time Traveler's Wife

August 21

Five Minutes of Heaven

Goose on the Loose!

Inglorious Bastards

It Might Get Loud

Post Grad

World's Greatest Dad

August 28

The Boat that Rocked

Final Destination: Death Trip

H2

September 4

All About Steve

Amreeka

Black Dynamite

Carriers

Citizen Game

Extract

Pandorum

Shanghai

September 9

9

September 11

The Red Canvas

Tyler Perrys: I Can Do It All Myself

Whiteout

September 17

The Burning Plain

September 18

Armored

Brand New Day

Cloudy with a Chance of Meatballs

Jennifer's Body

Splice

September 25

Fame

The Invention of Lying

Surrogates

October 2

A Serious Man

More Than a Game

Sorority Row

Toy Story/Toy Story 2

Seinfeld on Carlin

"You could certainly say that George Carlin downright invented modern American stand-up comedy in many ways," writes Jerry Seinfeld has written in today's 6.24 N.Y. Times. "Every comedian does a little George. I couldn't even count the number of times I've been standing around with some comedians and someone talks about some idea for a joke and another comedian would say, 'Carlin does it.' I've heard it my whole career: 'Carlin does it,' 'Carlin already did it,' 'Carlin did it eight years ago.'

"And he didn't just 'do' it. He worked over an idea like a diamond cutter with facets and angles and refractions of light. He made you sorry you ever thought you wanted to be a comedian. He was like a train hobo with a chicken bone. When he was done there was nothing left for anybody.

"I became obsessed with him in the '60s. As a kid it seemed like the whole world was funny because of George Carlin. His performing voice, even laced with profanity, always sounded as if he were trying to amuse a child. It was like the naughtiest, most fun grown-up you ever met was reading you a bedtime story. Everything he did just had this gleaming wonderful precision and originality.

"I know George didn't believe in heaven or hell. Like death, they were just more comedy premises. And it just makes me even sadder to think that when I reach my own end, whatever tumbling cataclysmic vortex of existence I'm spinning through, in that moment I will still have to think, 'Carlin already did it.'"

Goldy Bloggy Blog<< previous | next >>Vogue

Posted by Jeffrey Wells on June 24, 2008 at 11:27 AM

comment #1

Edward Author Profile Page says ...

Well written Jerry, thanks.

Posted by Edward Author Profile Page at June 24, 2008 11:48 AM

comment #2

Aladdin Sane Author Profile Page says ...

"Simpsons did it!"

Posted by Aladdin Sane Author Profile Page at June 24, 2008 12:02 PM

comment #3

Cinexcellence Author Profile Page says ...

Well written.

Posted by Cinexcellence Author Profile Page at June 24, 2008 12:38 PM

comment #4

Jay T. Author Profile Page says ...

Well said...

Posted by Jay T. Author Profile Page at June 24, 2008 1:44 PM

comment #5

BurmaShave Author Profile Page says ...

Occasionally Jerry Seinfeld is a really classy guy

Posted by BurmaShave Author Profile Page at June 24, 2008 2:06 PM

comment #6

Gaydos Author Profile Page says ...

No disrespect to George and Jerry, a genius and a talented guy in that order, but consider Woody Allen's (genius) vote for the breakthrough stand-up:

“I’d always admired standup comics -- guys like Benny, Berle, Henny Youngman, Bob Hope. They were tremendous talents, well developed. I still believe that being a standup comic is the best education you can get. Mine came largely from watching Mort Sahl. He made the country listen to jokes that required them to think. Watching him made me want to be a standup comedian.

“He was the best thing I ever saw. He was like Charlie Parker in jazz. There was a need for a revolution, everybody was ready for a revolution, but some guy had to come along who could perform the revolution and be great. Mort was the one. He was like the tip of the iceberg. Underneath were all the other people who came along: Lenny Bruce, Nichols and May, all the Second City players. I'm not saying that these people wouldn't have happened anyway, but Mort was the vanguard of the group that had an enormous renaissance of nightclub comedy that ended not long after Bill Cosby and I came along. He totally restructured comedy. His jokes are laid down with such guile. He changed the rhythm of jokes. He had different content, surely, but the revolution was in the way he laid the jokes down."

Posted by Gaydos Author Profile Page at June 24, 2008 2:51 PM

comment #7

Aris P Author Profile Page says ...

Um are you all reading the same thing I am??

Excuse me, but why does Mr. Classy need to mention that he didnt much care for the 7 Words or AM FM bit? Good for you, thanks for pointing that out. And I get the hobo and bone reference but really, he can't think of a less disgusting metaphor? And really, i guess the only way to end a tribute to the greatest comedian of this generation, is to hear how Jerry will be "really sad" when HE , himself, dies and thinks that Carlin did it all before him.

Yeah Jerry, i'm glad that's what makes you the saddest about all this... that he was better than you. He died, dick-head - no one really cares about your death right now.

Pompous prick.

Posted by Aris P Author Profile Page at June 24, 2008 3:10 PM

comment #8

SaveFarris Author Profile Page says ...

Going by the Russert timeline (Wells was saying "Enough already" 60 hours after Russert's death), Carlin only has about 12 more hours of memorial time before we all need to STFU.

Posted by SaveFarris Author Profile Page at June 24, 2008 4:23 PM

comment #9

Richardson Author Profile Page says ...

"But his brilliance fathered dozens of great comedians. I personally never cared about “Seven Words You Can Never Say on Television,” or “FM & AM.” To me, everything he did just had this gleaming wonderful precision and originality."

This reads as if it was edited; I'm pretty sure he's not saying "I didn't like these bits", he's saying, "I didn't care about the specific bits that made him famous, because everything he did was gold."

"Yeah Jerry, i'm glad that's what makes you the saddest about all this"

Actually, he said "sadder".

You seem really bitter towards Seinfeld. It's not Seinfeld's fault that he's the most famous comedian in the country (if not the world), and lives in NYC, and, therefore, is the most logical person to write a semi-personalized obituary for the great stand-up comedian who just died.

Posted by Richardson Author Profile Page at June 24, 2008 5:13 PM

comment #10

Movie Watcher Author Profile Page says ...

Pretty good commentary, Jerry. This almost makes up for Bee Movie. Almost.

Posted by Movie Watcher Author Profile Page at June 25, 2008 4:49 AM

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