Most Wanted
Email here for additions & corrections.

Il Grido
(Antonioni, 1957)

The Fortune
(Nichols, 1975)

-30-
(Webb, 1959)

Betrayal
(Jones, 1983)

Play It As It Lays
(Perry, 1972)

The Outfit
(Flynn, 1973)

Alex in Wonderland
(Mazursky, 1969)

The Legend of Lylah Clare
(Aldrich, 1968)

In The Cool of the Day
(Stevens, 1963)

That Cold Day in the Park
(Altman, 1969)

The Fox
(Rydell, 1967)

Thumb Trippin'
(Masters, 1972)

Midas Run
(Kjellin, 1969)

At Long Last Love
(Bogdanovich, 1973)

Brewster McCloud
(Altman, 1972)

Outcast of the Islands
(Reed, 1951)

Mike's Murder
(Bridges, 1984)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

June 11

Tetro

June 12

Call of the Wild 3D

Food, Inc.

Imagine That

Moon

Sex Positive

The Taking of Pelham 1 2 3

Youssou N'Dour: I Bring What I Love

June 16

Yoo-Hoo, Mrs. Goldberg

June 19

$9.99

Dead Snow

The Proposal

Whatever Works

Year One

June 24

Transformers: Revenge of the Fallen

June 26

Cheri

Fireflies in the Garden

The Hurt Locker

My Sister's Keeper

The Stoning of Soraya M. 

Surveillance 

July 1

Ice Age: Dawn of the Dinosaurs

Public Enemies

July 3

The Girl from Monaco

I Hate Valentine's Day

July 10

Bruno

I Love You, Beth Cooper

Soul Power

July 15

Harry Potter and the Half-Blood Prince

July 17

(500) Days of Summer

All the Boys Love Mandy Lane

July 24

All Good Things

The Answer Man

G-Force

In the Loop

Orphan

The Ugly Truth

July 29

Adam

July 31

The Cove

Funny People

Lorna's Silence

They Came from Upstairs

August 7

G.I. Joe: The Rise of Cobra

Julie & Julia

Paper Heart

Shorts

When in Rome

August 14

A Perfect Getaway

Bandslam

District 9

The Goods: The Don Ready Story

I Sell the Dead

Ponyo

Pool Boys

Spread

Taking Woodstock

The Time Traveler's Wife

August 21

Five Minutes of Heaven

Goose on the Loose!

Inglorious Bastards

It Might Get Loud

Post Grad

World's Greatest Dad

August 28

The Boat that Rocked

Final Destination: Death Trip

H2

September 4

All About Steve

Amreeka

Black Dynamite

Carriers

Citizen Game

Extract

Pandorum

Shanghai

September 9

9

September 11

The Red Canvas

Tyler Perrys: I Can Do It All Myself

Whiteout

September 17

The Burning Plain

September 18

Armored

Brand New Day

Cloudy with a Chance of Meatballs

Jennifer's Body

Splice

September 25

Fame

The Invention of Lying

Surrogates

October 2

A Serious Man

More Than a Game

Sorority Row

Toy Story/Toy Story 2

WALL*E in Burbank


Wednesday, 6.25, 9:05 pm. I'll probably never eat here again (don't ask), but every so often at night I need to pull into the parking lot and lean against the car and just stare up at the damn sign and take in the early 1950s vibe.

Wednesday, 6.25, 7:10 pm. A wee bit late to this evening's WALL*E screening on the Disney lot, I was struck by the soothing green-lawn, tree-shade vibe just outside the Animation Building. A sweet, amusing and reasonably profound save-the-earth parable, WALL*E's reliance on 85% visual, mostly dialogue-free storytelling (which makes it a kind of silent film) recalls the artistry of Charles Chaplin, Harry Langdon, Jacques Tati and other others whose style of performance art has been dormant for so many decades. It lives again. WALL*E is a masterpiece of its type. It's going to win the Best Animated Feature Oscar. And the above-the-liners (Andrew Stanton, etc.) who are saying this is mainly a "robot love story" are deliberately disinforming the public. Of course, not everyone is going to understand how good this film is. A woman who saw it with me said to a young publicist on the way out, "It's nice but I was bored." So beware -- some are going to say it's not...whatever, snappilly entertaining enough according to current popcorn-munching standards. Anyone who says this, take my word, is a plebe and a moron. Six months into 2008 and WALL*E is one of the two or three best so far, if not the best of the year. It's a major film and an occasion for enormous pride on Pixar's part.

Posted by Jeffrey Wells on June 25, 2008 at 10:17 PM

comment #1

Chris Willman Author Profile Page says ...

Agree on all counts. Except for the part about not eating at Bob's.

Posted by Chris Willman Author Profile Page at June 25, 2008 11:16 PM

comment #2

Craptastic Author Profile Page says ...

I imagine Wells sitting in a booth by himself, dead-eyed, with strands of dripping, chili spaghetti hanging out of his mouth, saying, "Waaaaaaleee".

Seriously though, Jeffrey... what was so bad about Bob's? Yes, the menu is gross for the most part but once you walk through the door you have to know what you're getting into.

For my money (and you'll find me and a friend or two there every Sunday morning) Frank's in Burbank is, and always has been, the best in town.

Well... for typical diner items anyway.

Posted by Craptastic Author Profile Page at June 26, 2008 12:07 AM

comment #3

scooterzz Author Profile Page says ...

i usually know when to leave well enough alone but, really wells, your lack of aesthetics is sometimes astounding...

the first half of WALL-E (the part that takes place on earth) is some of pixar's best work....the second half is just deficient .... and even stanton says the second half lacks, well...budget.....the space/cruise ship shit is just that...shit....

and anybody who doesn't agree is a...well, it takes a certain sort of person to call those who don't agree a "moron" or "plebe" so i won't go that far....

but i will point out that people who eat breakfast at 'norm's' and dinner at 'bob's' probably only dream of 'high thread count' living.....

Posted by scooterzz Author Profile Page at June 26, 2008 12:26 AM

comment #4

D.Z. Author Profile Page says ...

"It lives again. WALL*E is a masterpiece of its type. It's going to win the Best Animated Feature Oscar."

You never know. It might face a strong upset by "The Girl Who Leapt Through Time".

Anyway, I've been to the Bob's in Downtown L.A. when I was a kid, and remember loving the salad.

Posted by D.Z. Author Profile Page at June 26, 2008 12:49 AM

comment #5

scooterzz Author Profile Page says ...

now, i'm just procrastinating...

but, you're taking pics @ 7:10 when due for a 7:00 screening?!?...PLEASE don't say you missed the first few minutes of the film......the set-up is really nice.......
y'know, the problem with this movie isn't just in stanton's denial of an eco theme but also his denial that any part of the film is 'without dialog'..... according to stanton, it's flush with dialog, just not the dialog we're used to hearing.........
such spin is just unseemly.......

Posted by scooterzz Author Profile Page at June 26, 2008 1:03 AM

comment #6

Anonymous Author Profile Page says ...

If you're ever on the Disney lot and you have the time, I recommend a stroll through the Animation Building. It now houses several production offices but the main hallway is open to the public, and on display are many original animation cels from classic Disney movies.

You can even riff the pages of some well-worn animation tests hanging there.

Posted by Anonymous Author Profile Page at June 26, 2008 7:13 AM

comment #7

gruver1 Author Profile Page says ...

Wells to scoooterz: They started WALL*E around 7:13 or so. Maybe 7:14 pm. Wells to Clark Perry: Thanks -- I've strolled through the Animation Building and savored the atmosphere. I've been coming to screenings in that building since the mid '80s.

Posted by gruver1 Author Profile Page at June 26, 2008 7:30 AM

comment #8

Midwest Doug Author Profile Page says ...

Midwest's gotta represent. Don't dis the Big Boy! Jeff, next time I'm in LA I'll treat you to a Slim Jim.

Posted by Midwest Doug Author Profile Page at June 26, 2008 8:13 AM

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