Most Wanted
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Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Wire Men

For me, Man on Wire (Magnolia, opening in late July) -- the story of Petit's illegal high-wire walk between the World Trade Center's towers in August 1974 -- is the most stirring and suspenseful film of its kind that I've seen since Touching The Void. It's too electric and gripping to be called a mere documentary; another term has to be found. The L.A. Film festival screening happens tonight at Westwood's Crest theatre.


Man on Wire director James Marsh (l.) and celebrated wire-walker Phillipe Petit about 75 minutes ago (4:25 pm, give or take) at the Four Seasons hotel.

Repetitive Genius<< previous | next >>Cheap Ass

Posted by Jeffrey Wells on June 20, 2008 at 5:36 PM

comment #1

raygo Author Profile Page says ...

I went to the World Trade Center in 1976 on a senior class trip. I can't wait to see this film. I'm sure it will be bittersweet.

Posted by raygo Author Profile Page at June 20, 2008 7:54 PM

comment #2

longrunner Author Profile Page says ...

This was probably the best film I saw at the Hot Docs festival in Toronto earlier this year.

Marsh combines vintage footage (much of which has never been seen before–in fact, he was the one who had it developed for the first time) and stills with re-creations and present-day interviews with the principals to tell a remarkable tale from a more innocent time. Juggling these different techniques for telling the story, he has as deft a hand with film as Petit has with the high-wire. And both men are expert storytellers. Marsh is a filmmaker who is doing something interesting with the documentary form. Films like this one are why I go to festivals.

Posted by longrunner Author Profile Page at June 20, 2008 8:58 PM

comment #3

BurmaShave Author Profile Page says ...

Good living or good genes, what have you, Petit is absurdly well preserved. If you wanted to tell me that was Glen Hansard I'd have to take a second look. Can't wait for this one, when does it roll out?

Posted by BurmaShave Author Profile Page at June 20, 2008 10:42 PM

comment #4

CinemaPhreek Author Profile Page says ...

But does the doc explain how a wire was strung between the two buildings to pull off the feat?

Otherwise, it smells of a publicity stunt that the WTC folks gave the ol' wink-wink, nudge-nudge to in order to get some publicity.

Posted by CinemaPhreek Author Profile Page at June 20, 2008 10:52 PM

comment #5

Rothchild Author Profile Page says ...

CinemaPhreek,

Uh, dude. That's the whole point of the movie. It's brilliant, funny, fascinating, and moving. You really have to admire the gigantic balls he had. His plan was ingenious and incredibly risky. I spent most of the movie laughing at the audacity of his actions or on the edge of my seat.

Posted by Rothchild Author Profile Page at June 21, 2008 6:20 AM

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