Most Wanted
Email here for additions & corrections.

Il Grido
(Antonioni, 1957)

The Fortune
(Nichols, 1975)

-30-
(Webb, 1959)

Betrayal
(Jones, 1983)

Play It As It Lays
(Perry, 1972)

The Outfit
(Flynn, 1973)

Alex in Wonderland
(Mazursky, 1969)

The Legend of Lylah Clare
(Aldrich, 1968)

In The Cool of the Day
(Stevens, 1963)

That Cold Day in the Park
(Altman, 1969)

The Fox
(Rydell, 1967)

Thumb Trippin'
(Masters, 1972)

Midas Run
(Kjellin, 1969)

At Long Last Love
(Bogdanovich, 1973)

Brewster McCloud
(Altman, 1972)

Outcast of the Islands
(Reed, 1951)

Mike's Murder
(Bridges, 1984)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

June 11

Tetro

June 12

Call of the Wild 3D

Food, Inc.

Imagine That

Moon

Sex Positive

The Taking of Pelham 1 2 3

Youssou N'Dour: I Bring What I Love

June 16

Yoo-Hoo, Mrs. Goldberg

June 19

$9.99

Dead Snow

The Proposal

Whatever Works

Year One

June 24

Transformers: Revenge of the Fallen

June 26

Cheri

Fireflies in the Garden

The Hurt Locker

My Sister's Keeper

The Stoning of Soraya M. 

Surveillance 

July 1

Ice Age: Dawn of the Dinosaurs

Public Enemies

July 3

The Girl from Monaco

I Hate Valentine's Day

July 10

Bruno

I Love You, Beth Cooper

Soul Power

July 15

Harry Potter and the Half-Blood Prince

July 17

(500) Days of Summer

All the Boys Love Mandy Lane

July 24

All Good Things

The Answer Man

G-Force

In the Loop

Orphan

The Ugly Truth

July 29

Adam

July 31

The Cove

Funny People

Lorna's Silence

They Came from Upstairs

August 7

G.I. Joe: The Rise of Cobra

Julie & Julia

Paper Heart

Shorts

When in Rome

August 14

A Perfect Getaway

Bandslam

District 9

The Goods: The Don Ready Story

I Sell the Dead

Ponyo

Pool Boys

Spread

Taking Woodstock

The Time Traveler's Wife

August 21

Five Minutes of Heaven

Goose on the Loose!

Inglorious Bastards

It Might Get Loud

Post Grad

World's Greatest Dad

August 28

The Boat that Rocked

Final Destination: Death Trip

H2

September 4

All About Steve

Amreeka

Black Dynamite

Carriers

Citizen Game

Extract

Pandorum

Shanghai

September 9

9

September 11

The Red Canvas

Tyler Perrys: I Can Do It All Myself

Whiteout

September 17

The Burning Plain

September 18

Armored

Brand New Day

Cloudy with a Chance of Meatballs

Jennifer's Body

Splice

September 25

Fame

The Invention of Lying

Surrogates

October 2

A Serious Man

More Than a Game

Sorority Row

Toy Story/Toy Story 2

Another One

The Dark Knight "is noisy, jumbled, and sadistic," writes New York's David Edelstein. "Even its most wondrous vision -- Batman's plunges from skyscrapers, bat-wings snapping open as he glides through the night like a human kite -- can't keep the movie airborne. There's an anvil attached to that cape. [And] the lack of imagination, visual and otherwise, turns into a drag.

"The tumult is spectacularly incoherent. Nolan appears to have no clue how to stage or shoot action. He got away with the chopped-up fights in Batman Begins because his hero was a barely glimpsed ninja, coming at villains from all angles in stroboscopic flashes. There are more variables here, which means more opportunities to say 'What the f--- just happened?'"

Stir<< previous | next >>Hurts A Bit

Posted by Jeffrey Wells on July 13, 2008 at 2:33 PM

comment #1

p.Vice Author Profile Page says ...

And the bubble bursts...

Posted by p.Vice Author Profile Page at July 13, 2008 2:59 PM

comment #2

Filmsnob Author Profile Page says ...

Yet he raved about Zohan?
Can't take this guy seriously, now I know I'll love the film.

Posted by Filmsnob Author Profile Page at July 13, 2008 3:04 PM

comment #3

Caustic712 Author Profile Page says ...

The weak point of Begins was admittedly the action, but the action sequences aren't really the draw for me (and in fact, there has yet to be a competent action sequence in any Batman movie). Nonetheless, the TDK prologue gives me hope that Nolan's improving in this area.

Someday, p.Vice and D.Z. will mate and produce a race of super-trolls... then we'll really be sorry.

Posted by Caustic712 Author Profile Page at July 13, 2008 3:11 PM

comment #4

JckNapier2 Author Profile Page says ...

I liked the film more than he did, but Edelstein is right. Nolan has only barely improved. The bank heist is shot in a fashion completely different from the rest of the action sequences (long fluid takes, a sense of geography, wide shots, etc). The other set pieces are the quick-cut, ultra-tight, hyper stylized sort that plagued Batman Begins. The action is often a mess and difficult to follow (as is some of the violence, since it's cut super quick and abstractly for that PG-13).

And, dear god, the monologuing... the character exposition... it really does sound like a study guide at times. Like Batman Begins, Nolan is dealing with specific grand themes, and like Begins, he wants to be damn sure you get every point, thrice-highlighted with a purple highlighter.

As a giant-sized Batman epic it is great fun. The acting is great, the visuals are astounding, and the plot is pleasantly complex and knotty. But it is too ambitious for its own good (or at least for a single film) and certain character arcs don't always make much sense. For example,, Aaron Eckhart's Harvey Dent is less psychologically realistic and complex that Richard Moll's from Batman: The Animated Series.

Frankly, the willingness of earlier critics to overlook major flaws may create a backlash with later critics and eventual audiences who are expecting the greatest action film ever. It's not. Its a very good movie, and I look forward to seeing it again, but it's not the best thing since sliced bread.

Posted by JckNapier2 Author Profile Page at July 13, 2008 3:47 PM

comment #5

scooterzz Author Profile Page says ...

while i'm a huge fan of sliced bread, i really do think 'the dark knight' is better.....but, that's just me....

Posted by scooterzz Author Profile Page at July 13, 2008 3:50 PM

comment #6

NickF Author Profile Page says ...

Honest review. Now he will sadly get threats and the like from Bat-fanatics on RottenTomatoes

Posted by NickF Author Profile Page at July 13, 2008 4:29 PM

comment #7

tophertilson Author Profile Page says ...

"Like Batman Begins, Nolan is dealing with specific grand themes, and like Begins, he wants to be damn sure you get every point, thrice-highlighted with a purple highlighter."

This pains me to hear. All that talk about fear and theatricality and symbols in BB just served to point up how terribly silly the whole idea of Batman really is. I know I'm relatively alone in this opinion, but who the hell wants Batman in a real world? What's the purpose of it?

Say what you will about Burton's first two movies, but he created a universe where you just accepted that someone would dress up like a giant bat. No one had to talk and talk and talk and talk about why.

I have a dreadful feeling this is just going to be more of the same. Two and a half hours more.

Posted by tophertilson Author Profile Page at July 13, 2008 4:39 PM

comment #8

Filmsnob Author Profile Page says ...

Check this link the review is postive.
It has a check and says Critics Choice/

http://nymag.com/listings/movie/the-dark-knight/

Posted by Filmsnob Author Profile Page at July 13, 2008 4:43 PM

comment #9

tophertilson Author Profile Page says ...

Check or no check, that ain't a positive review.

Posted by tophertilson Author Profile Page at July 13, 2008 5:24 PM

comment #10

Rod32303 Author Profile Page says ...

whatever. I'm there. Several times, probably.

Posted by Rod32303 Author Profile Page at July 13, 2008 5:38 PM

comment #11

Arran Author Profile Page says ...

We're now in a modern, untransformed Manhattan, where the Joker's opening bank heist unfolds in a tense, realistic style with multiple point-blank shootings.

Actually, they transformed it so much it now looks like Chicago.

Posted by Arran Author Profile Page at July 13, 2008 6:01 PM

comment #12

EDouglas Author Profile Page says ...

I wonder how long before the New York Magazine building is burnt to the ground by rapid fans who disagree before having seen the movie.

Hey, Jeffrey, just noticed you FINALLY added "previous" and "next" after years of me clamoring for it...THANKS! First drink in Toronto is on me!

Posted by EDouglas Author Profile Page at July 13, 2008 7:07 PM

comment #13

D.Z. Author Profile Page says ...

Caustic: I actually liked the action in 'Begins. The weak point for me was Katie Holmes. Well, her and all that pointless ninja training stuff.

Scott: I was not aware that Moll played Two-Face. I didn't know he was that flexible an actor, even though I liked him as a loan shark gangster on Married with Children.

Posted by D.Z. Author Profile Page at July 13, 2008 7:22 PM

comment #14

Jake Author Profile Page says ...

>>>>All that talk about fear and theatricality and symbols in BB just served to point up how terribly silly the whole idea of Batman really is. I know I'm relatively alone in this opinion, but who the hell wants Batman in a real world? What's the purpose of it?

You're not alone. Here's the problem:

You can make the movie as serious and realistic as possible...but at the end of the day, it's still a movie about a guy who dresses up as a bat.

Posted by Jake Author Profile Page at July 13, 2008 9:06 PM

comment #15

scooterzz Author Profile Page says ...

'You can make the movie as serious and realistic as possible...but at the end of the day, it's still a movie about a guy who dresses up as a bat.'

actually, that's not what it's 'about' at all......

Posted by scooterzz Author Profile Page at July 13, 2008 10:00 PM

comment #16

calraigh Author Profile Page says ...

What's it 'about' then, Scooterzz?

Posted by calraigh Author Profile Page at July 13, 2008 10:18 PM

comment #17

bents75 Author Profile Page says ...

"Say what you will about Burton's first two movies, but he created a universe where you just accepted that someone would dress up like a giant bat. No one had to talk and talk and talk and talk about why."

That's true, but at the point of Batman Begins, people weren't still thinking about Burton's films, they were thinking about Schumacher's. And Schumacher took that credible fantasy aspect and completely destroyed it for anyone who wasn't six.

They only way you could overcome the complete tidal wave of shit that was Batman and Robin was to bring it back down to earth. Literally and methaphorically.

Posted by bents75 Author Profile Page at July 14, 2008 6:21 AM

comment #18

DeafEars Author Profile Page says ...

I do remember thinking while watching the first film that Nolan wasn't much good at staging action. My first impulse is to blame Oliver Stone, but his films although hyperkinetic in style always have a good sense of geography and who's doing what to whom. That's what's missing from the films the imitators make.

Posted by DeafEars Author Profile Page at July 14, 2008 10:06 AM

comment #19

Jake Author Profile Page says ...

>>>actually, that's not what it's 'about' at all......

If you'd like, we could change it to, "It's still a movie WITH a guy who dresses up as a bat."

Posted by Jake Author Profile Page at July 14, 2008 11:17 AM

comment #20

K. Bowen Author Profile Page says ...

Without talking about The Dark Knight, I will say that Batman Begins' worst feature is the fact that Nolan didn't know how to stage or shoot action.

Posted by K. Bowen Author Profile Page at July 14, 2008 1:36 PM

comment #21

K. Bowen Author Profile Page says ...

Whoops. I momentarily let Katie Holmes slip my mind.

But the action might indeed be even worse.

Posted by K. Bowen Author Profile Page at July 14, 2008 1:40 PM

comment #22

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