Most Wanted
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Il Grido
(Antonioni, 1957)

The Fortune
(Nichols, 1975)

-30-
(Webb, 1959)

Betrayal
(Jones, 1983)

Play It As It Lays
(Perry, 1972)

The Outfit
(Flynn, 1973)

Alex in Wonderland
(Mazursky, 1969)

The Legend of Lylah Clare
(Aldrich, 1968)

In The Cool of the Day
(Stevens, 1963)

That Cold Day in the Park
(Altman, 1969)

The Fox
(Rydell, 1967)

Thumb Trippin'
(Masters, 1972)

Midas Run
(Kjellin, 1969)

At Long Last Love
(Bogdanovich, 1973)

Brewster McCloud
(Altman, 1972)

Outcast of the Islands
(Reed, 1951)

Mike's Murder
(Bridges, 1984)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

June 11

Tetro

June 12

Call of the Wild 3D

Food, Inc.

Imagine That

Moon

Sex Positive

The Taking of Pelham 1 2 3

Youssou N'Dour: I Bring What I Love

June 16

Yoo-Hoo, Mrs. Goldberg

June 19

$9.99

Dead Snow

The Proposal

Whatever Works

Year One

June 24

Transformers: Revenge of the Fallen

June 26

Cheri

Fireflies in the Garden

The Hurt Locker

My Sister's Keeper

The Stoning of Soraya M. 

Surveillance 

July 1

Ice Age: Dawn of the Dinosaurs

Public Enemies

July 3

The Girl from Monaco

I Hate Valentine's Day

July 10

Bruno

I Love You, Beth Cooper

Soul Power

July 15

Harry Potter and the Half-Blood Prince

July 17

(500) Days of Summer

All the Boys Love Mandy Lane

July 24

All Good Things

The Answer Man

G-Force

In the Loop

Orphan

The Ugly Truth

July 29

Adam

July 31

The Cove

Funny People

Lorna's Silence

They Came from Upstairs

August 7

G.I. Joe: The Rise of Cobra

Julie & Julia

Paper Heart

Shorts

When in Rome

August 14

A Perfect Getaway

Bandslam

District 9

The Goods: The Don Ready Story

I Sell the Dead

Ponyo

Pool Boys

Spread

Taking Woodstock

The Time Traveler's Wife

August 21

Five Minutes of Heaven

Goose on the Loose!

Inglorious Bastards

It Might Get Loud

Post Grad

World's Greatest Dad

August 28

The Boat that Rocked

Final Destination: Death Trip

H2

September 4

All About Steve

Amreeka

Black Dynamite

Carriers

Citizen Game

Extract

Pandorum

Shanghai

September 9

9

September 11

The Red Canvas

Tyler Perrys: I Can Do It All Myself

Whiteout

September 17

The Burning Plain

September 18

Armored

Brand New Day

Cloudy with a Chance of Meatballs

Jennifer's Body

Splice

September 25

Fame

The Invention of Lying

Surrogates

October 2

A Serious Man

More Than a Game

Sorority Row

Toy Story/Toy Story 2

Five Things

It'll only cost $3 to attend Thursday night's screening of Nicholas Ray's King of Kings at the American Cinematheque. Much of this 1961 Samuel Bronston epic is either pompous or tedious -- some of it is painful -- but I'd attend anyway if they would present a 70mm print of it, which of course they're not. Burn me once with a slightly frayed 35mm print of Ben-Hur, shame on them. Burn me twice, shame on me.


The casting of the 37 year-old Siobhan McKenna (37 going on 52) as Mary, mother of Jesus, is ludicrous -- a solemn earthy Irish woman straight out of Sean O'Casey and James Joyce with her clearly lined face, alabaster Irish complexion and faintly suppressed Dublin accent.

There are nonetheless five worthwhile things about this film: (a) Miklos Rosza's score, particularly the overture; (b) Ron Randell's performance as Lucius, the thoughtful, morally conflicted Centurion; (b) Jeffrey Hunter's lead performance during the last third; (d) the shots that show perfect focus in both the foreground and background (which was pretty amazing during a time in which films would commonly rack focus to catch the foreground or background, but never both); and (e) the eloquent narration by Ray Bradbury.

Bradbury is going to show up before the show and talk about his work on the film.

Posted by Jeffrey Wells on July 8, 2008 at 3:23 PM

comment #1

Edward Author Profile Page says ...

It tries so hard to be earnest and even in '61 I thought a white blue-eyed Jesus was a stretch.

Posted by Edward Author Profile Page at July 8, 2008 5:02 PM

comment #2

Mgmax Author Profile Page says ...

I like any part of this that isn't Jesus talking, but they were clearly afraid of actually making him a character with recognizable emotions, so it's a movie about a mannequin with no human attributes who talks in famous speeches from the Bible. Poor Jeffrey Hunter, it's not his fault, but there's a blank spot in the middle of the screen, like the ball of light playing Mohammed in that Anthony Quinn movie.

Posted by Mgmax Author Profile Page at July 8, 2008 5:09 PM

comment #3

Carl LaFong Author Profile Page says ...

(f) the Sermon on the Mount sequence is beautifully realized, though I do miss the "blessed are the cheesemakers" bit.

And you're right, Ron Randall is exceptional in the film, everything that Burton SHOULD have been in THE ROBE. Did the guy ever do anything else noteworthy?

Posted by Carl LaFong Author Profile Page at July 8, 2008 5:17 PM

comment #4

Mgmax Author Profile Page says ...

Randell (it's actually with an E) seems to have been one of those hard-luck guys who worked steady but never broke through. He was the last guy to play Bulldog Drummond in that series' final B-movie days, did a lot of TV in the 60s, and (I just learned from the IMDB) bizarrely turned up in both Russ Meyer's The Seven Minutes (his would-be respectable film, which bombed) and Fassbinder's Whity (!). Evidently he had a better later career on stage, and largely focused on that in the 70s and 80s.

Posted by Mgmax Author Profile Page at July 8, 2008 5:30 PM

comment #5

Edward Author Profile Page says ...

Makes me want to watch The Life of Brian

Posted by Edward Author Profile Page at July 8, 2008 7:06 PM

comment #6

Doug Pratt Author Profile Page says ...

You left out the whole Salome sequence! Ray's movie is the most Old Testament-ish New Testament movie ever

Posted by Doug Pratt Author Profile Page at July 8, 2008 7:21 PM

comment #7

BurmaShave Author Profile Page says ...

Anybody ever think about James Dean playing Jesus if he'd lived, and how fucking crazy that would have been?

Posted by BurmaShave Author Profile Page at July 8, 2008 11:02 PM

comment #8

Mgmax Author Profile Page says ...

Would have been tough since Jesus didn't have back pockets to stick his hands in.

Posted by Mgmax Author Profile Page at July 9, 2008 5:42 AM

comment #9

Rich S. Author Profile Page says ...

I can never look at this movie without being reminded of Harlan Ellison's description of Frank Herbert's Dune: "King of Kings with sandworms."

Posted by Rich S. Author Profile Page at July 9, 2008 7:06 AM

comment #10

Mgmax Author Profile Page says ...

Which is dead-on, considering that it caught on with the audience that had grown up on all those 50s Biblical epics; it's just an LSD-generation update, much as Lord of the Rings is World War II with elves and the Wicked Witch of the West.

Posted by Mgmax Author Profile Page at July 9, 2008 7:33 AM

comment #11

Edward Author Profile Page says ...

I somehow missed the Wicked Witch of the West in LOTR.

Posted by Edward Author Profile Page at July 9, 2008 9:08 AM

comment #12

Arizona Joe Author Profile Page says ...

Films like this call to mind what Joseph Campbell said, "It's a metaphor. No one really knows who Jesus was."

Posted by Arizona Joe Author Profile Page at July 9, 2008 10:21 AM

comment #13

gruver1 Author Profile Page says ...

Wells to Arizona Joe: I know who Jesus was. He was really and truly something like the guy played by Willem Dafoe in The Last Temptation of Christ, and a little bit like the guy who played him in Pasolini's The Gospel According to St. Matthew. I don't think, however, he looked like Jeffrey Hunter -- baby blue eyes, handsome football-hero jaw, straight nose, light brown hair with golden highlights, good pedicure, etc. Or behaved like him even.

Posted by gruver1 Author Profile Page at July 9, 2008 10:44 AM

comment #14

nemo Author Profile Page says ...

"... there's a blank spot in the middle of the screen, like the ball of light playing Mohammed in that Anthony Quinn movie."

I thought I was the only non-Muslim who ever heard of that movie, much less seen it.

Jesus sure looks like he's thinking about cruising down to the drive-in for a Coke and a cheeseburger.

I've never seen this. Robert Ryan as John the Baptist and Rip Torn as Judas Iscariot sounds like some pretty good casting, though.

Posted by nemo Author Profile Page at July 9, 2008 11:01 AM

comment #15

George Prager Author Profile Page says ...

Read Dwight MacDonald's essay on biblical epics if you really want a laugh.

Posted by George Prager Author Profile Page at July 9, 2008 11:28 AM

comment #16

Mgmax Author Profile Page says ...

"I somehow missed the Wicked Witch of the West in LOTR."

You missed the evil wizard in a pointy Art Deco castle who melts away when someone tosses a ring into lava?

Did you also miss the talking trees? How about the childlike innocent who leaves his/her rural home to go on a quest down a road through many lands, with strange creatures, but comes to realize there's no place like the Shire?

Posted by Mgmax Author Profile Page at July 9, 2008 11:34 AM

comment #17

martindale Author Profile Page says ...

Rosza's score for the film was terrific!

What separates this film from other "Jesus" movies, though, is its emphasis on the political situation of the era.

Posted by martindale Author Profile Page at July 9, 2008 2:22 PM

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