Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Good To Hear

An HE reader named Sean M. wrote today to say "thanks for your pushing of Man on Wire. The wife and I went to go see it Sunday (and yes, we chose it over Stepbrothers) and it was the best moviegoing experience of the year, slightly nudging out The Dark Knight.

"Why? Because I am always riveted by movies that, despite the fact you know how it is going to end, create a level of tension that is only relieved by the completion of the act you were waiting for. Add to that removing the 'taking for granted' factor and really understanding the enormity of what this man willed himself to do...well it was a moving experience. It was one of those reminders of the power of cinema that I, and undoubtedly many others, do take for granted."

That Aside...<< previous | next >>Wisdom In This

Posted by Jeffrey Wells on July 28, 2008 at 3:01 PM

comment #1

Rev. Slappy says ...

This opens in LA in 2 weeks?

Posted by Rev. Slappy at July 28, 2008 3:32 PM

comment #2

mtgilchrist says ...

I would add that a big key to its power is the undercurrent of friction between the folks involved - including Petit and the guys who helped him. The filmmakers do a great job showing how this guy sort of functions on such an experiential level that he doesn't consider the toll his ambition has on the other people he involves.

Posted by mtgilchrist at July 28, 2008 3:43 PM

comment #3

The InSneider says ...

I watched a screener last week and it blew me away. Petit has got brass fucking balls. And the real reason the film works is because he's such an engaging storyteller. It's no doubt an incredible story but it's also about the presentation of that story and if this guy didn't have the personality that he does, than it wouldn't have worked as well as it does. A taut, marvelous film.

Posted by The InSneider at July 28, 2008 4:19 PM

comment #4

p.Vice says ...

If it's only slightly better than The Dark Knight, that must means it sucks major ass.

Posted by p.Vice at July 28, 2008 4:31 PM

comment #5

scooterzz says ...

i played this for friends over the week-end and people were on the edge of their seats....this is a really great doc....
and good for you spreading the word....

Posted by scooterzz at July 28, 2008 5:46 PM

comment #6

Chase Kahn says ...

"If it's only slightly better than The Dark Knight, that must means it sucks major ass."

Because THE DARK KNIGHT is such a horrible movie, whatever...

Posted by Chase Kahn at July 28, 2008 6:28 PM

comment #7

williamkairon says ...

I lied about rich celebs on ·:*¨ M e e t i n g W e a l t h y.c o m ¨*:·.! Ever boddy knows only loosers would go that ☆☆☆website☆☆☆and only looser with no chance at life or having ever a poor frend would spend all day promoting it ???.

Posted by williamkairon at July 29, 2008 2:09 AM

Post a comment