Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Oppressive Exhaustion?

Another mixed response to The Dark Knight, this time from Newsweek's David Ansen. Calling it an "impressive, and sometimes oppressive, epic," he says "there's not a touch of lightness in Christian Bale's taut, angst-ridden superhero, and as the two-and-a-half-hour movie enters its second half, the unvarying intensity and the sometimes confusing action sequences take a toll. You may emerge more exhausted than elated. Nolan wants to prove that a superhero movie needn't be disposable, effects-ridden junk food, and you have to admire his ambition. But this is Batman, not 'Hamlet.' Call me shallow, but I wish it were a little more fun."

Lesson in Modesty<< previous | next >>Woodshed

Posted by Jeffrey Wells on July 13, 2008 at 12:16 PM

comment #1

cinefan Author Profile Page says ...

Ansen does, however, provide yet another rave for Ledger's performance...he seems all but assured of a posthumous Oscar nod, at least at this point in time.

Posted by cinefan Author Profile Page at July 13, 2008 12:25 PM

comment #2

romeoisbleeding Author Profile Page says ...

Just curious.. the Oscar balloon on this site has Ledger in the best Actor category. Is this pretty much agreed upon that he is going to win in this category or will some see him winning the best supporting actor? Thanx.

Posted by romeoisbleeding Author Profile Page at July 13, 2008 12:34 PM

comment #3

hollyman Author Profile Page says ...

The majority of reviews are raving about The Dark Knight. I'm sure Wells had this but check out this Variety Review http://www.variety.com/VE1117937619.html

Check this review out as well http://www.hollywoodoutbreak.com/?p=673

Posted by hollyman Author Profile Page at July 13, 2008 12:35 PM

comment #4

Mr. Gittes Author Profile Page says ...

Time to see the film, Jeff. When are you? Or have you seen Knight already?

Posted by Mr. Gittes Author Profile Page at July 13, 2008 12:47 PM

comment #5

p.Vice Author Profile Page says ...

Confusing action? NO! Blasphemy!!!! But meanwhile David Edelstein says "Nolan appears to have no clue how to stage or shoot action."

Who the fuck would've thought?

Posted by p.Vice Author Profile Page at July 13, 2008 1:02 PM

comment #6

gradystiles Author Profile Page says ...

hollyman, if you're going to pimp your own blog, at least be a little more subtle about it. What you're doing verges on spam.

Posted by gradystiles Author Profile Page at July 13, 2008 1:46 PM

comment #7

televisiontears Author Profile Page says ...

I'm not going to defend the film before I've had the chance to see it, but I feel reviews like this contribute greatly to the stagnancy of studio output. I think some critics (and most casual filmgoers) prefer to have their genres seperated, and maybe feel conficted when, say, a tentpole action film doesn't deliver the lighthearted, big budget spectacle they feel entitled to. No surprises = no disappointment

It's this general atmosphere of "film 'A' should be like film 'B' before it - only bigger and better" that leads financiers to take fewer risks now than ever before. It's this fear of general exploration and cinematic growth that has studios wary of films like Spike Jonez's and Dave Eggers' "Where the Wild Things Are". Whatever happened with that, by the way?

Posted by televisiontears Author Profile Page at July 13, 2008 1:59 PM

comment #8

D.Z. Author Profile Page says ...

vice: "But meanwhile David Edelstein says "Nolan appears to have no clue how to stage or shoot action."

Wouldn't be surprised, since the last movie swiped its driving scenes from the Revolutionary Girl Utena movie, and that rail scene from the Cowboy Bebop movie...

Posted by D.Z. Author Profile Page at July 13, 2008 2:00 PM

comment #9

actionman Author Profile Page says ...

amazing! p.Vice with yet another negative comment! the world gasps with shock!

Posted by actionman Author Profile Page at July 13, 2008 2:11 PM

comment #10

Mjs Author Profile Page says ...

Guys like P Vice and DZ think it makes them cool to just hate on everything. It doesn't. It makes you seem bitter, and angry.

Posted by Mjs Author Profile Page at July 13, 2008 2:32 PM

comment #11

sumo-pop Author Profile Page says ...

Man, it almost looks like you're looking for reasons to dislike it. So far with 15 reviews in at rottentomatoes.com it's at 100% and most of those reviews are raves. Sometimes it's okay not to be the contrarian.

Posted by sumo-pop Author Profile Page at July 13, 2008 3:04 PM

comment #12

Filmsnob Author Profile Page says ...

Mjs says ...
Guys like P Vice and DZ think it makes them cool to just hate on everything. It doesn't. It makes you seem bitter, and angry.

I bet you they have small penises:)
Mad at the world!

Posted by Filmsnob Author Profile Page at July 13, 2008 3:08 PM

comment #13

D.Z. Author Profile Page says ...

Mj: I didn't hate Batman Begins, but it doesn't have much replay value for me.

Posted by D.Z. Author Profile Page at July 13, 2008 6:15 PM

comment #14

saranie Author Profile Page says ...

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Posted by saranie Author Profile Page at July 14, 2008 7:56 PM

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