Most Wanted
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Il Grido
(Antonioni, 1957)

The Fortune
(Nichols, 1975)

-30-
(Webb, 1959)

Betrayal
(Jones, 1983)

Play It As It Lays
(Perry, 1972)

The Outfit
(Flynn, 1973)

Alex in Wonderland
(Mazursky, 1969)

The Legend of Lylah Clare
(Aldrich, 1968)

In The Cool of the Day
(Stevens, 1963)

That Cold Day in the Park
(Altman, 1969)

The Fox
(Rydell, 1967)

Thumb Trippin'
(Masters, 1972)

Midas Run
(Kjellin, 1969)

At Long Last Love
(Bogdanovich, 1973)

Brewster McCloud
(Altman, 1972)

Outcast of the Islands
(Reed, 1951)

Mike's Murder
(Bridges, 1984)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

June 11

Tetro

June 12

Call of the Wild 3D

Food, Inc.

Imagine That

Moon

Sex Positive

The Taking of Pelham 1 2 3

Youssou N'Dour: I Bring What I Love

June 16

Yoo-Hoo, Mrs. Goldberg

June 19

$9.99

Dead Snow

The Proposal

Whatever Works

Year One

June 24

Transformers: Revenge of the Fallen

June 26

Cheri

Fireflies in the Garden

The Hurt Locker

My Sister's Keeper

The Stoning of Soraya M. 

Surveillance 

July 1

Ice Age: Dawn of the Dinosaurs

Public Enemies

July 3

The Girl from Monaco

I Hate Valentine's Day

July 10

Bruno

I Love You, Beth Cooper

Soul Power

July 15

Harry Potter and the Half-Blood Prince

July 17

(500) Days of Summer

All the Boys Love Mandy Lane

July 24

All Good Things

The Answer Man

G-Force

In the Loop

Orphan

The Ugly Truth

July 29

Adam

July 31

The Cove

Funny People

Lorna's Silence

They Came from Upstairs

August 7

G.I. Joe: The Rise of Cobra

Julie & Julia

Paper Heart

Shorts

When in Rome

August 14

A Perfect Getaway

Bandslam

District 9

The Goods: The Don Ready Story

I Sell the Dead

Ponyo

Pool Boys

Spread

Taking Woodstock

The Time Traveler's Wife

August 21

Five Minutes of Heaven

Goose on the Loose!

Inglorious Bastards

It Might Get Loud

Post Grad

World's Greatest Dad

August 28

The Boat that Rocked

Final Destination: Death Trip

H2

September 4

All About Steve

Amreeka

Black Dynamite

Carriers

Citizen Game

Extract

Pandorum

Shanghai

September 9

9

September 11

The Red Canvas

Tyler Perrys: I Can Do It All Myself

Whiteout

September 17

The Burning Plain

September 18

Armored

Brand New Day

Cloudy with a Chance of Meatballs

Jennifer's Body

Splice

September 25

Fame

The Invention of Lying

Surrogates

October 2

A Serious Man

More Than a Game

Sorority Row

Toy Story/Toy Story 2

All Bets Are Off

"Clearances" are gentleman's agreements between theatrical chains that are basically about respecting territory and boundaries. One L.A. clearance arrangement that's been in effect for some time is between the Landmark plex on West Pico Blvd. and the AMC Century City 15 plex, located about a mile or so to the northeast. The basic deal has been to give each other economic breathing room by not showing each other's films. Simple.


Landmark plex on Pico

But all that has recently changed. The Landmark has essentially decided that with times being tough all over, their indie-movies-for-upscale-audiences plan hasn't been bringing in enough dough and it's time for a new strategy. And that means showing more mainstream-y films even if their AMC cousins are showing the same titles. Which is a roundabout way of saying fuck the Diaz brothers.

Situation: The Dark Knight and Mamma Mia! will be opening at both the Landmark and the AMC C.C. plex next weekend, and it may be that the Landmark will beat out the AMC as far as Mamma Mia! business is concerned due to the latter having a stronger 25-and-over female customer base.

"Landmark just decided to do it," a friend confides. "They decided they really wanted The Dark Knight and WB was perfectly willing to let them show it. Landmark, meanwhile, had Mamma Mia! exclusively for that area, but now AMC is going to go show Mamma Mia also." In short, a little tit-for-tat, quid pro quo action.

Landmark CEO Ted Mundorff was unavailable, but his sentiments were summed up by a professional colleague: "Let's just show good films that everyone likes and not be so exclusionary."


AMC Century City 14

The friend believes that the Dark Knight booking is as much about appealing to Landmark regulars who are serious Chris Nolan fans (Memento, Insomnina) as much as anything else. I'm not sure I can buy that one but whatever. I myself am a Nolan fan first, a Heath Ledger fan second and a Batman fan second.

Before they altered or broadened their identity by letting mainstream popcorn movies in, Landmark had been...how to say it? The term is either "suffering" or "somewhat hurting," but then so has everyone else in the indie exhibition sector. It's not a flush time right now. The Landmark has been plugging along, but the biggest indie films they've been showing have been The Visitor, Mongol and Guillame Canet's Tell No One. That's fine as far as it goes, but an operation like the Landmark needs more grease on the axles.

As someone else put it, "There's so much good product around now. Why not just just give people what they want?"

Saturday Numbahs<< previous | next >>Bastards in Paris

Posted by Jeffrey Wells on July 12, 2008 at 12:23 PM

comment #1

D.Z. Author Profile Page says ...

Star Wars fans got screwed by this "agreement", when Graumann's didn't want to show Sith for more than a week, and they were forced to break tradition and endure the Sucklight.

Posted by D.Z. Author Profile Page at July 12, 2008 1:58 PM

comment #2

Terry McCarty Author Profile Page says ...

The question is: Will this upset the Westside homeowners who were allegedly assured that mainstream product (which could be Westside code for "product that might attract too many young people") wouldn't be prevalent at the Landmark?

Posted by Terry McCarty Author Profile Page at July 12, 2008 2:25 PM

comment #3

iamjoe Author Profile Page says ...

I would buy the argument that Landmark fans are Nolan fans. As The Dark Knight has been a topic coming out of my mouth quite a bit over the last year, it's been interesting to see the respect his films have gotten from people like us who pay close attention to film, and from the casual moviegoer. Landmark was both smart and justified to book The Dark Knight.

Posted by iamjoe Author Profile Page at July 12, 2008 2:30 PM

comment #4

Fien Print Author Profile Page says ...

When all is said and done, I'd expect "The Dark Knight" to be as well-reviewed, Rotten Tomatoes-wise, as any film this year other than "Wall*E" so at least the Landmark is keeping on-ethos somewhat with that one. If memory serves, though, the Landmark was also showing "The Love Guru" a couple weeks ago, which was inexcusable on both commercial and critical levels...

Posted by Fien Print Author Profile Page at July 12, 2008 2:30 PM

comment #5

cjKennedy Author Profile Page says ...

From the start the Pico Landmark has had a broader booking policy than the chain is known for, but they haven't abandoned the arthouse stuff. Dark Knight fits right in with their attitude.

Do they have any auditoriums big enough to really put a dent in AMC's bottom line?

DZ, go play with your action figures.


Posted by cjKennedy Author Profile Page at July 12, 2008 2:37 PM

comment #6

cjKennedy Author Profile Page says ...

good point about Love Guru, Fien Print

Posted by cjKennedy Author Profile Page at July 12, 2008 2:39 PM

comment #7

berg Author Profile Page says ...

here in space city there used to be 2 Landmarks and 1 Angelika, all within 5 miles of each other ... they would open the same film at the Landmark and the Angelika to see which would get the top gross: we're talking about titles like I Capture the Castle ... now there is 1 Landmark (down from 6 screens to 3) and the Angelika (8 screens) regularly opens titles like Get Smart ... just sayin'

Posted by berg Author Profile Page at July 12, 2008 2:49 PM

comment #8

D.Z. Author Profile Page says ...

cj: Don't really care about that franchise, to be honest. I just hate yuppie theaters which will (hopefully) go out of business, due to high gas prices...

Posted by D.Z. Author Profile Page at July 12, 2008 3:37 PM

comment #9

Aris P Author Profile Page says ...

I live in the middle both of these theaters. I prefer Landmark because it shows art-house films, yes, but I do enjoy my share of AMC popcorn fare. The main reason I like it though, is that the parking is way easier (try finding parking at AMC Friday night), the clientele is older and QUIETER than the 15 year olds at AMC and oh yeah, no one brings in bags of fucking PANDA EXPRESS to eat at the Landmark during the movie. I'll gladly be seeing Dark Knight there, with reserved seating no less.

Posted by Aris P Author Profile Page at July 12, 2008 4:18 PM

comment #10

cjKennedy Author Profile Page says ...

Sorry to disappoint you DZ, but Arclight is almost always crowded and for good reason: the extra 1 or 2 dollars on the ticket keep away people like you.

Call it a douche tax.

Posted by cjKennedy Author Profile Page at July 12, 2008 5:21 PM

comment #11

MPNeeb Author Profile Page says ...

Has Arclight raised their prices recently?
Their rates were pricey when they opened, and in line with what other theaters are charging now.

Posted by MPNeeb Author Profile Page at July 12, 2008 6:25 PM

comment #12

cjKennedy Author Profile Page says ...

They're mostly the same. The weekend price is still a steep $14 though that's not far off other theaters any more. In Sherman Oaks it's $13.50 and the parking is free vs. $2 if you park in the garage in Hollywood.

The weekday non-member price went up to $12 at Hollywood, but the member price is still $11. In Sherman Oaks the weekday price is $11.50 for both.

Posted by cjKennedy Author Profile Page at July 12, 2008 6:36 PM

comment #13

The Winchester Author Profile Page says ...

It makes a lot of sense, especially for "spill-over" business when Dark Knight sells out.

Posted by The Winchester Author Profile Page at July 12, 2008 8:05 PM

comment #14

D.Z. Author Profile Page says ...

cj: "Sorry to disappoint you DZ, but Arclight is almost always crowded and for good reason: the extra 1 or 2 dollars on the ticket keep away people like you."

People like me? I guess those Scientologists got to you. Oh, you mean people who like good sound and picture projection for their money, not whatever the Arclight charges for mediocre grainy prints and seats you can't even choose.

"Call it a douche tax."

I hear it's named after the people who came up with the fee.

"The weekend price is still a steep $14 though that's not far off other theaters any more."

Other theaters only charge close to those prices at non-matinee shows, though.

Posted by D.Z. Author Profile Page at July 12, 2008 10:18 PM

comment #15

trimmer Author Profile Page says ...

DZ, what do you mean when you say Arclight charges for "seats you can't even choose"? Unless it's the AFI Fest I choose my seats in advance every time.

Posted by trimmer Author Profile Page at July 12, 2008 10:46 PM

comment #16

D.Z. Author Profile Page says ...

trimmer: That's sort of the point. If you don't choose in advance, you're stuck with whatever's left when you buy tickets there...

Posted by D.Z. Author Profile Page at July 12, 2008 10:52 PM

comment #17

Pornotension Author Profile Page says ...

Then get your seats in advance.

Posted by Pornotension Author Profile Page at July 13, 2008 1:30 AM

comment #18

Pornotension Author Profile Page says ...

I mean, or go to a different theater.

Posted by Pornotension Author Profile Page at July 13, 2008 1:31 AM

comment #19

cjKennedy Author Profile Page says ...

DZ's mom won't let him use the credit card to order tickets in advance.

Posted by cjKennedy Author Profile Page at July 13, 2008 7:50 AM

comment #20

D.Z. Author Profile Page says ...

cj: Yes, I really want to pay even more money, in the form of interest, just for some damn movie tickets. Brilliant.

Posted by D.Z. Author Profile Page at July 13, 2008 1:21 PM

comment #21

DarthCorleone Author Profile Page says ...

That's a shame if the Landmark starts going more mainstream. I don't live that close, but the several times I have made my way to that part of town, I've enjoyed the indie fare they offer (compared to the cramped, uncomfortable theaters around here that offer most of the indie flicks). It's definitely one of the better theater experiences in LA in my estimation, and, yes, the parking plays a part in that.

As for Graumann's, I can't stand that theater. The sound in there sucks. I keep giving it another chance because it is such an iconic location, but it never satisfies.

Y'all squabbling about the seating at Arclight is funny. The bottom line is that if you want your choice of seats - no matter what theater you go to - you're going to have to do *something* early. I like the ability to choose my seat so that I can come as close as possible to guaranteeing that I'm not seated next to other human beings who are going to talk and ruin the movie for me. Yes, the parking isn't that great, but there are no commercials, and the seating is comfortable, so the Arclight is usually my first-run theater of choice.

Posted by DarthCorleone Author Profile Page at July 13, 2008 2:45 PM

comment #22

D.Z. Author Profile Page says ...

Darth: "The bottom line is that if you want your choice of seats - no matter what theater you go to - you're going to have to do *something* early."

True, but at least I can still get a good seat at other theaters, if I'm late.

"Yes, the parking isn't that great, but there are no commercials,"

Just an idiot summarizing the plot and cast, because we're too stupid to not know that beforehand.

"and the seating is comfortable,"

If you like chairs which don't bend back and which are arranged at odd geometric angles, sure.

Posted by D.Z. Author Profile Page at July 13, 2008 6:49 PM

comment #23

DarthCorleone Author Profile Page says ...

*shrug*

I'm not that enamored with it. It's just the closest theater to my house. Where do you recommend I go?

Posted by DarthCorleone Author Profile Page at July 13, 2008 7:57 PM

comment #24

cjKennedy Author Profile Page says ...

Don't worry Darth, Landmark is still mainly indie with a few more mainstream films worked in the mix.

Posted by cjKennedy Author Profile Page at July 13, 2008 11:27 PM

comment #25

cjKennedy Author Profile Page says ...

DZ, I'm just going to let your last comment to me hang with the weight of its own retardness, twisting gently in the wind.

Window licker.

Posted by cjKennedy Author Profile Page at July 13, 2008 11:31 PM

comment #26

saranie Author Profile Page says ...

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