Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Family Implosion

Take this with a grain, but Anne Hathaway's performance as an emotionally unruly rehab veteran in Jonathan Demme Rachel Getting Married (Sony Pictures Classics, 10.3) is also thought to be a possible Oscar-level thing. Maybe. Depending on the breaks. Let's see what happens in Telluride or Toronto (or both). Jenny Lumet's script is about troubled Kym (Hathaway) returning home for the wedding of sister Rachel (Rosemarie Dewitt), and all the jagged-edge, broken- wing, barb-tongued elements she brings along. Sounds like a hoot...maybe.


Jailbird<< previous | next >>Over Coffee

Posted by Jeffrey Wells on August 1, 2008 at 7:34 PM

comment #1

aussieanywhere says ...

It's in competition in Venice. There is buzz on Hathaway but I'm just as excited to see DeWitt in (hopefully) a strong role - she was sterling in Mad Men's first season.

Posted by aussieanywhere at August 1, 2008 8:01 PM

comment #2

erniesouchak says ...

Anne Hathaway? There's no "there" there.

Posted by erniesouchak at August 1, 2008 8:04 PM

comment #3

Mgmax says ...

Hathaway had a great scene in Brokeback Mountain-- no, not the topless one, the one where she's talking to Heath after Jake has died and she says something dismissive about her dead husband with all the weary pissiness of an ex-wife after 20 years of marriage. I forget what the exact words were, but the fact that she could express that at her young age impressed me quite a bit.

Posted by Mgmax at August 1, 2008 8:19 PM

comment #4

Nick Rogers says ...

Sounds like "Margot at the Wedding," only worse.

Posted by Nick Rogers at August 1, 2008 8:21 PM

comment #5

Aris P says ...

She's hot.

Posted by Aris P at August 1, 2008 8:28 PM

comment #6

Rod32303 says ...

I have faith. Demme is a craftsman, and Debra Winger plays the mother. We'll see...but good for Hathaway - and I just saw "Brokeback" a week ago. That is an most outstanding scene that Mgmax references - she talks about Jack Tripp talking about Brokeback Mountain, "where a bluebird sings, and there's a whiskey spring...he drank a lot."

Priceless.

Posted by Rod32303 at August 1, 2008 8:55 PM

comment #7

BurmaShave says ...

If this movie works, isn't Debra Winger going to be getting all the awards buzz? It'll be ironic if Best Supporting Actor goes to someone in honor of his death and Best Supporting Actress goes to someone to acknowledge gratefully that they are still alive.

Posted by BurmaShave at August 1, 2008 9:04 PM

comment #8

mutinyco says ...

I believe it was shot with multiple digital cameras, each covering the scenes in long, unbroken shots -- then the various takes were cut together.

Posted by mutinyco at August 1, 2008 9:41 PM

comment #9

K. Bowen says ...

First off, MGMax is right, as usual. After watching Brokeback when everybody was talking about Ledger, Gyllenhaal, and MIchelle WIlliams (deservedly), I was talking about Hathaway. I had never seen The Princess Diaries, so maybe I came with fresh eyes. But I always figured she would be the biggest star to emerge from the cast. f she had stuck with Knocked Up, she would probably be the biggest female star in the world right now.

I think it would be great if arguably the most beautiful actress in the world were also a fashion icon, a respected actress, and the biggest star. It's been a long time since we've had one of those. Maybe Michelle Pfeiffer, maybe?

Posted by K. Bowen at August 1, 2008 10:27 PM

comment #10

BurmaShave says ...

hate to pull a DZ, but it looks like somebody might finally believe in PRIDE & GLORY:

http://www.worstpreviews.com/trailer.php?id=162&item=1

Posted by BurmaShave at August 1, 2008 10:40 PM

comment #11

Terry McCarty says ...

If Demme can get past the constipated political correctness that's marred a lot of his 90s/00s fictional films, this could be a return to form.

Posted by Terry McCarty at August 2, 2008 12:37 AM

comment #12

actionman says ...

she has wonderful, wonderful, wonderful hooters. but she can't act for shit. that scene from brokeback mentioned above was a fluke.

Posted by actionman at August 2, 2008 4:24 AM

comment #13

actionman says ...

Demme should do another thriller like his Manchurian Candidate remake. That was a terrific movie.

Posted by actionman at August 2, 2008 4:28 AM

comment #14

thevisceral says ...

The headline made me think this was going to be about Nikki Blonsky and her old man throwing down on the chick from America's Next Top Model and her mom.

Posted by thevisceral at August 2, 2008 5:22 AM

comment #15

btwnproductions says ...

Echoing what others said, it's very "MARGOT"-y in concept, and Demme's track record for features has been poor since his deserved Oscar win. I'm hoping for a return to form, but have been disappointed time and again.

Posted by btwnproductions at August 2, 2008 8:41 AM

comment #16

George Prager says ...

FUCK THAT.

The woman is the GREATEST MOVIE STAR of our age. The woman's HAIR is INCREDIBLE and if you don't seek to style your WACK-ASS COIF after ANNE HATHAWAY in your day to day life, you are the lesser woman for it.


RACHEL GETTING MARRIED WILL OWN YOUR ASS.
RECOGNIZE. BE A MAN.

Posted by George Prager at August 2, 2008 9:26 AM

comment #17

astrophore says ...

Agree with Mgmax + others on her performance in Brokeback. That was a subtle turn, and showed depth beyond her years. Not a fluke.

I'd also give some love to Havoc. Not a good film, necessarily, but certainly a watchable B-movie, and she delivers movie-star charisma and Ellen Page snarkiness in that role.

Posted by astrophore at August 2, 2008 9:54 AM

comment #18

AndrewOwens says ...

I liked her in Becoming Jane. Better than Reese but not quite as good as Gwyneth at the whole English Period Film thing. She's very likable in general, but doesn't really exude that big star charisma.

Posted by AndrewOwens at August 2, 2008 5:01 PM

comment #19

frankbooth says ...

"Hooters?!"

Like, wow.

Posted by frankbooth at August 2, 2008 6:55 PM

comment #20

Unison says ...

Ang Lee got a great performance from Jewel. I don't think making Hathaway's small part work should be fully attributed to her alone.

Look at how Meryl ate her alive in Prada. I know she was supposed to be afraid of her, but that performance seemed to suggest that she was flat-out intimidated to be sharing the screen with her.

Posted by Unison at August 2, 2008 10:27 PM

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